Obviously, there needs to be a standard. But do we really want to leave it to science?
Source: One space between each sentence, they said. Science just proved them wrong. – The Washington Post
In the beginning, the rules of the space bar were simple. Two spaces after each period. Every time. Easy.
That made sense in the age of the typewriter. Letters of uniform width looked cramped without extra space after the period. Typists learned not to do it.
But then, at the end of the 20th century, the typewriter gave way to the word processor, and the computer, and modern variable-width fonts. And the world divided.
Some insisted on keeping the two-space rule. They couldn’t get used to seeing just one space after a period. It simply looked wrong.
Some said this was blasphemy. The designers of modern fonts had built the perfect amount of spacing, they said. Anything more than a single space between sentences was too much.
And so the rules of typography fell into chaos. “Typing two spaces after a period is totally, completely, utterly, and inarguably wrong,” Farhad Manjoo wrote in Slate in 2011. “You can have my double space when you pry it from my cold, dead hands,” Megan McArdle wrote in the Atlantic the same year. (And yes, she double-spaced it.)
This schism has actually existed throughout most of typed history, the writer and type enthusiast James Felici once observed (in a single-spaced essay).
The rules of spacing have been wildly inconsistent going back to the invention of the printing press. The original printing of the U.S. Declaration of Independence used extra long spaces between sentences. John Baskerville’s 1763 Bible used a single space. WhoevenknowswhateffectPietroBembowasgoingforhere.Single spaces. Double spaces. Em spaces. Trends went back and forth between continents and eras for hundreds of years, Felici wrote.It’s not a good look.
And that’s just English. Somewrittenlanguageshavenospacesatall and o thers re quire a space be tween ev e ry syl la ble.
Ob viously, thereneed to be standards. Unless you’re doing avant – garde po e try, or something , you can’tjustspacew ords ho w e v e r y o u want. That would be insanity. Or at least,
obnoxious.
Enter three psychology researchers from Skidmore College, who decided it’s time for modern science to sort this out once and for all.
“Professionals and amateurs in a variety of fields have passionately argued for either one or two spaces following this punctuation mark,” they wrote in a paper published last week in the journal Attention, Perception, & Psychophysics.
They cite dozens of theories and previous research, arguing for one space or two. A 2005 study that found two spaces reduced lateral interference in the eye and helped reading. A 2015 study that found the opposite. A 1998 experiment that suggested it didn’t matter.
“However,” they wrote, “to date, there has been no direct empirical evidence in support of these claims, nor in favor of the one-space convention.”
So the researchers, Rebecca L. Johnson, Becky Bui and Lindsay L. Schmitt, rounded up 60 students and some eye tracking equipment, and set out to heal the divide.
First, they put the students in front of computers and dictated a short paragraph, to see how many spaces they naturally used. Turns out, 21 of the 60 were “two-spacers,” and the rest typed with close-spaced sentences that would have horrified the Founding Fathers.
The researchers then clamped each student’s head into place, and used an Eyelink 1000 to record where they looked as they silently read 20 paragraphs. The paragraphs were written in various styles: one-spaced, two-spaced, and strange combinations like two spaces after commas, but only one after periods. And vice versa, too.
And the verdict was: two spaces after the period is better. It makes reading slightly easier. Congratulations, Yale University professor Nicholas A. Christakis. Sorry, Lifehacker.
Actually, Lifehacker’s one-space purist Nick Douglas pointed out some important caveats to the study’s conclusion.
Most notably, the test subjects read paragraphs in Courier New, a fixed-width font similar to the old typewriters, and rarely used on modern computers.
Johnson, one of the authors, told Douglas that the fixed-width font was standard for eye-tracking tests, and the benefits of two-spacing should carry over to any modern font.
Douglas found more solace in the fact that the benefits of two-spacing, as described in the study, appear to be very minor.
Reading speed only improved marginally, the paper found, and only for the 21 “two-spacers,” who naturally typed with two spaces between sentences. The majority of one-spacers, on the other hand, read at pretty much the same speed either way. And reading comprehension was unaffected for everyone, regardless of how many spaces followed a period.
The major reason to use two spaces, the researchers wrote, was to make the reading process smoother, not faster. Everyone tended to spend fewer milliseconds staring at periods when a little extra blank space followed it.
(Putting two spaces after a comma, if you’re wondering, slowed down reading speed, so don’t do that.)
The study’s authors concluded that two-spacers in the digital age actually have science on their side, and more research should be done to “investigate why reading is facilitated when periods are followed by two spaces.”
But no sooner did the paper publish than the researchers discovered that science doesn’t necessarily govern matters of the space bar.
Johnson told Lifehacker that she and her co-authors submitted the paper with two spaces after each period — as was proper. And the journal deleted all the extra spaces anyway.
Note: An earlier version of this story published incorrectly because, seriously, putting two spaces in the headline broke the web code.
J.K. Rowling’s Twitter feud with Trump supporters is so bad she’s now fighting some of her fans – The Washington Post
Rowling’s brushes with political controversy are nothing new. She’s just more open about her views now.
Source: J.K. Rowling’s Twitter feud with Trump supporters is so bad she’s now fighting some of her fans – The Washington Post
If there’s any doubt left that we live in divisive political times, know this: Some fans of Harry Potter are burning their copies of the books to protest author J.K. Rowling’s views of the U.S. president. And she’s fighting back on Twitter, insulting those very fans.
That’s right, one of the most beloved series of books in modern history has now become a political prop. Is nothing safe?
Rowling has been vocal about her feelings concerning President Trump for some time. She has mostly used Trump’s favorite platform, Twitter, to share her criticisms.
These tweets have generated a Facebook page’s worth of headlines. But Rowling’s brushes with political controversy are nothing new.
Rowling is a dedicated progressive. She’s a strong believer in welfare, which she relied on during a particularly rough period in her life. As she said during a 2008 Harvard commencement speech, “An exceptionally short-lived marriage had imploded, and I was jobless, a lone parent, and as poor as it is possible to be in modern Britain, without being homeless … By every usual standard, I was the biggest failure I knew.”
More recently, Rowling found herself in the midst of a Twitter battle surrounding Britain’s decision to leave the European Union, referred to as Brexit, which she staunchly opposed.
Much of this now seemingly endless debate was absent during the height of the Harry Potter craze because the author didn’t publicly discuss her views until the publication of the final book in the series. In 2008, a year after “Harry Potter and the Deathly Hallows” hit bookshelves, Rowling gave 1 million pounds to Britain’s Labour Party.
That same year, speaking to El Pais, she said of the U.S. presidential campaign in which Hillary Clinton and Barack Obama were battling for the Democratic nomination: “I want a Democrat in the White House. It seems a pity that Clinton and Obama have to be rivals, because both are extraordinary.”
Anyone who gave the Harry Potter books a close reading likely wouldn’t have been surprised by Rowling’s politics.
Most of the subplots involve the triumph of marginalized peoples, be it the mixed-heritage Hermione, a “mudbl–d,” the poverty-stricken Weasleys, the stigmatized Hagrid (essentially an ex-offender reintroduced to society who can no longer practice magic as a result) or the “lower class” house elf named Dobby (the most obvious analogue to American slavery).
Harry himself, after all, was an orphan and survivor of attempted infanticide.
In his book “Harry Potter and the Millennials,” Anthony Gierzynski wrote that, “the evidence indicates that Harry Potter fans are more open to diversity and are more politically tolerant than nonfans; fans are also less authoritarian, less likely to support the use of deadly force or torture, more politically active, and more likely to have had a negative view of the Bush administration.”
Rowling invites anyone to challenge her.
Once Rowling opened up about her beliefs, it has been a steady stream ever since. And while attacking her own fans might seem like a poor marketing choice, it’s important to note one of the values that Rowling holds most dear: freedom of speech.
“Intolerance of alternative viewpoints is spreading to places that make me, a moderate and a liberal, most uncomfortable. Only last year, we saw an online petition to ban Donald Trump from entry to the U.K. It garnered half a million signatures,” she said during the 2016 PEN America Literary Gala at the American Museum of Natural History in New York City. “I find almost everything that Mr. Trump says objectionable. I consider him offensive and bigoted. But he has my full support to come to my country and be offensive and bigoted there. His freedom to speak protects my freedom to call him a bigot. His freedom guarantees mine.”
Rowling had already faced some conflict before she publicly expressed her political views. Her Harry Potter books were maligned by some Christian groups, making it one of the most challenged books in 2000, as tracked by the American Library Association’s Office for Intellectual Freedom, according to the New York Times.
“The challenges seem to be objecting to occult or supernatural content in the books and are being made largely by traditional Christians who believe the Bible is a literal document,” Virginia Walter, president of the ALA’s Association for Library Service to Children, told the newspaper. “Any exposure to witches or wizards shown in a positive light is anathema to them. Many of these people feel that the books are door-openers to topics that desensitize children to very real evils in the world.”
The outcry didn’t come only from fringe, radical sects of Christianity, either. As noted in the Christian Post, when Pope Benedict XVI was still Cardinal Joseph Ratzinger he condemned the books for their “subtle seductions, which act unnoticed … deeply distort Christianity in the soul before it can grow properly.”
There’s a certain irony to this, considering Rowling has said that Christianity was a great inspiration for the books.
“To me [the religious parallels have] always been obvious,” she said at a 2007 news conference. “But I never wanted to talk too openly about it because I thought it might show people who just wanted the story where we were going.”
There were Christian references throughout the series. When Harry visits his parents’ graves in one book, the headstone reads, “The last enemy that shall be destroyed is death” — an abridged version of 1 Corinthians 15:26.
The graveyard is also the final resting place of headmaster Albus Dumbledore’s mother and sister, whose tombstone bears the inscription, “Where your treasure is, there your heart be also” — a direct quote from Matthew 6:19.
“I think those two particular quotations he finds on the tombstones at Godric’s Hollow, they sum up — they almost epitomize the whole series,” Rowling said at the news conference.
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Tagged as fan feud, J.K. Rowling, Sunday, The Washington Post, Trump