Photo finish Friday: “Eye candy”

She was pumped to see the candy.

She was pumped to see the candy.

She was pumped to see the candy. And she was pumped to see the pumps. She had been looking all over town for this type of candy: handmade, locally produced, just the thing to impress him with. After all, he had always given her handmade gifts. Then she saw the shoes, the pumps made from chocolate and candy. She’d always heard that the way to a man’s heart was through his stomach, and she had a secret fetish of wanting a man to at least once in her life nibble and suck her toes. This was just the item. It combined both things, and he wouldn’t even have to know about her fetish until the moment he nibbled his way up to her ruby red painted toes.

Oh, could this be real? Could this actually be happening?

She wanted to click her heels like Dorothy in the Wizard of Oz and say, “This place is better than home. This place is better than home.”

Then the witch behind the counter yelled over at her: “I ain’t here for my health. You gonna buy or you gonna slobber?”

She thought about it for a moment and wondered what she would do if he wouldn’t nibble away her chocolate shoe? What if he didn’t even like chocolate? What would she do then?

“Well?” the witch was not pleased to be kept waiting.

“I’ll take them all,” she said, “And could you gift wrap them?”

The look on the witch’s face was beyond sour. “You know, you can’t really wear these. And you can’t bring ’em back.”

“For what I have in mind, that won’t be an issue.”

The witch shrugged and packed up all five shoes.

She young woman walked home in the cold and blowing snow. Her man would be arriving soon, so she hurried. When she got home, she left a note where here man would find it, then went straight to bed and waited … and waited … and waited….

When morning came, she awoke with a jolt. It took a moment or two before she realized what had happened. All the chocolate shoes were gone, except one, which was partially eaten, the toe area missing. She found a wrapped present in the bed beside her and a note which read:

“My dear Virginia, how you have grown. I almost didn’t recognize you. I hope you like the present. I made it especially for you. Thank you for the chocolate snacks. I tried each one on your pretty little feet and nibbled my way up to your toes. Maybe next year, we can try these. Merry Christmas and Happy New Year. –S.”

Virginia ripped open the present. She stared at the gift for a few minutes before she realized what it was. She turned as red as S’s suit to think he thought of her this way.

It was almost amazing what could happen when you still believed in the jolly ol’ elf.

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Haiku to you Thursday: “Friday”

If Friday were my /

lover, I’d stroke her evening /

and steady her night.

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Writing tip Wednesday: “The Great Ellipsis”

Connecting the dots

PenPal says:

Use an ellipsis (. . .) for:

1. The omission of a word, phrase, line, paragraph, or paragraphs; the points must always appear together on the same line. Do not split an ellipsis at the end of a line of text.
Example:
Over the clatter of dishes, Marcy could hear only certain parts of Dan’s conversation with Elicia. “I had to tell her . . . after the wedding . . . and then she blew up at me . . . not something that could be helped.”

2. Academic / research writing when indicating text removed from a larger body of text.
(I will not include an example here as this is beyond the scope of the literary writer’s needs. See style guides for scholarly writing.)

In a nutshell, ellipses should be used for missing text [and sometimes for the trailing off of dialog or thought where missing words are implied]. When using them, be sure to type and space correctly for current standard usage. The Chicago Manual of Style says this (paraphrased):

*Use only three points for general works and some scholarly writing regardless of how many words are missing or where they occur in a sentence (or between sentences).
*There should be one space between the previous word and the ellipsis.
*When typing the ellipsis, place one space between each point.
*There should be a space between the last point of the ellipsis and any following text.
*Leave no space if end punctuation follows the ellipsis.

Examples:
1. “The brightness of the students was not in question . . . At the same time, they were undoubtedly undernourished in literary minerals and vitamins.”
[Note the space before and after the ellipsis. The ellipsis lets the reader know that some of the speaker’s words are missing here.]

2. “I never meant to hurt you, Marissa, but did you really expect . . .?” John’s voice faltered, and over the roar of the plane’s engine, she couldn’t tell if he finished the sentence.
[In this example, the question mark comes immediately after the final dot of the ellipsis—no space.]

When not to use ellipsis points:
1. Before the first word of a quotation, even if the start of that sentence has been omitted.

2. After the last word of a quotation, even if the original end of the sentence has been omitted.

Note: Publishers and editors warn against overuse of the ellipsis in literary / genre writing. Use it sparingly and for best effect.

Please see The Chicago Manual of Style, “Ellipses,” for detailed and comprehensive information.

________

Cathy Kodra a/k/a PenPal

Cathy Kodra a/k/a PenPal

About PenPal…
Cathy Kodra works as an independent editor in Knoxville, TN. Her poetry and short stories have appeared in numerous journals and anthologies including Roanoke Review, New Millennium Writings, Common Ground Review, Now & Then, Cavalier Literary Couture, Slow Trains, Still Crazy, The Medulla Review, Prime Mincer, Yemassee, and others. She is a contributing editor for New Millennium Writings and past guest poetry editor for The Medulla Review. She was first runner up in Prime Mincer’s 2011 Poetry Contest, judged by Rodney Jones, and took first place in the 2012 Old Gray Cemetery Poetry Contest. Cathy’s first poetry chapbook, Thin Ice, was published in 2011 by Medulla Publishing.

Cathy is a member of the Knoxville Writers’ Guild and of two local writing groups. An avid reader and writer, she is currently working on two poetry collections and a collection of short stories. Her hobbies include gardening and vegan cooking, and she lives happily with her husband Ron, two dogs, and a cat. She can be reached at www.cathykodra.com.

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cARtOONSDAY: “uNABRIDGED”

Word of the Day

Word of the Day

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Cobbling Together Concepts and Loglines

Cobbling Together Concepts and Loglines.

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Monday morning writing joke: “Passing the buck”


[Editor’s note: the below article is true. No names were changed, not even the filing location: Bulls Gap. In the words of Mark Twain: “Truth is stranger than fiction, but it is because Fiction is obliged to stick to possibilities. Truth isn’t.” — Following the Equator, Pudd’nhead Wilson’s New Calendar. Now, as a writer, what can you make of this bit of news?]

Woman hospitalized to remove stolen $5,000 from rectum

by JEFF BOBO

BULLS GAP — A theft charge is pending against a Hawkins County woman who allegedly stole $5,000 from her boyfriend and was then hospitalized for injuries suffered attempting to remove the cash from her “hiding place.”

Around 1 a.m. Tuesday, the Hawkins County Sheriff’s Office was dispatched to the home of Bobby Gulley, 249 North Ridge Road, Bulls Gap, on a complaint that his girlfriend was stealing from him.

Gulley told HCSO Sgt. Michael Allen he’d “set a trap” for Christie Black, 43, also of that address, by placing two envelopes containing $4,000 and $1,000 in $100 bills in an old medicine bag.

The medicine bag was then placed on a foosball table and Gully went to bed.

Gulley said that when he woke up, he noticed Black was still awake, but the medicine bag and cash were missing.

When Gulley confronted Black with the theft, Black reportedly vomited up a baggy containing partially dissolved pills.

“He then asked her where the money was, and she admitted to him she’d wrapped it up and stuck it in her rectum,” Allen stated in his report. “Black admitted (to Allen) to taking the money and medication because Mr. Gulley was going to kick her out and she needed money for a place to live.”

Source and the rest of the story: http://www.timesnews.net/article/9066805/woman-hospitalized-to-remove-stolen-5-000-from-rectum

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Haiku to you Thursday: “Thursday”

If Thursday were my /

lover, I’d embrace her stars /

with my empty eyes.

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Writing tip Wednesday: “Juicier plot”

THREE WAYS TO MAKE YOUR PLOT JUICIER

by BRUCE HALE

http://www.brucehalewritingtips.com/

Plots are like Christmas turkeys — we’re always looking for ways to fatten them up. Juicier plots feel more complex, more satisfying. They keep readers up late turning the pages, and keep editors asking for more.

How do you make sure your book’s plot is a juicy one? Here are three quick tips to help.

1. UP THE “UH-OH” FACTOR
Throw roadblocks into your character’s path. Disappoint him or her. Frequently. Give your hero bad luck.

(Bad luck is bending over to pick a four-leaf clover and being infected by poison ivy.)

Yes, I know – your main character is a version of yourself. Few people would knowingly put themselves in jeopardy, but you’ve got to cold-bloodedly throw your surrogate into the soup — even more than you think you do.

Always be asking, “How can I make it worse?”

The more danger, the better. It can be physical, emotional, or spiritual danger, or a threat to life and limb. By piling on troubles, you hook readers into wanting to find out how the hero gets out of it. I call it the “UH-OH factor.” They read it and go, “uh-oh, she’s really gonna get it now.”

2. RAISE THE STAKES
You see this in movies all the time. A regular schmo is trying to solve some small problem in his life – like a romantic breakup – and then he stumbles into an even bigger problem. Or something happens to make it even more urgent that he solve his small problem (like his ex decides to get married and he has to win her back before the wedding).

In movies, the stakes often become “the end of the world as we know it.” No need to go that far, unless your story warrants it. But you can always up the ante in smaller ways.

For example, in my book, FAREWELL, MY LUNCHBAG, Chet Gecko is hired by his friendly cafeteria lady to discover why her food is going missing. But then, while Chet’s on stakeout, the real crook frames him for the thefts. Chet then has an even stronger reason for solving the case: clearing his name.

3. MAKE HIM FACE HIS FLAW
If you want to make it even harder for your hero to solve the story’s central problem, give them a flaw and put them in a situation where they have to overcome it.

(Warning: This technique can be over-used, but if done with finesse, it adds another layer of richness to the story.)

For example, if your hero is afraid of the dark, let her come up against this fear a few times and get off fairly easy — not investigating that dark alleyway, or enlisting a friend with a flashlight to help her. But at the climax, when it’s do-or-die time, stick her in a cave as black as midnight. She must overcome her fear in order to find the missing kid/treasure/whatever.

Simple enough? Absolutely. But employing any of these tips can add a juiciness to your story that makes a reader want to dig it with gusto.

___________

Bruce Hale

Bruce Hale

About Bruce…
Bruce Hale began his career as a writer while living in Tokyo, and continued it when he moved to Hawaii in 1983. Before entering the world of children’s books, he worked as a magazine editor, surveyor, corporate lackey, gardener, actor, and deejay.

Bruce has written and illustrated over 25 books for kids. His Underwhere series includes Prince of Underwhere and Pirates of Underwhere. His Chet Gecko Mysteries series includes: The Chameleon Wore Chartreuse, The Big Nap, The Malted Falcon, Hiss Me Deadly, and others. More at http://www.brucehale.com/

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Haiku to you Thursday: “Wednesday”

If Wednesday were my /

lover, I’d carry her dew /

on my lips as hope.

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Monday morning writing joke: “In the swim of things”

[Editor’s note: this is from the “you can’t make this up” department. Not so much a joke, though certainly a bit of a humorous caper. Who knows, could even be the basis for a story. I don’t know if you would call this a stroke of genius, or simply a breast stroke.]

A woman who received permission to skinny dip in a man’s backyard pool sufficiently amused him while her male companion burglarized the premises, police reported.

The 54-year-old victim said the couple, who lived nearby, approached his home about 3 p.m. Saturday in Crossville.

http://www.knoxnews.com/news/2013/jul/09/nude-woman-swimmer-distracts-home-burglary-victim/?partner=popular

While a nude female swimmer in his Camelot subdivision home’s backyard pool had him distracted, the woman’s accomplice was inside the victim’s home stealing his personal property. Both made a clean getaway. The incident took place last Saturday on Canterbury Lane around 3 p.m. at the home of a 54-year-old man who told police that a couple who live nearby approached his home when the woman suddenly told her husband to go back and retrieve her cigarettes, according to Ptl. Camden Davis’ report. – See more at: http://crossville-chronicle.com/local/x1696737631/Nude-swimmer-distracts-home-burglary-victim#sthash.mL3Qxm2N.dpuf

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