The straggler grieves /
for the love he left behind /
fading into daylight.
The straggler grieves /
for the love he left behind /
fading into daylight.
Filed under 2017, Haiku to You Thursday, poetry by author
My Top Tips For Writing a Time Slip Novel By Kim Fleet
Source: My Top Tips For Writing a Time Slip Novel By Kim Fleet
A time-slip novel contains two or more stories, each set in a different time period, told in parallel with each other. In my latest novel, Holy Blood, one story line is in contemporary Cheltenham, the other in the Elizabethan Cotswolds. Writing time-slip brings its own joys (exploring new characters and situations) and challenges (double the research), so here are some tips to keep you time travelling painlessly.
Decide which is the main story: it helps you to plan your story arc and focus on the main themes of the novel. It also helps to keep characters under control – especially the bolshy ones who think it’s all about them.
Question everything. First ideas aren’t always best, and I rely on my secret weapon, the question, ‘What if?’ when I’m planning and writing a book to ensure I’ve explored all possibilities and chosen the ones that I think will work best. I ask myself, ‘What if this was set in the war? What if this character was a girl, not a boy?’
Use at least three sources for your research. I use the internet for initial research, but I always cross-check using reputable books. It’s a great excuse to get absorbed in the past. Visiting locations can help you pick up details you wouldn’t get from books.
Don’t overdo the historical details by shoehorning everything you’ve researched into the book as it makes the narrative stodgy. If you can keep the sense of the time in your mind while you write, somehow it comes out on the page.
Ensure the stories in the two time periods link up by having situations, objects or places that appear in each. Ideally, both story lines should resolve each other, even better!
Mind your language. Slightly more formal speech and the occasional thee or thou is enough to remind the reader we’re in the past. Under no circumstances use ‘Hey nonny’.
Avoid anachronisms by checking your facts rigorously and remember that not everyone uses an invention the moment it comes out. Words change their meaning, fall out of fashion, and new words come in.
Use coloured pens and index cards, allocating one card for each scene in the book, and different colours to indicate time periods. When you set them out in order you can easily see where you spend too long in one time period and need to break things up.
Use cliff hangers. One of the joys of writing time-slip is that you get a double whammy by ending a chapter on a cliff hanger and by changing time period. It makes the pace very fast.
Get your crayons out and map the connections between all your characters. A character with only one link needs to be given more to do, or be amalgamated with another ‘thin’ character. The density of connections shows where you need an extra sub-plot.
Filed under 2017, writing tip, Writing Tip Wednesday
Writer one: “Did you hear about the play about the writer of run-on sentences who committed suicide?”
Writer two: “No.”
Writer one: “It’s a period piece.”
Filed under 2017, joke by author, Monday morning writing joke
Time, once again, for New words to live by. This is a word or phrase not currently in use in the U.S. English lexicon, but might need to be considered. Other words, such as obsurd, crumpify, subsus, flib, congressed, and others, can be found by clicking on the tags below. Today’s New Word is created by taking an adjective and a noun and creating a compound word. Without further waiting, white liner.
OLD WORD
White, adj. Reflecting nearly all the rays of sunlight or a similar light. For example, new snow. The margins of many printed pages.
Line, n. A mark or stroke ling in proportion to its breadth, often made with a pen, crayon, marker, pencil, or other tool on a surface. For example, the white lines on a highway dividing two lanes.
NEW WORD
White liner, n. 1. Any person or thing that crowds the margins or marked edges or lanes of a highway. For example, a person who rides the white center lines of a highway. Or, somebody who parks right on the line of a parking space.
Filed under 2017, new word, New words to live by
In our continuing quest to revisit a classic, or even a curiosity from the past and see how relevant it is, we continue with The Devil’s Dictionary by Ambrose Bierce. Originally published in newspaper installments from 1881 until 1906. You might be surprised how current many of the entries are.
For example, here is a definition for the word Egotist. The Old definitions are Bierce’s. The New definition is mine. From time to time, just as it was originally published, we will come back to The Devil’s Dictionary, for a look at it then and how it applies today. Click on Devil’s Dictionary in the tags below to bring up the other entries.
OLD DEFINITION
Egotist, n. A person of low taste, more interested in himself than in me.
Megaceph, chosen to serve the State
In the halls of legislative debate,
One day with all his credentials came
To the capitol’s door and announced his name.
The doorkeeper looked, with a comical twist
Of the face, at the eminent egotist,
And said: “Go away, for we settle here
All manner of questions, knotty and queer,
And we cannot have, when the speaker demands
To be told how every member stands,
A man who to all things under the sky
Assents by eternally voting ‘I’.”
NEW DEFINITION
Egotist, n. A person of low taste, more interested in himself than in me. See, Donald J. Trump
Donald, chose to run for president
Saying only he could truly represent
The interest of those who had been ignored
Or in some other way had been deplored.
He marched into office, saying hugely
It was and always about yours truly.
What some still fail to understand
Is that “yours truly” is about the man
And not a form of salutation
Meant for the greater good of the nation.
It has always been about him:
The hymn of him, of him the hymn.
Filed under 2017, Ambrose Bierce, Devil's Dictionary

Emerging Writer’s Contest
Deadline is May 22, 2017
The Emerging Writer’s Contest is open to writers of fiction, nonfiction, and poetry who have yet to publish or self-publish a book. The winner in each genre will be awarded $2,000. Read past winners of the contest here. To submit to the Emerging Writer’s Contest, please visit our submission manager.
The 2017 contest judges are Garth Greenwell (fiction), Meghan Daum (nonfiction), and Natalie Diaz (poetry).
Publication
The winning story, essay, and poems from the 2017 contest will be published in the Winter 2017-18 issue of Ploughshares, and each writer will receive $2,000 and two copies of the issue in which their work appears.
Eligibility
You are eligible if you:
Submitting
The contest opens March 1, 2017 at noon EST and has been extended to May 22, 2017 at noon EST. We will announce winners in mid-September, 2017.
Fiction and Nonfiction: Under 6,000 words
Poetry: 3-5 pages
Submit one entry per year via our online submission manager.
Entry Fee
Entry to the contest requires a $24 fee, which is waived if the submitter is a current subscriber. The fee is:
Current subscribers—through the Winter 2017-18 issue—may submit for free.*
*If you are a current subscriber, you will still be prompted to checkout, but you will not be required to enter your credit card information and will not be charged.
To submit to the Emerging Writer’s Contest, please visit our submission manager.
Source: Guidelines | Ploughshares
Filed under 2017, contest, writing tip, Writing Tip Wednesday
Filed under 2017, CarToonsday
There once was a writer ignorant of history, /
For whom dates and names were a mystery. /
Did it happen there? /
Did anyone really care? /
It let him tell the story so simplistically.
Filed under 2017, Monday morning writing joke, poetry by author