cARtOONSDAY: “sUCKER”

What's next? Sucker punch?

What’s next? Sucker punch?

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Monday morning writing joke: “literally”

It’s hard to explain puns to kleptomaniacs because they always take things literally.

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Bill Murray Gives a Delightful Dramatic Reading of Twain’s Huckleberry Finn (1996) | Open Culture

Bill Murray Gives a Delightful Dramatic Reading of Twain’s Huckleberry Finn (1996) | Open Culture.

Mark Twain

Mark Twain

George Barnard Shaw once called Mark Twain “the American Voltaire,” and like the inspired French satirist, Twain seems to have something to say to every age, from his own to ours. But if Twain is Voltaire, to whom do we compare Bill Murray? Only posterity can properly assess Murray’s considerable impact on our culture, but his current role as everyone’s favorite pleasant surprise will surely figure largely in his historical portrait. Of Murray’s many random acts of kindness—which include “popping in on random karaoke nights, or doing dishes at other people’s house parties, or crashing wedding photo shoots”—he has also taken to surprising us with readings from American literary greats: from Cole Porter, to Wallace Stevens, to Emily Dickinson.

Just above see Murray read an excerpt from American great Mark Twain’s The Adventures of Huckleberry Finn. Murray’s appearance at the 1996 Barnes & Noble event apparently came as a surprise to the audience—and to himself. The excerpt he reads might also surprise many readers of Twain’s classic, who probably won’t find it in their copies of the novel. These passages were originally published in Life on the Mississippi but reinserted—“correctly, I guess,” Murray shrugs—into Huck Finn in Random House’s 1996 republication of the novel, marketed as “the only comprehensive edition.” (Read a publication history and summary of the changes in this brief, unsympathetic review of the re-edited text.)

1996 was an interesting year for Twain’s novel. Long at the center of debates over racial sensitivity in public education, and banned many times over, the book figured prominently that year in a tense but fruitful meeting between parents and teachers in Cherry Hill, New Jersey. These discussions produced a new curricular approach that PBS outlines in its teaching guide “Huck Finn in Context,” which offers a variety of responses to the thorny pedagogy of “the ‘n’ word,” racial stereotyping, and reading satire. Beyond the issue of derogatory language, there also arose that year a pugnacious challenge to the book’s place in the American literary canon from novelist Jane Smiley. Smiley’s polemic prompted a lengthy rebuttal in The New York Times from Twain scholar Justin Kaplan.

More at: http://www.openculture.com/2014/09/bill-murray-gives-a-delightful-dramatic-reading-of-twains-huck-finn.html

[Editor’s note: the over hour-long video contains much more than Murray’s reading and is worth watching for its own merits and authors on the panel.]

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Photo finish Friday: “A lot of hot air”

"Get up in the air you gas bag and fight like a balloon!"

“Get up in the air you gas bag and fight like a balloon!”

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Haiku to you Thursday: “Translucent”

Haze lingers like fog /

translucent upon your lips /

passion unspoken.

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cARtOONSDAY: “cOOKING uP AN iDEA”

Space really was the final frontier. Who knew you could find it in an oven?

Space really was the final frontier. Who knew you could find it in an oven?

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Monday morning writing joke: “Dreams”

Three writers are sitting at a bar. It’s the first time they’ve met.

After a drink or two, the first writer turns to the others at the bar and says, “I had a strange dream last night.”

The second writer asked, “How strange was it?”

“Well, the first writer says, “I dreamed I went to Hell and a lot of famous writers were there. You know, Mark Twain, Dorothy Parker, Albert Camus.”

“Really,” says the second writer. “I dreamed I went to Heaven and a lot of famous writers were there. You know, C.S. Lewis, G.K. Chesterton, John Bunyan.”

When he didn’t say anything, they asked the third writer, who said, “I dreamed I was in a bar with two other writers.”

The next night the three writers met again at the bar.

The first writer said, “I dreamed I was in Heaven, and I saw all those writers you mentioned.”

The second writer said, “I dreamed I was in Hell, and I saw all those writers you mentioned.”

Then they turned to the third writer sitting between them. He took a sip of his drink and shrugged his shoulder, “I dreamed I was in a bar with two other writers.”

After another drink, they started talking about their work.

“I’m a crime writer,” said the first writer.

“I’m a romance writer,” said the second writer.

They then turned to third writer who sighed and said, “I’m a travel writer.”

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The Sexiest Hard Case Crime Book Covers (PHOTOS)

The Sexiest Hard Case Crime Book Covers (PHOTOS).The Sexiest Hard Case Crime Book Covers (PHOTOS).

Old pulp paperbacks fetch a handsome price on the antique market. It’s no wonder why; they feature artwork that incorporates everything good and pure about American culture—namely saucy dames, square-jawed men, brutal violence and raunchy sex. Even if you can’t throw down the cake for a vintage copy of Faulkner’s The Sanctuary, you can get the latest releases from Hard Case Crime, a retro fiction imprint with books you can judge by their covers. Check out some of our favorites on the following pages.

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Writing Quotes from Hemingway

Ernest Hemingway at typewriter

Ernest Hemingway at typewriter

  1. If a writer knows enough about what he is writing about, he may omit things that he knows. The dignity of movement of an iceberg is due to only one ninth of it being above water.
  2. That is what we are supposed to do when we are at our best – make it all up – but make it up so truly that later it will happen that way.
  3. When writing a novel a writer should create living people; people not characters. A character is a caricature.
  4. All you have to do is write one true sentence. Write the truest sentence that you know.
  5. To F. Scott Fitzgerald: “Write the best story that you can and write it as straight as you can.”
  6. To an aspiring writer: “You shouldn’t write if you can’t write.”

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Haiku to you Thursday: “Limp”

Walking carries pain; /

joints pronounce the weight of years; /

limp encodes effort.

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