Tag Archives: Wednesday
Writing tip Wednesday: “Advice on Short Story”
Kurt Vonnegut’s Advice on Short Stories
- Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
- Give the reader at least one character he or she can root for.
-
Every character should want something, even if it is only a glass of water.
- Every sentence must do one of two things—reveal character or advance the action.
- Start as close to the end as possible.
- Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them—in order that the reader may see what they are made of.
- Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
- Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
The greatest American short story writer of my generation was Flannery O’Connor (1925-1964). She broke practically every one of my rules but the first. Great writers tend to do that.
Filed under 2017, writing tip, Writing Tip Wednesday
Author Padgett Powell offers writing tips
For Padgett Powell, the Word of South literary festival was something of a homecoming.
Source: Author Padgett Powell offers writing tips
For Padgett Powell, the Word of South literary festival was something of a homecoming.
The award-winning novelist and author grew up in the capital city.
“I went to Hartsfield Elementary. We lived on Gadsden Street and then we moved over to Indian Head Acres,“ he said.
Before his reading Sunday, Powell trekked through his old neighborhoods.
“Nothing’s changed in the Wahalaw Nene house… It’s got some siding on it. You know, it looks crappy…Nothing’s changed,” he said.
After the personal journey, he unintentionally inspired the crowd at the literary festival at Cascades Park.
It is unintentional because he does not view himself as anything but a man set on making sense.
He has taught writing for 34 years at the University of Florida. On April 9, he read to an audience of about thirty hosted by the Midtown Reader.
There was continuous laughter throughout the reading.
“It should not be an ordeal. It shouldn’t be painful. It should be fun,” Powell said afterward. “What it comes down to is this: make up some good s—. You just write a sentence and another one.”
From his decades of teaching, Powell said his chief lesson can be summed up in two words on a blackboard: “Make sense.”
“That’ll do it. That’s it.”
But his students don’t always believe it’s that simple.
“They don’t think that’s really what happens. Or, they don’t think that’s really what’s supposed to happen. ‘The sense I have to make isn’t very good, so I can make it better if people don’t grasp it, if people don’t understand it.’ The mystery of nonsense.”
He is careful about what kind of autobiographical information he includes in his work.
“Mistakes are made using too much biography,” he warned. “You don’t write your life and change some names. For several reasons, one of which is it’s impossible to actually get it right. You’d kill yourself trying to get it right. How your heart actually got broken, you’re not going to be able to explain that to someone by reconstructing what happened.”
Filed under 2017, writing tip, Writing Tip Wednesday
7 Strategies for Revising Your Novel | WritersDigest.com
7 Strategies for Revising Your Novel
Source: 7 Strategies for Revising Your Novel | WritersDigest.com
You’ve done it: typed The End. Those two wonderful words mark your graduation from always-wanted-to-write-a-novel to someone-who-did. Congratulations. Other ideas might be cooking away in the back of your brain, making you eager to start a new project. Often, this is where the spirit wanes as new writers lose momentum for the old manuscript. Because, you didn’t finish, did you? You only finished the draft. Now you have to focus on revising your novel.
Here’s the bad news (and there’s no good news): The rewrite is tougher than the draft. The draft is infatuation. The right rewrite strengthens your fiction into something that lasts to publication and gains a significant readership.
You know this task needs triage, so you won’t copyedit too soon. You line edit for tone, consistency and language, but you want more ways to improve.
Boost your novel-polishing skills with these seven strategies.
- Embrace the doubt.
Those murky feelings that cloud your mind when contemplating the massive task of revision? Welcome those doubts, that hesitation. A skeptical eye confers an appropriate attitude for rewriting. Every word in every sentence must carry its weight, either revealing character or advancing the story. Now be brave enough to cut or improve weak writing.
- Go back-to-front when possible.
Let’s say your plan for one brief session is a specific checkpoint. You’re verifying that sensory detail engages every scene, or perhaps you just want to note how many pages are in each chapter to ensure there aren’t twenty-five chapters of about fifteen pages while one chapter sprawls to thirty-five pages. If the revision item does not have to be done starting on page one and working to the last page, flip it and work backwards. This strategy prevents paging through in a direction that can distract you into an unintended sentence-by-sentence reread. The danger of that accidental read is that it risks dulling your reaction to the prose and worse, lets you fall in love with some passages while neglecting others.
- Structure your novel.
It’s not too late. Whether you’re a pantser, pantser-outliner hybrid, or an outliner, your finished draft can benefit from a new, careful outline. Note what questions and stakes the protagonist faces. How does he change in the end? What about the secondary cast?
Off the top of your head, do you know how many chapters are in your book? How does each chapter start and end? Where are the key actions and turning points found? How many scenes shape each chapter? Bracket each scene on a hard copy to reveal whether too much exposition lurks between the scenes. Is the climax close enough to the end that the bulk of the tale is composed of an uphill climb? Is the denouement placed to allow a satisfying, thoughtful resolution?
Gleaning the structure is a terrific exercise in critical examination. Graph and bullet point the features as though deconstructing someone else’s novel. This is not a time for emotional attachment to the piece; just factually note everything that displays the arc of the story, then see what surprises you or doesn’t fit.
- Revisit characterization.
With an accurate structure in hand, revisit your character construction while remembering the point of every passage. Did you use particularity in their descriptions? Is the reader shown what motivates every main character?
Crack open the draft to any chunk of dialogue. How obvious is it which of your well-crafted characters is speaking based on the sentences within the quotes? (Ah, yes, that’s just how a pilot/mad scientist/cowgirl would say such a thing.)
Perhaps your setting approaches the standing of character. Lovely, but don’t let the prose get flabby or insignificant—this is an opportunity for imaginative choices.
- Task your computer.
Various software programs highlight potential weak spots such as poor grammar and punctuation, or an overuse of modifiers, but any word processing program can be employed to help electronically. Do you have a pet phrase? Use the search function to find those repeats, then fix them. If you gave a person a verbal tic (perhaps she says “Nah” instead of “No”), do a quick find for the special term to ensure it’s not overused. And if another character displays the same tic, make it intentional, not an author slip.
When creating another hard copy to hand edit, select a different font for the second printing. Because of the different spacing, switching from Times New Roman to Courier can help freshen your eyes to the words.
- Listen to it.
Hopefully, you read aloud when revising, but you can do more. When my publisher sent author copies of my debut novel’s audio version, I reveled in that first experience of listening to a voice-acting pro read Orchids and Stone. However, I had heard it before, read by my computer.
There are good programs available—I use Natural Reader, which offers a free trial—that lets you listen to any document. This computer-generated reading will be flat, but the robotic affect is a good thing, because your writing must stand on its own, without inflection to carry the drama and dialogue. Chances are you’ll keep putting the program on pause and clicking back to the document to make edits.
Unintended alliterations, assonance and consonance borne in every sentence and surrounding paragraph are much more apparent when voiced. You might marvel over having missed some of these now-obvious editorial problems in print or on the monitor. You’ll hear repetitions that you didn’t see.
Good reading programs allow you to select the speed and gender of the speaker. After a significant rewrite, choose the other gender for the computer’s reading voice, then listen to the entire manuscript a second time. Chances are, you’ll still discover small improvements to make.
- Continue to study the craft.
While your polished draft gets some drawer time or is out with beta readers, reread diverse books on writing, studying instruction on revision. Let Robert Olen Butler admonish you to avoid abstraction, interpretation and izing (don’t generalize, summarize or analyze). Pay attention when David Morrell asks if you really want to publish that sentence in that form. Listen to Sol Stein’s warning about tunnel revision—the mistake of only tweaking small ticket items on a rewriting pass while missing the big picture and exposing your pages to excessive front-to-back reading, which makes your editing eye grow cold.
Improving your knowledge of the craft will improve your rewriting skills.
Here’s the deal: new writers often mire themselves and their work in the world of the unpublished due to a lack of self-editing their way to a polished manuscript. The only hope your draft has of becoming a well-read novel is you, and how much effort you put into the rewrite. Go all in.
***
Lisa Preston. Preston is the author of Orchids and Stone as well as several nonfiction books on animal care. Her experiences as a mountain climber, fire-department paramedic, and police sergeant are channeled into fiction that is suspenseful, fast paced, and well acquainted with human drama. She has lived in Arizona, California, and Alaska and now makes her home in western Washington. Visit her at lisapreston.com and on Facebook at facebook.com/lisa.preston.3152.
Filed under 2017, writing tip, Writing Tip Wednesday
Dark Warm Heart | Tor.com
Source: Dark Warm Heart | Tor.com
“Dark Warm Heart” by Rich Larson is a horror story about a woman whose husband returns from the frozen Canadian North Territories, obsessed with texts he discovered there.
The bite mark was wine-red on anemic-white, crenellating Kristine’s bare shoulder. She moved the strap of her nightgown when Noel stumbled into the kitchen, drawn by the sizzle and clank of the frying pan, so he would be sure to see it.
“Morning,” she said, sliding the sausages onto a paper towel.
“Hey.” Noel stopped short, still scratching at the wiry hair up his belly. He frowned. “Did I do that?”
“No,” Kristine said dryly. She dabbed at the grease. “Somebody else. While you were gone I cheated with a…a hyena.”
Noel came closer, whispering one finger along the ruined skin. Shook his head. “Shit,” he said, wrapping her waist. “Désolé. I didn’t mean to.”
“Good,” Kristine said. She tipped her head back for a kiss. “I don’t mind it,” she decided, plucking at his hand. “See? We match.”
“Yes. Lucky.” Noel held up his broad hand, two of the fingers still scarred purple from frostbite. “What do you call it? An accent color?”
Kristine laughed, and gave him a small shove towards the white table. Noel sat down in his old spot, like he’d never left, while she doled out sausages and toast with margarine. The small kitchen was still crammed full with gleaming wedding gift appliances.
“So finally you had someone to laugh at your jokes?” Noel asked, sawing with his knife.
Kristine smiled. “What?”
“The hyena.”
“Hm. Yeah.” She watched Noel sniff at the sausage, like he’d been rescued off some island instead of from the YEG airport late last night. “And he always ate the leftovers.”
Noel laughed, warm like an electric blanket, and she wished she’d told him the night before. But there had been no space for words, just skin and sweat in a bed that had been too big for too many weeks, and she’d waited this long, hadn’t she?
“I’m going to start on the transcription today,” Noel said, chewing.
“Already?” Kristine asked. “You aren’t going to, I don’t know, warm up for a day? Relax?”
“It’s not so warm here either, Krissy.” He nodded towards the sliding door, half frosted over, and the pinwheeling flakes beyond it. “It’s snowing.”
“Warmer than your igloo in NWT,” Kristine suggested. “I have to run a few errands. Unless you wanted me to stay and help you. With, you know, the bilabial sounds.” She leaned forward and pressed both her lips against his. They felt dry.
“I didn’t sleep in an igloo,” Noel said when they broke, but grinning. “All right. I’ll wash up. Leave the plates.”
Kristine went to the pristine bathroom, which would not be pristine for long now that Noel was back. She’d almost missed seeing his bristles in the sink. She turned the shower on, hot. The mirror fogged fast. She retched a few times over the toilet, but nothing came up, so she stepped inside the shower. After, while the curling iron was heating up, she rummaged a tube of concealer out of her vanity drawer. She shook it as she eyed the bite mark, debating.
She put the concealer back. The mark was somehow like a checked box, a reminder that Noel was real and he was home and he loved her to death, and it was nothing like the cuts up her legs she’d hidden in high school.
When she passed through the kitchen, keys jangling in her fingers, Noel was already swallowed up between Bose headphones, the noise-cancelling kind. His face looked thin and sharp and his eyes were tracking across the laptop screen, left, right, left, right.
“Don’t work too hard,” Kristine said, once she’d tugged one of the headphones down.
“I would never,” Noel said. “Thank you for breakfast.”
He brushed crumbs off his lip before he kissed her good-bye, but the sausages were still sitting on the plate, uneaten. Kristine handed him a Tupperware container on her way out the door.
Her shoulder throbbed while she was getting cash from the ATM. It throbbed when she pushed through the Grade 5/6 portable doors to pick up the worksheet she’d forgotten to photocopy, it throbbed when she shivered in the meat section of Superstore, trying to remember if Noel liked minute steaks, and it throbbed when she returned home to find him still at the table with his face sickly awash in laptop light. He’d forgotten he cooked Sundays.
“Hey, Mister Linguist, have you even moved?” Kristine asked, opening the fridge freezer. Cold billowed out as she put the steaks in, then fished for an ice tray.
“Buy me a catheter,” Noel said. He gave a wan grin. “This is great shit, Krissy. Come. Listen.”
“I don’t speak Inuktitut.”
Noel laughed, and said it wasn’t Inuktitut, and then the room was quiet except for the crack-pop of ice cubes into a ziplock. Kristine wrapped the bag in a wet cloth, still watching Noel watching the screen, and held it against her shoulder.
“All right,” she said. “Show me.”
“Come.” Noel slipped the headphones from around his neck and held the ice against Kristine’s shoulder while she put them on.
The feedback volume made her jump.
“Sorry.” Noel dialed it down with a practiced finger. Kristine repositioned the headphones and listened. It was a low guttural wail, broken up by a sort of huffing. When she listened harder she could hear an uncanny melody.
“Nice. What is it?” She looked to the screen, where the spectrogram was showing the noise slither along, pitch black, undulating through the grayscale background. It made her think of ultrasounds.
“Throat-singing,” Noel said. “Beautiful. I tried it, when I was up there. Very difficult.” He turned the volume up slightly. “This is just the icing, though. You know, for when I get tired of the interviews. There are so many stories. Some of them, never heard in English. Never.”
Kristine watched him maneuver the mouse through his crowded screen, over IPA charts and reference logs. He pulled up another audio file. The throat-singing was replaced by an old man’s voice and a dialect that Noel said was all but extinct. She sat in his lap and they pushed their heads together, each using one side of the headphones, and listened.
Noel’s cheek scratched her cheek and his arms ended up around her, but with the ice trickling on her shoulder she couldn’t feel warm, and it wasn’t the time.
It happened in the night. Noel’s knee was keyed between her knees, his arm was over her arm. They’d fucked again, not so frantically this time, and Kristine was still awake when Noel plucked her hand out from under the covers. She turned in the dark and saw his eyes were not quite closed.
“Hey,” she said, moving back against him.
He didn’t say anything, didn’t make a noise. He brought her hand up to his face slowly, deliberately, with his thumb at her wrist. In the quiet Kristine could imagine the sound of her pulse against his skin. He opened his mouth and kissed his way along her arm, teeth skimming her, making her shiver.
Kristine half-smiled. “What are you doing?” she whispered.
“Whatever I want,” Noel mumbled into her skin. He gnawed at her wrist-bone, tickling her.
“I’m so glad you made it home,” Kristine said. “I’m just. You know. I was scared shitless, when I heard about the storms. When you called.”
Noel bit down, playful.
Kristine winced. “Easy, boy, I don’t need another one.”
Noel’s teeth pressed harder, deeper, so she could feel each individual crown.
“Noel, stop. You’re getting spit on me. Stop.”
Noel pulled back a moment, tracing the indented skin with his finger, and then he bit down again, not playful, a sudden sharp snap like an animal.
“Ouch!” Kristine jerked away. “Noel! Don’t!”
“Don’t what?” Noel asked thickly. Kristine slapped the light on, exposing the purple bags under her husband’s eyes, the sharpness of his cheekbones somehow more pronounced. “I just want…” He trailed off.
“Can’t you leave the transcription for like, a day?” Kristine demanded.
“Everything’s still fresh,” Noel said. “I’m, you know, I’m zoned.”
“You’re being weird. Really fucking weird.”
“You’re being dramatic.”
Kristine went to the bathroom, flicked the light on. She ran cold water over her arm. Her reflection in the mirror looked pale and sick. She prodded her stomach.
“Come on,” Noel groaned from the bed. “You don’t need a Band-Aid, Krissy.”
“Can’t you shave?” Kristine demanded, coming back. “Unpack? Call your dad to tell him you’re back so he doesn’t call me again?” The fresh mark was blooming on her arm, and when Noel saw it his expression was something she didn’t like. Kristine put her other hand overtop to hide it.
“I didn’t know he called you,” Noel said.
“I’m going to sleep in the study. Just for tonight.”
“I’m sorry. Look. I’m sorry.”
“It’s fine.”
“You hate the hide-a-bed.” Noel rolled up and out of the covers. He scratched at his neck. “I’ll go,” he said. “Are there pillows?”
“In the linen closet,” Kristine said.
She stopped to get them on their way to the study, and then held them against herself while the hide-a-bed unfolded with a creak and a clunk. Noel took the pillows without smiling. He tossed them onto the bed.
“Good night,” he said.
It wasn’t.
Kristine needed a swim, so she left early in the morning with the sky still dark and didn’t even open the study door, just exchanged a good morning/good-bye with Noel’s half-asleep voice. Exhaust was billowing on the cold roads like a fog as she drove, one hand on her swim-bag. She dialed her mother at a stoplight. A voice thick with sleep or Valium answered on the fifth ring.
“Hi, honey, what is it?”
“Hi, Mom.” The light lanced green through the clouds of exhaust and Kristine drove. “I just had a question about the thank-you notes, I’m still finishing up and—”
“Noel’s back, isn’t that right? Give him my love. Hugs. How’s his frostbite?”
“I will,” Kristine said. “The thank-you note for Uncle Carrow, I can’t remember his girlfriend’s name. Was it Sheryl?”
“No. Carol? No. Hell, I can’t remember either.”
“Noel’s acting different.”
There was a staticky pause, and then her mother’s voice came edged with a sigh.
“What do you mean?”
“Just, I don’t know,” Kristine said, and she didn’t, not quite. “Doing weird things. Not eating. Yesterday after breakfast he didn’t eat anything all day. He’s, like, he’s obsessing over his transcription. Won’t talk to me.”
“Well, he’s driven, you know—”
“Not like that.” She dropped her indicator and turned into the Glenora parking lot, still mostly empty of cars.
“—and it’s a good thing. It really is.” Another pause. “A lot of things might be or look a little different now. All those little things that were nice, you know, endearing, a lot of those things look different when you realize it’s for the rest of your life.”
“It’s not a honeymoon is over thing, Mom,” Kristine said, putting the car into park. “It’s been over for a while.”
“I mean, your father, my God. He had his days. Weeks. Years. But it was all worth it. I never once thought of leaving him. And Noel’s a good man. A really good man. It’s all about compromises, isn’t it? People thinking marriage is supposed to be easy? Makes me laugh. It’s all about sacrifices. There were things I wanted to do, plenty of things…”
“I’m not talking about leaving him, Mom, I’m just saying he’s acting funny and I don’t know why.” She turned off the engine and fumbled the key into her coat pocket. “This thing with the storm…”
“Sharon. It was definitely Sharon, and half his age, too. Maybe a prostitute. Look, honey, just stop worrying. He hasn’t even been back for a week. Go for a swim, you’ll feel better.”
“Thanks,” Kristine said, hefting her bag. “Bye. Love you.”
“Bye, honey.”
She swam longer than she’d meant to, churning up and down the lane until the water felt bathtub warm, and so she went to the school with her hair still hanging wet wires and the toothed trace of swim-goggles around her one eye like a sucker scar. But she did feel better, even though Elijah and Braden had to be sent off to the principal for the third week running.
Noel didn’t answer her text, or the second one. She tried not to worry about it. She fixed a smile to her face as she climbed the stairs to the apartment, went down the hallway that always smelled like weed and Febreze, and keyed open their door. It was dark inside again. Kristine flicked on the lights and checked the bare sink. No dishes. She opened the fridge. Nothing touched.
“Hey, Mister Linguist!” Kristine called. “Where are you?”
No reply. Kristine remembered the noise-cancelling headphones and went looking. She was barely even surprised when she heard the computer hum from behind the study door. Cold was seeping out from the bottom of it. She eased the door open.
Noel was hunched over the laptop like an old man. The shadows hollowed out his cheeks and for a moment his eyes looked like black holes. Then he looked up with a bleary grin and pulled the headphones down around his neck.
“Hey.”
“Hi.”
“How were the little terrors today?” Noel slapped the laptop shut.
“Good,” Kristine said. “Fine.”
“That little boy, that Elijah, he didn’t make trouble?”
Kristine cracked a smile. “Yeah, he did. A little bit.”
“He’s trying to impress you,” Noel said, scooting over on the rolling chair. “He has a crush.”
“Hm.”
“That’s why I make trouble.” Noel caught her wrist, the not-sore one, and folded both hands around it. “I’m sorry about last night,” he said. “I don’t know what’s in my head, sometimes.”
“You scared me a little,” Kristine said. She gave a smile. “It’s okay. It’s nothing. Really.” Noel’s hands felt like ice. The frostbite was ugly. “Why’s the window open?”
“The laptop has been overheating,” Noel said. “I thought, maybe, if it’s colder in the study, maybe that helps.”
“Hungry?”
“I found something in the fridge,” Noel said.
Kristine stiffened. “No, you didn’t.”
“What?”
“You didn’t take anything out of the fridge,” Kristine said. “You didn’t eat anything, did you? You’ve been in here all day.”
“I got something at the Second Cup,” Noel said, but he let her pull her arm away.
“Your shoes were still where you left them yesterday.”
“You’re a detective or something?” Noel was still smiling, but only with his mouth. “You photograph where in the closet I put my shoes?”
“Why are you lying about this?” Kristine snapped. “Are you on a fucking hunger strike or something? Why are you acting like this?”
“Like what?” Noel asked, still prone in the office chair, still not angry. Kristine wanted him to stand up so she could shove him back down. She felt hot and sick all over.
“Was there somebody else up there?” she asked.
“What do you mean?” Noel asked, and now his eyes were finally narrowing.
“I mean, did you fuck somebody while you were up there?” Kristine demanded. “You called once the whole time, and now you come back, you won’t talk to me, you’re acting so fucking weird—”
“Of course not.” Noel was up, teeth bared. “Of course I didn’t. Did you?”
“Oh, my God, Noel.” Kristine gave a shaky laugh. “Just shut up, Noel.”
They stood frozen for a long moment, Kristine’s nails digging crescents in her palms. She watched Noel’s face work until the grimace smoothed over.
“Maybe I have a bug,” he said slowly. “My stomach doesn’t feel right. I didn’t want you to worry.”
Kristine nodded. She rubbed her eye with the heel of her hand.
“What happened in the storm?” she finally asked. “Do you even remember calling me? They had a satellite phone in the infirmary, and you called me in the middle of the night.”
“I remember calling,” Noel said, cautious.
“Do you remember what I told you?” Kristine asked, remembering how she’d gone to the bathroom, flicked on the lights, pulled out the test again just to be sure. That was before she’d realized how late it was, that something was wrong.
“I don’t.” Noel shook his head. “I don’t. I don’t remember what I said, either.”
“You were delirious,” Kristine said, wrapping her arms around herself. The bite on her shoulder throbbed again. “You told me how you got stranded, right? Between the station and the village. One of those storms that comes from nowhere.”
“Worst they had seen in years,” Noel said. “They told me that later. Yeah.” His voice had an unsteadiness Kristine was unused to hearing, and somehow it drained all the anger out of her. “What else did I say?” he asked.
“You said the wind felt like teeth.”
“Like death,” Noel said.
“The Ski-Doo broke down, so you tried to walk back to the village.”
“Went the wrong way. They told me later.”
“You said the mucus in your nose and the spit in your mouth were so frozen up you couldn’t breathe, and the wind was like teeth.” Kristine paused. “You said you lost your hands, then your feet. Like being disembodied. Like floating.”
“Should’ve died,” Noel muttered. “Should’ve frozen to death.”
“They told me that, after they took the phone away from you,” Kristine said. “I mean, it’s a miracle you’re all right.” She shrugged helplessly. “Doesn’t this feel better?” she asked. “To talk about it? Isn’t this what’s been bothering you?”
“What else did I say?” Noel probed.
“I don’t remember,” Kristine said. “You were fevered. You know, delirious.”
“Did I say what I saw?” Noel’s eyes were wide. “Kristine. Tell me.”
“Yeah. You did.” Kristine swayed, foot to foot. “You thought you saw someone else in the storm. An old man.”
Noel shut his eyes now, breathing quick and shallow. “What did he look like?”
“Tall,” Kristine said. “Taller than the trees. Skinny like those starving kids they show on UNICEF ads. And he was naked.” She stopped. “People see things. You know. Your brain was practically, it must have been practically shutting off.”
“He didn’t have a face,” Noel said. “Just a big dark mouth. Big black hole. I still remember it so clear. Clearer than what actually happened.”
“I think you might have PTSD or something, Noel. I’m worried.”
“It’s nothing like that.” Noel’s voice was strained. He opened his eyes. Blinked. “I haven’t been myself. I know. I just need to get this transcription done, and then I’ll be done with it all. I’m looking for this one story. I know it’s in there somewhere. Just give me the week, Krissy. Be patient for me.”
“Of course,” Kristine said. “I get it. Really.” She put her hand against Noel’s hip. It felt sharp enough to cut.
“You do?”
“Yeah. I mean.” Kristine paused. “If you need to get through this transcription so you can be done with everything, storm included, and just stop thinking about it, then yeah. I get it. And then you’ll be yourself again. I get it.”
They embraced, and it felt like all angles. Kristine wasn’t sure, but she almost thought her hands could make out the nodes of his spine under his thin wool sweater.
He said he didn’t want to pass on whatever bug was in his stomach, so Noel slept in the study again. They pretended it was a sort of game, and reminded each other of the weekend Noel’s French Catholic parents had stayed with them, back during the engagement, when they’d had to rearrange all their things so it looked like they slept in separate rooms.
On Tuesday Kristine stayed late at the school with her lesson plans, hoping she’d come back to find Noel antsy and missing her, something simmering on the stove, maybe his sketch-pad out on the coffee table or a comedy queued up on Netflix. That didn’t happen, so on Wednesday she stayed late at the school to minimize the time between arriving home and going to sleep alone. She pretended she was married to a genius, consumed by his latest work, and she was making sacrifices.
That night, Kristine woke up cold. The shadows in her room were Baltic blue and when she nudged her phone the screen read 3:42 AM. She pulled her feet back under the sheets, coaxing a static crackle, and rolled over.
The apartment door thunked.
Kristine sat up, clutching her phone. Half of a dream was fogging the inside of her skull. She padded into the hallway on bare feet, navigating by the light of her screen, and felt the cold coming from the study. The door was wide open. So was the window.
She hauled it shut with both hands, breathing an icy cloud, wondering about the pipes, how long it took for them to freeze in this weather. Snow was blowing in drifts off roofs and balconies, through the bony branches of a tree where a black garbage bag fluttered.
Someone was in the stairwell, feet slapping the plastic-capped steps. Kristine left the study, checked the bathroom, hoping but knowing better, and then found her jacket and keys. Her inchoate dream was dancing in the back of her head. She locked the door and circled down the four flights that had made moving such an ordeal and such a triumph. She trailed her hand on the nick they’d left with the corner of their big stupid couch.
“Noel?” she called.
The reply was the click and catch of the exterior door opening, closing. She went quickly down the last flight, zipping her coat up to her neck. The forecast had been for an overnight drop down to minus thirty, cold enough to make metal burn. Kristine felt a thrumming under her skin as she came to the glass door. Outside, the lampposts spilled yellow pools on the lumpy ice street. A disconnected shadow was crossing the empty road, going towards the park, the playground Kristine had wanted nearby even though it had seemed too early to think about kids. She opened the door and the cold bit her hard.
“Noel!” she shouted, feeling ice rasp her throat, freeze her nostrils. The shadow didn’t turn around. Kristine pulled up his number by muscle memory and called him as she followed. She held her phone up like a torch, listening to the soft chime, peering into the dark. There was no pick-up, but she hadn’t expected one, and now anxiety was gnawing at her stomach as she reached the park, rounded the corner of the half-painted gazebo.
Noel was ankle-deep in the snow, back turned toward her, and he was naked. In the fluorescent light from the gazebo his skin looked wax-pale, all but translucent, bruised with cold blue shadows. Kristine’s eyes traced the cavities of his body. His spine looked sharp as scalpels. He was not shivering, not moving. Kristine was trembling all over.
The dream was coming back to her now. She didn’t want him to turn around, because she knew what she’d see: a raw-red throat like a subway tunnel, gnashing teeth, no eyes. Her fingers were going numb at her sides.
“Noel, this isn’t…funny,” Kristine said, halting. “You’re going to freeze to death. You’re going to get more frostbite.”
Noel turned, and it was Noel’s face, heavy with sleep. He gave her a confused look. He looked down at his purple-scarred fingers.
“You’re sleepwalking.” Kristine took a hesitant step, then another, crunching through the snow. “Come on. You’re going to freeze. Come on. You’re sleepwalking, like the time in Calgary. At the hotel.” She gripped his hand and tugged. He followed, stumbling slightly, red feet battered by ice. Kristine tried not to look at his ruined toenails.
They walked slowly, slowly, snow peppering their faces and searing their lips. They passed the creaking playground with its rubber swings, the ones they’d sat in, dragging circles in the snow with their boots while they looked up at the apartment complex and invented such big beautiful dreams. She tried to picture Noel pushing a tiny body, bundled in a parka, red-cheeked, but didn’t manage it.
The wind picked up as they crossed the road, and by the time they reached the door it felt like teeth on Kristine’s bare face.
In the morning, Kristine left before Noel could wake up and wonder about the bathtub full of lukewarm water, or the towels wrapped around him and under him on the couch. Kristine had played with the thermostat before and after eating breakfast, but the apartment was still cold. She needed the pool, the chlorine warmth of it, the lactic acid in her arms and shoulders. She threw up before she left.
She dialed her mother at the yield sign.
“Hi, honey.” The voice was faux-cheery. “Sorry, I meant to return your call yesterday, it completely slipped my mind. I was over at the Blackstocks’, you know how she talks.”
“I don’t really remember them,” Kristine said. “I was, um, I was out walking last night, and I noticed some vacancies in the apartment down the road.”
“Oh?”
Kristine’s nails drummed the wheel. “Well, I was wondering if you’re still thinking about that. You know, about moving. We talked about it in the summer, remember?”
“Too cold up there. Did we talk about that?”
“You said you wanted to be closer,” Kristine said. She bit her lip. “Grandkids?”
“Honey, do you have news?”
She thought about telling her for a second, imagining how her mother’s voice would turn instantly to sunshine. “No, no,” she relented. “I just meant, you know, for the future.” She could hear a disappointed breath on the other end.
“Too cold, honey, and besides, you know I wouldn’t be able to leave this place. Not after all the work your father put into it. So much of himself, he put into it. It just wouldn’t feel right.”
“I thought you said the upkeep…?”
“I can manage, honey. I’m sturdy. Besides, you don’t need your mother hassling you all the time. You and Noel have each other now. It’s normal to be, I don’t know, to be overwhelmed a little at first, trying to make it as a young couple, especially with him doing the doctorate. But I know you can make it work. You’re a good girl.”
An SUV honked from behind and Kristine realized she hadn’t moved from the yield sign. She pulled away, ending the call without saying good-bye, and wiped at her stinging eyes.
When she got home from the school she went straight to the study, rumpled card clutched in her palm. She could hear the laptop hum from under the door. She opened without knocking.
“I made you an appointment,” Kristine said. “With this counselor. It’s through the university.”
Noel glanced up. His face was still swallowed between headphones and his eyes were strangely cloudy. He tapped something out on the keyboard.
“Aren’t you going to ask about last night?” Kristine said softly.
Noel said nothing. The window was shut, but he was shirtless. His collarbones had grown a new geometry, skimming up like shark fins. Sweat was beaded under his hairline.
“You sleepwalked out into the park,” Kristine said. “It was fucking forty below. You could have died.”
Noel gave a fractional shrug. His eyes returned to the screen, and Kristine could tell from the swipe of his finger that the volume was going up.
“I wish you had cheated on me,” she said.
Noel tapped his headphone to show he couldn’t hear. His smile was too broad, too many teeth, a Cheshire cat grin.
“I wish I’d cheated,” Kristine said, feeling a tingle up and down her back, something cold and angular in her gut.
Noel said nothing.
Kristine dropped the appointment card and left.
The next day she spent lunch-hour talking in circles with the health center. They mumbled at her about seasonal depression, flu virus. When it came time to teach ecosystems she begged someone out of the staff-room to watch her class watch YouTube clips about photovores and herbivores and carnivores. She went to the bathroom and speed-read through Wikipedia articles and WebMD links. She tried to throw up. A few people asked her if she was all right, and she nearly told them.
When she got home, the apartment was empty and Noel’s shoes were not in the closet. It seemed like the thermostat had finally kicked in, because she didn’t get goose bumps when she shrugged off her coat. Kristine hunted the bare counters for a note for a good five minutes before she gave up and put some Thai in the microwave.
Maybe he’d finished the transcription. Maybe if she went to the bathroom she’d find bristles in the sink, and then he’d be arriving back with clean-shaven cheeks, a bottle of white wine, take-out from the Mediterranean place they’d loved so much that first month after moving in. She would tell him she had news; he would already know. For a moment the image was so clear that Kristine nearly stopped the microwave and put the leftovers back into the fridge.
Instead, she went to the study. The door was wide open again, but the window was shut. Noel hadn’t taken the laptop with him. Kristine hesitated for a moment, then plucked it off the desk and sat down on the hide-a-bed with it. Her hand kneaded the sheets while it booted up. The password screen appeared, and Kristine put in her name, clacked the enter key. The affirmative chime made her almost smile.
The transcription window was already waiting, a block of IPA symbols. Kristine tried to remember the phonetics classes she’d taken; most of the sounds she’d already forgotten. One word seemed to be recurring: wɛŋdəgoʊ. She pulled up the next window, and saw that Noel had translated a section into English. At the top it was labeled audio48.mp3. Kristine clicked back to the sound files and pulled the headphones up over her ears. She started to read.
the wendigo is hunger, and hunger is the wendigo. a man travelled by night. he hunted the herd. the wendigo hunted the man. a man travelled by night and through the wood, and the [blizzard] snow drove him off his trail. the wendigo hunted the man, its arms were the cold and its teeth were the wind. a man had death inside [in stomach]. the cold kills, the hunger kills. hunger is the wendigo. a man lies down in the snow. his body is given to the ice. a man travelled alone. the wendigo came to him with [singing] open mouth. the wendigo has jaws as icicles. the wendigo gives to the man a dark warm heart of human meat. a man can die, or a man can eat. a man travelled by night. he ate the wendigo’s [offering]. the man lives, the hunger stays. hunger is the wendigo. a man travelled by night,
“Krissy?”
She flung upright, all her nerves sparked at once; Noel was inches away and his eyes were black as jet. The laptop crashed to the floor between them, Kristine’s heart hammered in her throat. His face was gaunt, stretched thin, canvas over bones.
“Why did you write that?” Kristine whispered.
“I didn’t,” Noel said. The glass Pyrex pan from the microwave was clutched in his one hand. He held it out between them, arm shaking slightly.
“Bullshit you didn’t. What do you mean? What do you mean you didn’t write it?” Kristine stepped back and felt the cold edge of the hide-a-bed against the bends of her knees. Noel’s pale face was slick with sweat.
“I translated it,” he said, voice wavering. “It was already there. I knew it was there. I just had to find it. Those old men had so many stories.” He held the Pyrex out again, still shaking, and Kristine took it so it wouldn’t fall.
“Why are you doing this?” Kristine demanded. The glass was cold again. “Why are you fucking inventing this?”
“I’m not,” Noel pleaded. “Krissy. Look.”
And she had to. He held up his spidery hand, so much more bone than she remembered it, wrists like doorknobs, and planted his teeth in the webbing between thumb and finger. With a wet tearing sound, he sheared through the flesh. Kristine’s lungs caught, she anticipated the spray of bright red blood, but there was nothing. Something thick and black glistened along the torn skin, and then suddenly the hand was back together again.
“It can’t be me,” Noel said. “I tried.”
“Oh, my God, Noel.”
His face contorted all at once and he lunged, his teeth suddenly canine; Kristine swung the glass dish in the same motion. It slammed against his temple with a thick crack: Noel was reeling off to the side, cursing in French, and Kristine was pushing past him, slamming the door, throwing herself against it. Her breath came in a wail. Noel’s body thumped against the door once, then twice, Kristine shoved back with her shoulders, and then he stopped.
“We’re going to call emergency,” Kristine said, when her heart was beating again. “I’m dialing 911. There’s something, I don’t know, some disease you picked up up there. I know this isn’t you. I know it can’t be you.” She couldn’t keep her voice steady, it slipped away from her between words.
“Oh, fuck,” came Noel’s voice, raw. “Oh, fuck. I drove to the university hospital. That’s where I was. Jacob. You remember Jacob. The med-student. He told me how they keep cadavers. I thought, maybe, I don’t know. I couldn’t get in. They called security.”
“This can’t be real, Noel.”
He went on like he hadn’t heard. “Then I thought, the morgue, maybe. Or, I don’t know.” He gave a broken laugh. “A graveyard. Maybe that. I have to know. I just have to. I’m going to die soon. If I don’t eat, I’m going to die.”
Kristine was muffling a sob in her hand, biting down as hard as she could. “A doctor,” she gasped.
“This can’t be for doctors. When you’re wendigo, you’re wendigo. Until you give in. That was what they said.”
“And then?”
“I don’t know. I’m sorry. I don’t know.” He stopped. “There are more stories. More transcriptions. Maybe if I keep going, keep looking. I don’t know.”
Kristine didn’t reply. She sat against the door, tears sticky on her cheeks, and waited for hours. Waited for Noel’s breathing to turn regular, shallow but regular, so she was sure he was asleep. She moved the bookcase in front of the study door, groaning and scraping. It was heavy. Her hands came away with deep red welts.
She was up early the next morning, wiping down the kitchen counters and stovetop with Purell so everything gleamed. When she popped the ice cubes out of their tray they skittered off the table and onto the floor. Her hands were shivering as she dropped them one by one into a plastic bag. She set her wedding ring on the counter and dialed her mother.
“Hey, honey, what’s up?”
“Call me my name?” Kristine’s voice came in a sob; she tamped it down.
“What’s wrong, Kristine?”
“It’s nothing,” Kristine said, toying with the ring. “I just remembered, that cousin you had, the farmer. He lost his hand in a thresher. He just wore it on the other finger, right? His wedding ring, I mean. He wore it on the right.”
“That’s right, yes. On the right. I think that might be how they do it in Europe, too.”
“Okay.” Kristine packed more ice around her left ring finger, waiting for the numb. “I was just remembering that.” She went to the counter, to the shiny Cutco knives, another wedding gift. She tried to remember the sharpest one.
“Was that all? I’m half-asleep, honey.”
“When dad died, you said you’d have traded anything, didn’t you?” Kristine asked. “Anyone or anything.” There was a long pause. Kristine looked down at her left hand, thinking of how it cupped when she swam, how the fingers all melded together and bit the water just so. She thought about the small warm thing growing in her belly.
“I don’t remember. I don’t remember exactly what I said.”
“Okay,” Kristine said, turning the stovetop on. “Bye, mom.”
“Bye, honey.”
Kristine held the ice around her finger and stared at the stove element, waiting for it to turn orange.
“Dark Warm Heart” copyright © 2017 by Rich Larson
Art copyright © 2017 by Samuel Araya
Filed under 2017, short story
J.K. Rowling Just Gave The Best Advice Any Aspiring Writer Will Ever Receive
“Just because it didn’t find an audience, that doesn’t mean it’s bad work.”
Source: J.K. Rowling Just Gave The Best Advice Any Aspiring Writer Will Ever Receive
She went on to explain that, even if a particular piece of work doesn’t find an audience, the things you learn while creating it will be invaluable to you in the future.
***
And that just because something doesn’t find commercial (or critical) success, that doesn’t mean you shouldn’t be proud of it!
***
“Once you’ve done it, you’ll know you can do it again,” she wrote. “So do not ever quit out of fear of rejection.”
Filed under 2017, writing tip, Writing Tip Wednesday
Top 7 Ways Authors Are Using Instagram – The Book Designer
Follow Other Authors Especially if you are a new author, following more experienced authors certainly can’t hurt. Even the most experienced author is not exempt from gaining insight from other authors. Networking with other authors as a new or previously unpublished author can be eye-opening and present you with opportunities you may not have otherwise come across.Instagram is one of the best social apps you can use as an author, because not only does it give us a rest from all those words, but it can be used in so many ways—personally or professionally. You just have start thinking less in words and more in pictures.
Source: Top 7 Ways Authors Are Using Instagram – The Book Designer
By Adrienne Erin (@adrienneerin)
I don’t know about you, but I’ve often wondered if the very popular but visually-oriented social media sites like Instagram are a good place to market books (over 300 million visitors a month, more than 70% of them from outside the U.S.). After all, books are words, not pictures (usually). Adrienne Erin knows that authors can get a lot of attention they might not otherwise get for their books with some savvy tactics in hand. Here’s her report.
Words are for us as writers what computers are to office workers. They are the lifeline to pretty much every facet of our work. Not only do we use them to communicate our art form, but we obsess, play, hate, love and need them in order to do what we do. Sometimes we need a rest from all the word playing—and hating.
Where can we find that rest without cutting ourselves off even further from social exchange, but also without having to use even more words? It can be done—with Instagram. Not only can you use Instagram, but as an author, you should be using Instagram. For more than one or two reasons.
Why You Should Use Instagram as an Author
There are a lot of authors who use Instagram in ways that may be entertaining. It’s entertaining in the same way the crazy lady in the grocery store is who pulls out every gallon of milk from the dairy cooler in order to get the one that has the furthest date of expiration. Yeah, it’s weird and maybe a little funny, but mostly kind of pathetic.
There are plenty of famous authors who evoke that kind of reaction on Instagram. Don’t be one of those authors. Instead, consider some of the following rational ways to use Instagram to help further your author name and influence.
- To Follow Bloggers Who Review Books
This reason really shouldn’t have to be explained. I mean, duh – if you follow enough book-bloggers, you increase the chance that one or more of them will review your book, which is read by said blogger’s audience. Whether that audience is 100 or 100,000 – isn’t it worth it to reach that amount of potential buyers of your book for free? - For Self-Promotion and Marketing
Instagram can be used for promoting your name or your newest book. You can host a contest with a free copy of your book as the prize. You can ask for photo submissions that revolve around the theme of your book or you can just use photos to connect to your fans and readers. As BuzzFeed’s article on book covers altered to include James Franco shows us, humor can be a great marketing strategy. - Inspire Yourself and Your Fans
Visual imagery can be the source of inspiration on a daily basis. All you need to do is catalogue it and you have your own visual diary for defeating the worst case of writer’s block. Not only can these photos inspire you, but they may equally inspire your readers and fans, who will in turn, recommend their network to follow you as well. Many writers use inspirational tweets and Facebook posts to reach their readers. Your followers will respond well to inspirational messages that reaffirm their beliefs. - Collaborate with Your Fans
This could be a marketing project or it could be research for a new novel. Projects can range from social research to just-for-fun, to things like #100HappyDays, which seems to be a combination of both. 100HappyDays is inspirational, fun, challenging and engaging. Hosting a project like this could provide you with tons of material for your next book, or it could simply attract a ton of followers — aka, readers. - Cover Art Photos = Free Book Promotion
What better place to advertise your stunning new book cover than Instagram? Book covers are certainly one of the most powerful tools you have in your arsenal for attracting a new reader. I don’t know about you, but if I come across an author I’ve never heard of, but they write in a genre I like to read and they have a fantastically interesting book cover – I am much more likely to purchase that book. By the way, this is also another reason to never cut any corners on your cover art. - Give Fans/Readers an Inside Look at Your Life
You don’t have to reveal all the skeletons in your closet, but a few pictures of your most recent vacation, your adorable pets, a weekend trip to the harbor and a ride on a boat will get you noticed — people love this kind of stuff. The more you draw in your readers and fans by showing that you’re just like them, the more they will be inclined to follow you and interact with your more professional work. - Follow Other Authors
Especially if you are a new author, following more experienced authors certainly can’t hurt. Even the most experienced author is not exempt from gaining insight from other authors. Networking with other authors as a new or previously unpublished author can be eye-opening and present you with opportunities you may not have otherwise come across.
Instagram is one of the best social apps you can use as an author, because not only does it give us a rest from all those words, but it can be used in so many ways—personally or professionally. You just have start thinking less in words and more in pictures.
Filed under 2017, Writing Tip Wednesday, writing tips
Writing tip Wednesday: “10 Things I Learned About Writing and Publishing From Managing a Porn Store” | LitReactor
Source: 10 Things I Learned About Writing and Publishing From Managing a Porn Store | LitReactor
By Christoph Paul
I used to manage a porn store in northeast D.C. I worked there for two years and it was the best writer job I ever had. There were whole blocks of time where I could read and write while I sat behind the counter. It was a blessing to get paid to practice my craft. All the hours added up and I became a better writer, but managing the porn store also taught me certain skills that I use on a daily basis in my writing and publishing career.
Covers and Titles
The first thing I learned was that we had to buy and sell lots of rentals on our new releases to stay afloat. If I picked a lot of bad movies for the new release wall that didn’t get bought or rented within the first month, my boss would be pissed. The customers also got pissed, and then I would have to deal with a lot of bullshit instead of focusing on writing or reading. The only real work I had besides putting movies back on their shelves was picking the weekly new releases. With the goal of having my boss stay off my back, I made sure to kill it each week with my new release section. I learned what sold and what type of titled stood out. I use that same skill when writing or publishing a new book. Whether it be porn or fiction, the cover and title has to show the readers and viewers that they will enjoy the product. The cover must at least peak curiosity and satisfy something a reader or porn watcher is wanting. Bad covers, whether on a porno or on a novel, are easy to spot and will always stay on the shelf.
Dialogue
My shift was eight hours a day, five days a week. Though I would have loved to spend every hour reading and writing, I had to interact with the customers. There were a lot of regulars who wanted to talk about politics, sports, their personal lives, their kinks, and their jobs. They would not hold back, and almost treated me like a priest. I heard some hardcore confessions. When I am figuring out how a certain character would sound, I have a ton of examples from the porn store. I can use their quirks and speech patterns to inject more realism and humor into my dialogue. Whether it be someone in the closet renting gay porn or a person explaining why they don’t want to have sex with their significant other anymore, I heard people speaking their truths. This gave me an ear for both inner and outer dialogue. There are things that a character reveals in more subtle and nuanced ways, through their rhythms, vocabulary, and even through the things they pointedly leave out.
Writing Through Chaos and Distractions
You can write anywhere. That is what I learned those years behind the porn store counter. I’d have homeless people come in, zoning law inspectors, gang bang recruiters (seriously), cops coming in to shoot the shit, the boss stopping by to complain, and customers looking for very specific fetishes. I learned to stop and deal with who or whatever I had to attend to, and then get back to writing. While there, I finished the second draft of a literary novel, some short stories, and read a ton. I learned there is no perfect place to read and write, and that even through the most awkward disruptions you can still find time to be creative.
Con Selling
If you can sell a $29.95 DVD with ‘anal’, ‘cuckold’, and/or ‘big cocks’ in the title, you can sell a book you have edited or written to a stranger. I picked up some practical sales skills at the porn store. My constant goal was to keep enough money coming in so my boss never suspected I was writing on the job. Though selling shitty porno movies and fake penis growth pills felt disenchanting at times, it taught me how to interact with strangers. When I started doing book festivals and conferences three years ago, they were a joy, because I actually believed in my books and understood how to communicate each book’s value. While penis enlargement pills are bullshit, I actually believe in what I sell. That combination of enthusiasm and sales skills has helped me finish in the black for almost every con/festival I have attended.
Character Studies
It wasn’t just dialogue I learned from the porn patrons. It was crafting real characters with real quirks and commonalities. Listening and talking to the porn store patrons was as good as reading any craft book on creating realized and memorable characters. After working the store for a year, I could usually tell a lot about a person within the first minute of talking to them. I noticed the physical: body language, the sound of their voice, build, did they look me in the eyes or not; sociological: how well read or educated they were, where they worked, what kind of money they made, religion, nationality; and emotional: were they stable, lonely and needing to connect, fake happy, assertive or aggressive, timid. All of these characteristics combined into making them who they were. I could use this skill to build real characters in my fiction. I could take physical, sociological, and emotional attributes and combine them into a unique human being. I would sometimes compare them to real individuals I met at the porn store to see if they felt ‘real.’
Genre Expectations and Surpassing Them
Different fetishes and types of porn are really just different genres. The videos that end up getting rented and bought the most not only meet ‘genre expectation,’’ they also add something special. While I don’t want to get super graphic here, it usually involves something memorable in the video—a scene, a style, and many times, a certain actress. I learned from the popular porno videos that when writing in a certain genre you have to make those genre fans happy, but also give them something unique. It can be your style of language, it can be taking a new approach on a familiar trope, and most importantly giving the reader an outstanding character. When you meet the expectations of genre and create something memorable in your story, your books will sell as good as porn.
Talking Books
On very slow days I would sit behind the register and read. A lot of customers didn’t want to interact and I would just look up, put in my bookmark, and get them their movie. This was pretty standard, but sometimes the porn patrons would be curious about what I was reading. Many of these guys were proud non-readers. I took this as a challenge to infuse the porn store with at least a little literary curiosity. To do this I had to tell them why the book was enjoyable and get them interested enough to want to hear more. I was very proud when I was able to get 4 men excited about the story of one of my favorite novels, Anna Karenina. Experiences like that have made it a lot easier for me to write the back copy of my own as well as other writers’ books.
Vibrator Editor
Until I got the hang of it, selling and recommending vibrators was a challenge. Though white male privilege exists, it doesn’t come in handy when talking to a woman about what vibrator she should buy. At first it was very awkward and I didn’t sell many vibrators, but I learned that I had to help the female customer feel comfortable. I also needed to be knowledgeable and a little humorous, as well as respectful. When I took this approach I easily sold vibrators and learned better communication skills. These skills help me so much when editing other people’s work. Communication and making artists feel comfortable is important. Sex toys, someone’s story, they both involve vulnerability, but if you communicate the right way, a writer will be able to access the right technique and tool for the job.
Storytelling
When it was cold, the porn sales always rose. Wintertime was the most popular time in the store. Not just for rentals and purchases, but for guys just wanting to hang out. The porn store would feel a lot like a barbershop. There were guys who proudly didn’t read and didn’t even like watching movies or TV. They only liked sports, but some of these guys would come up with the funniest stories I have ever heard. There were always men wanting to talk, but if you couldn’t tell a good story or keep people’s interest, they wouldn’t give you a chance to be heard. I saw that being a great storyteller had nothing to do with being a great writer. Storytelling was a separate skill, and there were some guys who might not have ever picked up a book but could tell a great story. I started listening to these guys and dissecting their stories. I realized they were using many of the techniques I read about in the craft books about great storytelling.
Snobbery
I started the porn store job a good 7 years ago. At the time, I was a big literary snob. I believed that only the serious literary novel is what people should read, and even though I was selling porno, I thought erotica and romance writers were total hacks. After two years of working there my mind really opened, and I saw that whether it be porn, erotica, or romance, they were art forms and audiences enjoyed the fantasy and desire that they provided. I lost my snobbery, seeing that any kind of storytelling takes skill. A few years later I would take what I learned at the porn store and write erotica under a pen name. The erotica I have created is still the most successful work I have published. If I hadn’t worked at the porn store, I would be just another bitter failed literary novelist complaining about Chuck Tingle.
Filed under 2017, Writing Tip Wednesday
Writing tip Wednesday: “New Agency to Consider”
New Agency to consider
kt literary
From their website: Books aren’t just what we do, they’re who we are. We become the sum total of our reading experiences – the romance, the adventures, the coming-of-age, the fantasy, the dare-to-believe. At kt literary, we want to be more.
Madeleine L’Engle once said, “You have to write whichever book it is that wants to be written. And then, if it’s going to be too difficult for grown-ups, you write it for children.” Write for children. Write for adults. Write for yourself. And then, when you’re ready to find a literary agent to take your work to the next level, think of us.kt literary is a full-service literary agency operating out of Highlands Ranch, in the suburbs of Denver, Colorado, where every major publishing house is merely an email or phone call away. We believe in the power of new technology to connect writers to readers, and authors to editors. We bring over a decade of experience in the New York publishing scene, an extensive list of contacts, and a lifetime love of reading to the foothills of the Rocky Mountains.
And did we mention our boundless optimism?
Source: http://ktliterary.com/
Agents and what they are looking for:
We’re thrilled to be actively seeking new clients with great writing, unique stories, and complex characters, for middle grade, young adult, and adult.
Kate is looking only at young adult and middle grade fiction and selective nonfiction.
Sara seeks authors in middle grade, young adult, and adult romance, erotica, science fiction, and fantasy.
Renee is looking for young adult and middle grade fiction only.
Hannah is interested in speculative fiction in young adult, middle grade, and adult.
To query us, please select one of the agents at kt literary at a time. If we pass, you can feel free to submit to another. Please email your query letter and the first three pages of your manuscript in the body of the email to either Kate at katequery@ktliterary.com, Sara at saraquery@ktliterary.com, Renee at reneequery@ktliterary.com, or Hannah at hannahquery@ktliterary.com.
The subject line of your email should include the word “Query” along with the title of your manuscript. Queries should not contain attachments. Attachments will not be read, and queries containing attachments WILL be deleted unread. We aim to reply to all queries within two weeks of receipt. For examples of query letters, please feel free to browse the About My Query archives on this site.
In addition, if you’re an author who is sending a new query, but who previously submitted a novel to us for which we requested chapters but ultimately declined, please do say so in your query letter.
If we like your query, we’ll ask for the first five chapters and a complete synopsis. For our purposes, the synopsis should include the full plot of the book including the conclusion. Don’t tease us. Thanks!
We are not accepting snail mail queries at this time. If you have an aversion to email, perhaps we’re not the best agency for you. We also do not accept pitches on social media.
Filed under 2017, writing tip, Writing Tip Wednesday






