Tag Archives: Wednesday

Writing tip Wednesday: “Stop the stall”

9 Ways to Stop Your Novel from Stalling

by Tracey Barnes Priestley

Source: http://www.writersdigest.com/online-editor/9-ways-to-stop-your-novel-from-stalling?utm_source=wir&utm_campaign=wds-bak-wir-160107&utm_content=811333_WDE160107&utm_medium=email

I would be willing to wager that most writers have made New Year’s resolutions regarding their writing practices. I know I have.

Tracey Barnes Priestley

Tracey Barnes Priestley

Curious about this, I canvassed a few of my writer friends. Sure enough, many of them had frequently participated in this annual tradition that dates all the way back to the Babylonians. Each writer had faced January with a deep commitment and heartfelt enthusiasm for those resolutions. One promised herself she’d “finish the first draft” of her novel. Another told me she had written on her dry-erase board, in big, bold letters, “I will clean up the dialogue mess that’s drowning this book.” The least experienced of them, an as yet unpublished young man full of enthusiasm for his craft, swore he would “silence my inner critic and keep writing, no matter what.”

I followed up by asking them how successful they had been in keeping those resolutions. Unfortunately, all had experienced the same thing: disappointment. No matter how hard they tried, they had ultimately been unable to make good on what they had resolved to do.

I knew exactly what they were talking about. I gave up creating New Year’s resolutions about my writing years ago when I found myself at the end of yet another cold January, with nothing more to show for all of my efforts than an exercise in futility. I was left feeling a range of emotions, from guilty to downright silly.

It’s actually quite comical just how few of us keep our New Year’s resolutions. It’s estimated only 45 percent of the population even tries to resolve making changes in the New Year. Of these brave souls, a mere 8 percent are successful.

Yet I’ve wondered if writers might be even more inclined than the general public to approach the New Year with a list of things we want to change, accomplish or do differently. We seem ripe for this kind of experience. As creative thinkers, we face a unique set of circumstances when it comes to producing our work. Alone in whatever space we can manage for our writing, we pound away at the keyboard, with our thoughts, our characters, our struggles and the never-ending reality that we aspire to a tough, highly competitive profession. Why wouldn’t we try to capitalize on the fresh start, the clean slate that January offers us? Magical thinking is right up our alley!

Why Our Writing Can Stall

In my work as a life coach, I’ve come to believe that our writing can be derailed because of two fundamental processes. The first, naturally, is the very nature of our craft, the writing process itself—think plotting, character development, etc. Unfortunately, this intrinsic set of challenges dwells right alongside our individual writing processes—complete with procrastination, destructive thought patterns, negative experiences, ambiguous motivation, unrealistic expectations, etc. And we wonder why we can’t keep our writing resolutions.

By now you’re probably ready to chuck your computer out the window. Don’t! Think of these two processes as valuable tools. Once you understand how they may be driving your inability to meet your writing resolutions, you will be poised to utilize effective strategies that support you and your writing every step of the way.

What’s Holding You Back?

Let’s begin by identifying the warning signs that your writing may be about to stall out. Consider current or previous writing resolutions you failed to keep. Ask yourself if you have experienced any of the following: lack of initiative; inability to prioritize writing tasks; frequent distraction; failure to establish a consistent writing pace/routine; inner dialogue that is one negative message after another; finding yourself simply “too busy” to get anything done. This is hardly an exhaustive list. Reasons writers stall can be varied and unique. Your task is to be as exact—and as honest with yourself—as you can in identifying what gets in the way of your ability to make progress on your projects. Make a list.

Next, evaluate this list from the perspective of the work-in-progress itself. As an example, let’s use my writer friend’s resolution to finish her first draft.

Every time she sat down at her computer, this writer felt lost about where the story should go next, and unclear about the relationship between her two main characters. She found herself thinking, This is useless, and, It’s not a strong enough idea for an entire book—maybe I should ditch the entire thing.

First, she tried to address the problems in the work itself. She sought craft and technique help with her plot and eventually resolved some backstory problems that had delayed the action and confused things between her characters. But the problems with her own lack of clarity persisted. Now she was fairly certain that the problem was within her writing process.

That meant facing off with her inner critic, which is always the most efficient place to begin. She looked her frustration in the eye and began to unravel the negative messages ricocheting around inside her head. Why exactly was this project “useless”? After some contemplation, she surprised herself with her answer: “Because I don’t have the patience for anything but short stories—certainly not a full-length novel.” This statement got her wheels turning in a new direction. She rethought her word choice (she is, after all, a writer) and decided it wasn’t really a lack of patience—this gifted writer was actually lacking confidence. She found herself wondering:
I’ve had some success with short stories, so why am I risking my time and energy on something I don’t know much about? She realized she’d been rationalizing away the entire project, even though writing a novel really was something she wanted to try.

Once you are able to identify what is really preventing you from pushing ahead, you’ll be freed up to construct writing goals that will actually yield productive results. For my friend, this meant not just correcting her self-defeating thoughts, but lifting the expectations she was unconsciously placing on her unwritten manuscript. It didn’t have to be a “success,” as her published short stories had been, to be worth her while—or at least, she needed to redefine what success meant to her. Once you decide that writing something you want to write is never a waste of time, regardless of whether or not it’s published in the end, you might just find that those negative voices quiet down on their own.

Let’s consider another example, the young writer who swore he would “silence my inner critic and keep writing, no matter what.”

When he viewed his writing from the perspective of each of these two processes, he discovered some distinct problems. He admitted to himself that he felt foolish in the eyes of others for turning his back on the profession he had trained for—engineering—and that he felt like a fraud because he had not been formally trained to be a writer. Those were demons he had to face if he ever wanted to get past Chapter 1.

Next, from the perspective of the writing process, he realized that while writing a novel was on his bucket list, he had not really worked out enough of a story idea to be able to take action on the page.

If you’re intimidated by the prospect of writing an entire novel (and who isn’t?), why not set a goal of writing, say, three chapters? By the time you meet that smaller, more achievable goal, you might just find you have an idea for Chapter 4. When it comes to writing, the laws of momentum apply—it’s infinitely easier to move toward something when you’re already in motion than it is to start from a dead stop.

How to Avoid Stalling: 9 Ways

Now that you’ve seen how fundamentals that have very little to do with actual words on a page can derail a writer’s progress, let’s take a look at what else we can to do make sure we keep moving.

1. Ditch the word resolution entirely.

It’s a setup, one that has been riding on the backs of people for thousands of years. Instead, set a goal, objective or even intention.

2. Understand what truly motivates you.

For some writers, identifying a positive outcome and working toward it is the most effective form of motivation. Conversely, other writers are spurred on by a degree of unrest, even fear.

Write down exactly what is motivating you to meet your writing goal. Is it a good fit? Does it ring true? If not, identify a more appropriate motivation. When finished, post it where you can see it when you are writing.

3. Break it down.

It can be quite worthwhile, exciting even, to set large goal. “Yes, I will finish my novel this year!” But make sure it’s specific—which usually means breaking it down into smaller goals you can cross off along the way. Remember my friend’s resolution, “I will clean up the dialogue mess that’s drowning this book”? It would have been more attainable to separate this vague notion into three separate goals: (1) When I hear myself saying negative things like “I’m drowning this book,” I will stop, write the negative message down, put it into my complaint box and get back to work (a good practice for anyone working toward any goal, by the way); (2) Over the next two weeks I will identify the dialogue passages that are giving me grief; and (3) By the end of January, I will have rewritten at least one scene that includes dialogue. Note that the goals are not just well defined, but action oriented, and that the second and third goals include a targeted time frame. Most of us will be more successful if we give ourselves reasonable deadlines.

4. Be realistic.

Changing behaviors, attitudes and habits is a process. Rarely does change occur because of one event or a date on the calendar. (Curious to know more about why this is? Do some research on the neuroscience of change—you will be astounded by what is required for our poor brains to shift into a new mode.)

5. If you feel frustrated, pick a single task—the smaller the better.

It should be related to your work-in-progress, but it doesn’t have to be what chronologically comes next in your manuscript’s progression. It does, however, need to be so simple you can’t possibly fail. For example, it may seem like rewriting one page should be easy enough to accomplish, but if you’re not succeeding, the task is too big. Instead, aim to rewrite one paragraph or even just one sentence. When you are finished, move onto the next small task. This approach fights frustrations with success, and builds forward progress into your writing practice.

6. Pair up.

Ask another writer to join you in working toward your individual goals in the months ahead. You’ll both benefit from being accountable to one another, and the mutual support will motivate you to follow through.

7. When all else fails, take a break.

It can be as simple as getting up from your computer and walking around the house, or as significant as putting your project on hold for a month. Stepping away from the source of our frustration can give us a fresh perspective and renewed momentum. But be sure to designate an end point to this refueling period to ensure that it is in fact a break—and not an excuse not to get up from that chair and never sit back down.

8. Realize that setbacks are part of the process.

Every writer’s road is full of tight curves, jarring potholes and unexpected bumps. Accept this inevitability, and you won’t be as surprised when you slam into something that brings you to a screeching halt. By eliminating the element of surprise, you minimize disappointment, which will help you to recover and get moving again.

9. Above all, be patient!

Meeting your writing goals takes time and effort. When you throw out that laundry list of resolutions and focus your attention on just one or two well-crafted objectives, you’re already one step ahead of where you were last year. Remember that 12 months is plenty of time to accomplish your writing goals if you approach them with understanding, clarity and objectivity. Here’s wishing you every success in 2015. Happy New Year!

About the author: Tracey Barnes Priestley is a columnist, blogger and novelist. She is the author of the novel Duck Pond Epiphany as well as a life coach who teaches writers organization, communication and stress management skills useful for today’s publishing world. Contact her at tracey@thesecondhalfonline.com

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Writing tip Wednesday: “Competitions for 2016”

almond-logo-31

Almond Press “would like to share with you our curated list of writing competitions scheduled for 2016. Included are details about max word count, associated fees, submission deadlines, and direct links to each event.”

Source: http://www.dystopianstories.com/writing-competitions-2016/

You can search through this list in a number of ways, including by Country, Closing date, Word count, Entry fee, and Top Prize. You can also do a keyword search of the listings. Plus, to receive updates all your own, you can sign up to have updates sent to your e-mail address. Can’t get much easier than that.

It is probably not an absolute complete list, but it’s a good resource and fairly easy to access. Much of the work, other than the writing and submitting, has been done for you.

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Writing tip Wednesday: “Fiction open”

Glimmer Train’s Fiction Open

Deadline: January 2, 2016

Glimmer Train

Glimmer Train

Prizes:

  • 1st place wins $2,500 and is presented in Glimmer Train Stories.
  • 2nd place wins $1,000 and possible publication.
  • 3rd place wins $600, or, if chosen for publication, $700.

Other considerations:

  • Open to all subjects, all themes, and every writer. (Over the last two years, 50% of the winning stories were their authors’ 1st publications!)
  • Word count: Most submissions to the Fiction Open run 2,000 to 8,000 words, but from 2,000 to 20,000-word stories are fine.
    (Writing Guidelines, link below.)
  • Reading fee is $21 per story. Winners and finalists will be officially announced in the March 1 bulletin, and contacted directly the previous week.
  • Simultaneous submissions are okay. Please notify immediately if your submission is accepted elsewhere.

Writing Guidelines: http://www.glimmertrain.com/pages/guidelines/fiction_open_guidelines.php

Submit here: https://glimmertrainpressinc.submittable.com/submit/46391

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Writing tip Wednesday: “Deadline extended — Short, short story contest”

DEADLINE EXTENDED

SSS-Header

We’ll keep this short.

Enter the Writer’s Digest Short Short Story Competition for a chance at $3,000 and a trip to the 2016 Writer’s Digest Conference, PLUS national exposure for your story! Click here to see the full prize list.

Here’s the bottom line.

Keep your story under 1,500 words to qualify, and be sure to get your work to us by January 15, 2016.

One First Place Winner will receive:

  • $3,000 in cash
  • Their short story title published in Writer’s Digest magazine’s July/August 2016 issue
  • A paid trip to the ever-popular Writer’s Digest Conference!
  • A copy of the 16th Annual Writer’s Digest Short Short Story Competition Collection
  • A copy of the 2016 Novel & Short Story Writer’s Market
  • A copy of the 2016 Guide to Literary Agents.

Other prizes and how to enter: http://www.writersdigest.com/writers-digest-competitions/short-short-story-competition?utm_source=competition&utm_campaign=wd-tjo-comp-161125&utm_content=801449_WC151125&utm_medium=email

NEW Deadline: January 15, 2016.

FormerlyDecember 14, 2015

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Writing tip Wednesday: Agent Tara Carberry

New Agent to consider

Source: http://www.writersdigest.com/editor-blogs/guide-to-literary-agents/new-literary-agent-alert-tara-carberry-of-trident-media-group?utm_source=newsletter&utm_campaign=wds-csa-nl-151118&utm_content=803492_GLA151202&utm_medium=email

Tara Carberry

Tara Carberry

About Tara: Tara Carberry has nurtured a lifelong passion for books of all kinds. In her career as a literary agent, she is thrilled to be spending her days seeking out exceptional authors and helping them to achieve the highest degree of creative and financial success in today’s dynamic publishing marketplace.

Tara completed her undergraduate degree at Bucknell University and went on to earn a Master’s degree in English and Comparative Literature from Columbia University. She subsequently held editorial positions at both Weinstein Books and W.W. Norton before coming to Trident to work for Kimberly Whalen and Erica Spellman Silverman.

She is seeking: Tara is building a client list of authors at all stages of their careers. She is primarily seeking women’s commercial fiction, romance, new adult, young adult, and select nonfiction.

How to submit: http://www.tridentmediagroup.com/contact-us

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Writing tip Wednesday: “Short, short story contest”

SSS-Header

We’ll keep this short.

Enter the Writer’s Digest Short Short Story Competition for a chance at $3,000 and a trip to the 2016 Writer’s Digest Conference, PLUS national exposure for your story! Click here to see the full prize list.

Here’s the bottom line.

Keep your story under 1,500 words to qualify, and be sure to get your work to us by December 14.

One First Place Winner will receive:

  • $3,000 in cash
  • Their short story title published in Writer’s Digest magazine’s July/August 2016 issue
  • A paid trip to the ever-popular Writer’s Digest Conference!
  • A copy of the 16th Annual Writer’s Digest Short Short Story Competition Collection
  • A copy of the 2016 Novel & Short Story Writer’s Market
  • A copy of the 2016 Guide to Literary Agents.

Other prizes and how to enter: http://www.writersdigest.com/writers-digest-competitions/short-short-story-competition?utm_source=competition&utm_campaign=wd-tjo-comp-161125&utm_content=801449_WC151125&utm_medium=email

Deadline: December 14, 2015

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Writing tip Wednesday: “New Writer Award”

Glimmer Train Press: New Writer Award: 1st place $1,500 and publication in Issue 98. Deadline: 11/30.

Glimmer Train

Glimmer Train

  • This category is open only to emerging writers whose fiction has not appeared in any print publication with a circulation over 5000.
  • NOTE: 11 of the last 12 first-place winners have been those authors’ first print publications!
  • The 1st-place winner will be published in Issue 98 and will receive 10 copies of that issue. Second- and 3rd-place win $500/$300, respectively, or, if accepted for publication, $700.
  • Winners and finalists will be announced in the February 1 bulletin, and contacted directly the previous week.
  • Most submissions run 1,500 – 6,000 words, but stories as long as 12,000 words are fine.

Writing Guidelines: http://www.glimmertrain.com/pages/guidelines/short_story_award_for_new_writers_guidelines.php

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Writing tip Wednesday: “New Millennium Writings”

New Millennium Writings contests

nmw-logo2

Details at: http://submit.newmillenniumwritings.org/

To apply online, follow these guidelines:

  • $1,000 Award plus publication for each category – $4,000 total awards.
  • November 15, 2015, Midnight (all U.S. time zones) – Fiction, Nonfiction, Short-Short Fiction, Poetry deadline.
  • Payment is $20 per submission and includes your free copy of the anthology.
  • Pay by credit card, debit card, or echeck with PayPal (following Upload).
  • We accept the following formats: Microsoft Word (.doc), Adobe Acrobat (.pdf), Rich Text Format (.rtf), and Plain Text (.txt). Please note that the Word format (.docx) is not accepted at this time, so if using Word, please save your file in the (.doc) format, also called Word 97-2003 Document under “Save As” options.
  • No restrictions as to style or subject matter. (except for Love Wins essays)
  • Multiple and simultaneous submissions are welcome.
  • Fiction pieces must be 6,000 words or less.
  • Nonfiction(all types welcome) pieces must be 6,000 words or less.
  • Short-Short Fiction must be 1,000 words or less.
  • Each Poetry entry may include three poems, up to five pages total. Poetry Honorable Mentions will be published.
  • Paypal provides contact information with each entry, so cover letters are not necessary. If you wish to include a cover letter, please include it on a separate page in your file. The NMW screening process is blind, so please be sure that no identifying information is displayed anywhere else in the file.
  • Entrant retains copyright of his/her Entry.
  • Mailing addresses outside the U.S./Canada may require additional postage fee to receive anthology.

Additional information: http://submit.newmillenniumwritings.org/

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Writing Tip Wednesday: “NaNoWriMo”

National Novel Writing Month Rules 2015: 10 Tips For A Successful NaNoWriMo

Started in 1999 in San Francisco Bay area by Chris Baty. It’s not too late for you to start.

by Christina Silva

Source: http://www.ibtimes.com/national-novel-writing-month-rules-2015-10-tips-successful-nanowrimo-2164339

That novel you’ve been talking about writing for years? It’s time to just do it. November is National Novel Writing Month, an annual challenge where writers put together 50,000-word novels between Nov. 1 and midnight on Nov. 30.

It's not too late to start your novel.

It’s not too late to start your novel.

Chris Baty founded NaNoWriMo in 1999 in the San Francisco Bay Area with only 21 participants. Only six of those 21 participants completed the challenge. By 2001, 5,000 people signed up for the challenge. In 2014, 175,002 people participated, with 40,325 meeting the goal.

The rules of NaNoWriMo are simple. Just write until you finish, and then if you finish early, keep going. From the website: “National Novel Writing Month is a fun, seat-of-your-pants approach to creative writing. On November 1, participants begin working towards the goal of writing a 50,000-word novel by 11:59 PM on November 30. Valuing enthusiasm, determination, and a deadline, NaNoWriMo is for anyone who has ever thought fleetingly about writing a novel.”

Participants can earn badges on the website when they meet word counts, share their progress with the #NaNoWriMo hashtag and share the experience with other writers. Novels of 50,000 words include “Of Mice and Men,” by John Steinbeck, and “The Notebook,” by Nicholas Sparks.

Below are 10 tips to have a successful NaNoWriMo:

  1. Just focus on writing a draft, not a literary classic.
  2. Come up with a plan. Do you want to create a plot first or just write whatever comes out? It’s called plotting versus pantsing.
  3. Make the challenge a priority. Ignore Netflix. Stop hanging out with friends if need be. Just get it done.
  4. Decide on a daily writing goal. You could aim for 1,667 words a day, or write more on the weekends and take it easy during the workweek.
  5. Create a writing schedule. Will you hit your daily word count in the mornings or at night?
  6. Figure out where to keep your writing. Google Docs seems easy. Or will you email yourself a draft or use a storage site like Dropbox?
  7. Don’t worry about writing a book that will get published or that people will buy. The goal is just to get into the habit of writing.
  8. Ignore any doubt. Just keep going.
  9. Edit sober.
  10. Drink wine. Wine loves writers.

Source: http://www.ibtimes.com/national-novel-writing-month-rules-2015-10-tips-successful-nanowrimo-2164339

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Writing tip Wednesday: “Writer’s Digest Poetry Contest”

Source: http://www.writersdigest.com/writers-digest-competitions/poetry-awards?et_mid=793214&rid=239626420

This way to the contest.

This way to the contest.

Deadline: October 30, 2015

Calling all poets! We’re on the look out for poems of all styles–rhyming, free verse, haiku, and more–for the 9th Annual Writer’s Digest Poetry Awards! This is the only Writer’s Digest competition exclusively for poets. Enter any poem 32 lines or less for your chance to win $1,000 in cash.

Prizes

One First Place Winner will receive:

  • $1,000 in cash
  • Their poem published in Writer’s Digest magazine’s July/August 2016 issue
  • A copy of the 2016 Poet’s Market
  • Promotion on writersdigest.com.

The Second Place Winner will receive:

  • $250 in cash
  • Their poem’s title published in Writer’s Digest magazine’s July/August 2016 issue
  • A copy of the 2016 Poet’s Market
  • Promotion on writersdigest.com.

The Third Place Winner will receive:

  • $100 in cash
  • Their poem’s title published in Writer’s Digest magazine’s July/August 2016 issue
  • A copy of the 2016 Poet’s Market
  • Promotion on writersdigest.com.

Fourth through Tenth Place Winners will receive:

  • $100 off a purchase from the Writer’s Digest Shop
  • Their poem’s title published in Writer’s Digest magazine’s July/August 2016 issue
  • A copy of the 2016 Poet’s Market
  • Promotion on writersdigest.com.

How to Enter

Register online: https://app.wizehive.com/apps/WDPoetry2015

  • Enter online or submit your entry via regular mail. Offline entries must be accompanied by an Entry Form, and the required entry fee (credit card information, check or money order made payable to F+W Media, Inc.). If you are entering more than one poem, you may mail all entries in the same envelope and write one check for the total entry fee. You may enter online even if you are paying with a check. All checks will be cashed within 60 days of the competition final deadline. Entry fees are non-refundable.
  • Your entry must be original, in English, unpublished and unproduced, not accepted by any other publisher or producer at the time of submission. Writer’s Digest retains one-time nonexclusive publication rights to the winning entries to be published in a Writer’s Digest publication. Any piece posted anywhere online is considered published.
  • If you are submitting your entry via regular mail (NOT using the online entry form), the entry must be typed on one side of 8-1/2 x 11 or A4 white paper. Poems may be single or double-spaced. Your name, address, email and phone number must appear in the upper left-hand corner of the first page —otherwise your entry is disqualified. Entries submitted online do not need name, address, email and phone number in the upper left-hand corner of the first page since that information is collected on the form.
  • BE SURE OF YOUR LINE COUNT! Entries exceeding the line limits will be disqualified. Type the exact line count (counting every single line, except the title and contact information) at the top of the manuscript.

Additional information: http://www.writersdigest.com/writers-digest-competitions/poetry-awards?et_mid=793214&rid=239626420

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