Photo finish Friday: “Unmentionable”

The tchotchke side of town

The tchotchke side of town

Bosom babe met the elephant
down by the merry-go-round.
Bosom babe asked the elephant
if he’d like to see the town?
Replied the red elephant
lifting his trunk high into the air,
“I’ve seen all I want to see
and much more than you care.”
She wondered what he meant
until she looked up high.
Then she spied her unmentionables:
dainty white against blue sky.
Let this be a lesson to you:
ladies don’t hang around
a shiny red elephant
from the tchotchke side of town.

— Photo by Brian Griffin; poem by David E. Booker

[Editor’s note: Yes, this poem is Fourth of July suitable (pardon the pun). It mentions the colors red, white, and blue.]

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43 Inconceivable Facts About “The Princess Bride” You Probably Never Knew

43 Inconceivable Facts About "The Princess Bride" You Probably Never Knew.

1. The Princess Bride was almost made into a movie in the ’70s, and a then-unknown Arnold Schwarzenegger was seriously considered to play Fezzik.

2. By the time the movie was actually made, Schwarzenegger was too expensive to hire.

3. The Rodents of Unusual Size were men in rat suits.

4. One of the R.O.U.S. actors got into a fight with his wife and burned down the kennel they owned, so the film crew bailed him out of jail so he could film the Fire Swamp scene.

5. Director Rob Reiner auditioned over 500 women for the role of Buttercup, including Courtney Cox, Meg Ryan, Uma Thurman, and Whoopie Goldberg.

6. Robin Wright is originally from Texas but barely needed any dialect coaching for Buttercup’s English accent. Her father is British.

For more trivia about The Princess Bride: http://www.buzzfeed.com/keelyflaherty/inconceivable-facts-about-the-princess-bride-you-probably

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Haiku to you Thursday: “Deep”

In darkness is light /

Hiding in moments of doubt /

Deep in the promise.

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7 Things Every Twenty-First Century Writer Needs To Do | PHOENIX Magazine

7 Things Every Twenty-First Century Writer Needs To Do | PHOENIX Magazine.

Writing can be a lonely business, and the fragmentation of the publishing industry can leave aspiring authors feeling unsure as to whether they’re got more or less opportunity of getting their work read than ever before.

Last weekend’s Writing In The Digital Age conference – an event organised by leading manuscript assessment service The Literary Consultancy – was a rare opportunity for the UK’s leading publishers, editors, agents, writers and digital innovators to gather in an atmosphere of honesty and openness to swap experiences, perspectives and practical advice.

From a blistering keynote by journalist and sci-fi author Cory Doctorow to a panel about what book reviewing means in the twenty-first century, it was a rollercoaster ride through the opportunities and challenges on offer for those of us mad enough to cobble together careers based on words.

If you fall into that category, here are seven things you need to know.

1. Take control of your own career.

Whether you choose to self-publish or pursue the traditional route, it is no longer viable to shut yourself in a garret and expect the royalty cheques to come. Orna Ross, founder of The Alliance of Independent Authors, got it in one when she said that “every writer should be an indie [independent].” Define why you want to write, what sort of things you want to write, how much money you want to make, and the lifestyle you want to live while you’re doing it. Make it into a proper business plan, with a timeline, marketing strategy and KPIs. Then go out and find the tools and partners that are the best fit.

2. Self-publish, at least once.

Ross also insisted that even trade published writers should experiment with self-publishing at some point. It’ll give you a much better understanding of the full range of publishing services and tools out there, and will encourage you to get over the mental barrier of sharing your work. Beware of making anything public too early – you still want to thoroughly polish before you slap an ebook onto Amazon – but genre novels, specialist non-fiction, short stories and experimental formats might get more traction on niche platforms than in the traditional marketplace. You won’t learn until you start producing, and there’s real value in overcoming your ego and learning how to ‘ship.’

Other points covered:

3. Turn one manuscript into multiple streams of income.

4. Think beyond books and experiment with multimedia storytelling.

5. Get creative with funding.

6. Don’t sacrifice editing for marketing.

7. Never give away your DRM.

Details at: http://www.phoenixmag.co.uk/culture/7-lessons-every-twenty-first-century-writer-needs-to-learn/

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cARtOONSDAY: wILLARD tHE wRITER: “sIGN oF tHE tIMES”

All booked up and no place to go.

All booked up and no place to go.

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Pulp Serenade: John D. MacDonald on Words and Writing (2)

John D. MacDonald

Pulp Serenade: John D. MacDonald on Words and Writing (2).

Recently, I came across an in-depth article on John D. MacDonald from around the time of the movie adaptation of Darker Than Amber. “The man who writes those Travis McGee stories: A look at John D. MacDonald” was written by Mike Baxter and was published in The Washington Post Times Herald on Feb 1, 1970. It was a fairly lengthy article, but below are excerpts of some of the most insightful parts:

[Mickey] Spillane visits [John D.] MacDonald’s home at intervals, and both write mysteries. As craftsmen, however, they are as close as Eldridge Cleaver and Sam Spade. Even Spillane can recognize the gulf. “I am a writer; you are an author,” The Mick once told MacDonald. There is more in that than semantic nonsense.

MacDonald writes on a beige IBM Selectric as if Doom were about to unplug it in the last great denouement…He devotes a business-like seven-to-nine hours a day writing, doing it until the lunch hour, then doing it again until the cocktail hour. Fast subtraction shows that this leaves “too little time, dammit” for other pursuits.

More at: http://www.pulpserenade.com/2011/10/john-d-macdonald-on-words-and-writing-2.html

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Monday morning writing joke: “R&D”

An experienced writer was showing his house to a novice writer when they passed by a door marked “R&D.”

Novice writer: “Wow. I didn’t know you had your own R&D room.”

Experienced writer: “You, too, may have one one day.”

Novice writer: “You mean my own Research and Development room?”

Experienced writer: “No, your own Rejected and Dejected room where your failed manuscripts go.”

“Oh,” the novice writer said, suddenly not quite so excited.

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6 Subtle Things Highly Productive People Do Every Day – Business Insider.

Ever feel like you’re just not getting enough done?

Know how many days a week you’re actually productive?

About three:

People work an average of 45 hours a week; they consider about 17 of those hours to be unproductive (U.S.: 45 hours a week; 16 hours are considered unproductive).

We could all be accomplishing a lot more — but then again, none of us wants to be a workaholic, either.

It’d be great to get tons done and have work-life balance. But how do we do that? I decided to get some answers.

And who better to ask than Tim Ferriss, author of the international bestseller The 4-Hour Workweek.

(Tim’s blog is here and his podcast is here.)

Below are six tips Tim offered, the science behind why they work, and insights from the most productive people around.
1. Manage Your Mood

Most productivity systems act like we’re robots – they forget the enormous power of feelings.

If you start the day calm it’s easy to get the right things done and focus.

But when we wake up and the fray is already upon us — phone ringing, emails coming in, fire alarms going off — you spend the whole day reacting.

Read more: http://www.bakadesuyo.com/2014/06/most-productive-people#ixzz36520CACY

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Photo finish Friday: “Ticket to ride”

Woodn't ya know it, they never really left.

Woodn’t ya know it, they never really left.

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Haiku to you Thursday: “Leaves”

Give me all your love /

Leave your hate by the tall tree /

The leaves will shape it.

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