
Research
I am a writer. /
Thank you for asking, Bear. /
Dog and broom were mum.
.
.
#haiku #poem #poetry #june #tuesday #writer #bear #broom #dog #2020

Research
I am a writer. /
Thank you for asking, Bear. /
Dog and broom were mum.
.
.
#haiku #poem #poetry #june #tuesday #writer #bear #broom #dog #2020
Filed under 2020, CarToonsday, haiku, Poetry by David E. Booker
7 Tips for Using Hands-On Research to Enrich Your Writing
by Delilah S. Dawson
They say, “Write what you know,” which is why my next book is about killing monsters in 1800s Texas. Not that I’ve ever killed anything bigger than a wolf spider, but I know what it’s like to spend a long, painful day in the saddle. When you’re writing about a new world, your readers will have an easier time making the jump from reality to fantasy if you can use telling details to win their trust. And that means that you should travel to new places and seek experiences and local culture that will enrich your writing. The key? Using all your senses.1. See the place.
Traveling allows you to soak up the visual backdrop of a new place. If you grew up in the country, it’ll be hard to write a big city since you’ve never looked up at a looming skyscraper. Visiting the place you’re writing about will inform you of what the people wear, what they hang on the walls, what sidewalk vendors sell, what colors the mountains are in the distance. I’m from Georgia, and I’ll never forget what it felt like to see the Alps for the first time, to climb the stairs of the Duomo in Milan, or to take a ferry to Santorini. Mountains are so much bigger than I’d imagined, and the Mediterranean is such a specific crystal blue. The mental photographs you’ll take while traveling will make your descriptions richer and more specific.
2. Taste the food.
Even if you’re not writing Game of Thrones-style banquet orgies, place-specific food still plays a big part in any story. If you’ve never tried to make coffee by a campfire or roast meat on a stick, you’re going to have trouble describing the process your character goes through and how satisfying their end result is. I’ll never forget what a wakeup call it was the first time I had breakfast in France— baguette with Nutella and hot chocolate. Or that summer in Greece, when we had fresh cherries over ice. Or a bag of hot chestnuts in Florence in January. Wherever you go, find out what the locals eat and try it with an open mind.
3. Feel the experience.
Thanks to TripAdvisor and Yelp, it’s easy to find place-specific activities that can inform your writing. Go ziplining over the jungle, go for a ride with a cop, watch an autopsy, try spinning wool or dipping candles. Take a horseback riding lesson or a short trip in a hot air balloon. Save up to go on a safari or just ride the camel at the zoo for six dollars. For almost any activity you’re going to use in your book, there’s a way to experience it yourself for under a hundred dollars.
That goes for clothes, too. Personally, I feel like you shouldn’t write about corsets until you’ve spent a day wearing one. Try dancing in a ball gown or tying a cravat. Go to the RenFaire and try chainmail. Clothes affect how you move, what you do with your time, where you sit, and how you feel overall. Visit the dealer room of any Comic Con to try costume pieces that translate to your work.
4. Feel the discomfort.
I once threw a Romance novel across the room because the pampered main character lost her virginity in a filthy, abandoned hovel on a bed of loose straw. Have you felt real straw? So not sexy.
Discomfort is part of life—now, in the far less hygienic past, and even in space in the future. If your character spends all day sweating in a saddle in too-small boots, they’re going to have a hard time walking, much less killing vampires. If your character gets in a fight, they’re going to have bruises. And shouldn’t James Bond have jet lag basically all the time? Capturing an experience means paying homage to the good and the bad with careful attention to the realistic consequences of their physical experience.
5. Listen to crowds, listen to the silence.
It makes a big difference if you’re awakened by barking dogs, a crowing rooster, Big Ben, songbirds, or a blaring alarm. The sounds of a city are entirely different from the sounds of a mountain cabin. Even the birds sing differently in different places. Is your character in a city that never sleeps or on a spaceship so quiet that she’s going mad? Adding place-specific sounds to your story help us feel what your character is feeling and give us a flavor for the culture and setting.
6. Smell the air.
Whether you’re describing the hot garbage smell of New York in August or the clean pine smell of the mountains in autumn, your descriptions of scent will add one more facet to your character’s experience. It’s hard to describe the scent of a desert or ocean if you’ve never been there. The smell of horses is entirely different from the scent of cows, pigs, camels, or elephants. Rain smells different when it hits hot concrete at night as compared to an aluminum roof on a cool morning. If you have a difficult time describing scents, I would recommend taking a wine tasting class, which really helps tease apart different notes in a way that translates to the world of smell.
7. Learn the lingo.
Without googling, can you name the device used to move yarn through the warp and weft of a loom? Can you identify the parts of a saddle? Do you know the parts of a gun? Using the right words—not necessarily the proper words—helps convince your readers that you’re enough of an expert to write about a topic. And the best way to learn the right lingo is to experience it for yourself and ask the true expert tons of questions. Wikipedia is great but not always accurate, and absorbing word choice from other books won’t always guide you in the right direction. There’s simply no better source than firsthand knowledge.
And the other good news? If you have income from your writing, trips and adventures used as research are considered tax deductible. Win-win!
***
Delilah S. Dawson, author of WAKE OF VULTURES (Oct. 2015, Orbit), written as Lila Bowen. Delilah is the author of the Blud series, SERVANTS OF THE STORM, HIT, and STAR WARS: THE PERFECT WEAPON. She teaches writing classes at LitReactor and has received the Steampunk Book of the Year and May Seal of Excellence for 2013 for WICKED AS SHE WANTS. Find her online at www.whimsydark.com
***
Filed under 2016, writing tip, Writing Tip Wednesday
[Editor’s note: I have attended two Killer Nashville conferences and can say there is plenty to see and do and learn, even if what you write is not strictly thriller, suspense or mystery. To be clear, I have no stake in the conference, and will not make any money if you attend. I have written a few blog entries from my most recent attendance. You can find those by clicking on Killer Nashville in the tags below.]
Killer Nashville
A Conference for Thriller, Suspense, Mystery Writers & Literature Lovers
________________________________________
August 23-26, 2012
Thursday evening through Sunday afternoon
________________________________________
Nashville, TN
Guests of Honor for 2012 Killer Nashville are New York Times Bestselling Authors C.J. Box, Heywood Gould, & Peter Straub
Since 2006, Killer Nashville has become THE conference for mystery, thriller, and crime fiction authors and fans. Located in Nashville, Tennessee, Killer Nashville is held the fourth full weekend of every August.
Killer Nashville attracts bestselling authors from across the U.S., Canada, and beyond, plus scores of fans and budding authors.
Sponsored by numerous national organizations, attendees have included authors, screenwriters, playwrights, filmmakers, fans, attorneys, editors, agents, and publishers.
Killer Nashville’s objectives are to assist writers of all writing genres and formats; develop a better understanding of the craft of the mystery, thriller, suspense and true crime genres specifically; to discuss such topics as investigative techniques, verifying crime information, and submitting one’s manuscript for publication; and portray law enforcement and forensic science in a fair and accurate manner.
Killer Nashville is offered in five concurrent tracks including over 60 events ensuring the weekend has something for every lover of literature.
One track, the forensic/CSI track provides insight into the latest in forensic investigations and crime detection and is hosted by the TBI (Tennessee Bureau of Investigations), FBI, and other law enforcement branches. Event includes a realistic crime scene staged by the TBI and solved by conference guests.
Many writers have found agents, editors, and publication through networking at Killer Nashville.
Killer Nashville is a volunteer-produced event and was founded in 2006 by bestselling Franklin writer and filmmaker Clay Stafford.
Contact information:
Killer Nashville
P.O. Box 680759
Franklin, TN 37068-0759
(615) 599-4032
contact@killernashville.com
Website: killernashville.com.
Blog: http://killernashville.wordpress.com/
Filed under Killer Nashville, writing, writing conference
[Editor’s note: yesterday I posted an article about the Encyclopedia Britannica going online only. Now, here is a New York Times article about a California man and family working to preserved physical copies of books, a sort of Noah’s Ark for books. I guess there won’t be future copies of the Encyclopedia Britannica in this collection.]
March 3, 2012
By DAVID STREITFELD
RICHMOND, Calif. — In a wooden warehouse in this industrial suburb, the 20th century is being stored in case of digital disaster.
Forty-foot shipping containers stacked two by two are stuffed with the most enduring, as well as some of the most forgettable, books of the era. Every week, 20,000 new volumes arrive, many of them donations from libraries and universities thrilled to unload material that has no place in the Internet Age.
Destined for immortality one day last week were “American Indian Policy in the 20th Century,” “All New Crafts for Halloween,” “The Portable Faulkner,” “What to Do When Your Son or Daughter Divorces” and “Temptation’s Kiss,” a romance.
“We want to collect one copy of every book,” said Brewster Kahle, who has spent $3 million to buy and operate this repository situated just north of San Francisco. “You can never tell what is going to paint the portrait of a culture.”
As society embraces all forms of digital entertainment, this latter-day Noah is looking the other way. A Silicon Valley entrepreneur who made his fortune selling a data-mining company to Amazon.com in 1999, Mr. Kahle founded and runs the Internet Archive, a nonprofit organization devoted to preserving Web pages — 150 billion so far — and making texts more widely available.
But even though he started his archiving in the digital realm, he now wants to save physical texts, too.
“We must keep the past even as we’re inventing a new future,” he said. “If the Library of Alexandria had made a copy of every book and sent it to India or China, we’d have the other works of Aristotle, the other plays of Euripides. One copy in one institution is not good enough.”
Mr. Kahle had the idea for the physical archive while working on the Internet Archive, which has digitized two million books. With a deep dedication to traditional printing — one of his sons is named Caslon, after the 18th-century type designer — he abhorred the notion of throwing out a book once it had been scanned. The volume that yielded the digital copy was special.
And perhaps essential. What if, for example, digitization improves and we need to copy the books again?
“Microfilm and microfiche were once a utopian vision of access to all information,” Mr. Kahle noted, “but it turned out we were very glad we kept the books.”
An obvious model for the repository is the Svalbard Global Seed Vault, which is buried in the Norwegian permafrost and holds 740,000 seed samples as a safety net for biodiversity. But the repository is also an outgrowth of notions that Mr. Kahle, 51, has had his entire career.
“There used to be all these different models of what the Internet was going to be, and one of them was the great library that would offer universal access to all knowledge,” he said. “I’m still working on it.”
Mr. Kahle’s partners and suppliers in the effort, the Physical Archive of the Internet Archive, are very glad someone is saving the books — as long as it is not them.
The public library in Burlingame, 35 miles to the south, had a room full of bound periodicals stretching back decades. “Only two people a month used it,” said Patricia Harding, the city librarian. “We needed to repurpose the space.”
Three hundred linear feet of Scientific American, Time, Vogue and other periodicals went off to the repository. The room became a computer lab.
“A lot of libraries are doing pretty drastic weeding,” said Judith Russell, the University of Florida’s dean of libraries who is sending the archive duplicate scholarly volumes. “It’s very much more palatable to us and our faculty that books are being sent out to a useful purpose rather than just recycled.”
As the repository expands — from about 500,000 volumes today toward its goal of 10 million — so does its range. It has just started taking in films.
“Most films are as ephemeral as popcorn,” said Rick Prelinger, the Internet Archive’s movie expert. “But as time passes, the works we tried to junk often prove more interesting than the ones we chose to save.”
At Pennsylvania State University, librarians realized that most of their 16-millimeter films were never being checked out and that there was nowhere to store them properly. So the university sent 5,411 films here, including “Introducing the Mentally Retarded” (1964), “We Have an Addict in the House” (1973) and “Ovulation and Egg Transport in the Rat” (1951).
“Otherwise they probably would have ended up in a landfill,” said William Bishop, Penn State’s director of media and technology support services.
Not everyone appreciates Mr. Kahle’s vision. One of the first comments on the Internet Archive’s site after the project was announced in June came from a writer who said he did not want the archive to retain “any of my work in any form whatsoever.”
Even some librarians are unsure of the need for a repository beyond the Library of Congress.
“I think the probability of a massive loss of digital information, and thus the potential need to redigitize things, is lower than Brewster thinks,” said Michael Lesk, former chairman of the department of library and information science at Rutgers. But he conceded that “it’s not zero.”
If serious “1984”-style trouble does arrive, Mr. Lesk said, it might come as “all Internet information falls under the control of either governments or copyright owners.” But he made clear he thought that was unlikely.
Under a heated tent in the warehouse’s western corner the other day, Tracey Gutierres, a digital records specialist, worked on a new batch. If a volume has a bar code, she scans it to see if the title is already in the repository. If there is no bar code, she checks the International Standard Book Number on the copyright page. If the book is really old, she puts it aside for manual processing.
Before the books make it the 150 feet to the shipping containers for storage, some will have to travel 12,000 miles to China. The Chinese, who are keen to build a digital library, will scan the books for themselves and the archive and then send them back. The digital texts will be available for the visually impaired and other legal purposes.
As word about the repository has spread, families are making their own donations.
Carmelle Anaya had no idea what to do with the 1,200 books her father, Eric Larson, left when he died. Then she heard about the project. “He’d be thrilled to think they would be archived so maybe someone could check them out a hundred years from now,” said Ms. Anaya, who lives in California’s Central Valley.
Her daughter Ashley designed a special bookplate. Any readers across the centuries will know where the copies came from. “The books will live on,” Ms. Anaya said, “even if the people can’t.”
Filed under books, preserving, publishing
CHICAGO—Hours after Encyclopaedia Britannica Inc. announced it will stop publishing print editions of its flagship encyclopedia for the first time in more than 200 years, someone among the editing minions of free online rival Wikipedia made an irony-free note of that fact.
“It was announced that after 244 years, the Encyclopaedia Britannica is going out of print, instead focusing on its online encyclopedia,” the entry read.
The book-form of Encyclopaedia Britannica has been in print since it was first published in Edinburgh, Scotland, in 1768. It will stop being available when the current stock runs out, the company said. The Chicago-based company will continue to offer digital versions.
Officials said the end of the printed, 32-volume set has been foreseen for some time.
“This has nothing to do with Wikipedia or Google,” Encyclopaedia Britannica Inc. President Jorge Cauz said. “This has to do with the fact that now Britannica sells its digital products to a large number of people.”
The top year for the printed encyclopedia was 1990, when 120,000 sets were sold, Cauz said. That number fell to 40,000 just six years later in 1996, he said. The company started exploring digital publishing in the 1970s. The first CD-ROM edition was published in 1989 and a version went online in 1994.
The final hardcover encyclopedia set is available for sale at Britannica’s website for $1,395.
“The sales of printed encyclopedias have been negligible for several years,” Cauz said. “We knew this was going to come.”
The company plans to mark the end of the print version by making the contents of its website available free for one week, starting Tuesday.
Online versions of the encyclopedia now serve more than 100 million people around the world and are available on mobile devices, the company said. The encyclopedia has become increasingly social as well, Cauz said, because users can send comments to editors.
“A printed encyclopedia is obsolete the minute that you print it,” Cauz said. “Whereas our online edition is updated continuously.”
Lynne Kobayashi of the Language, Literature & History section of the Hawaii State Library notes some people will always prefer using print sources, but that readers are becoming attuned to online searching because of a proliferation of electronic publishing.
“There are many advantages to online searching, chief among them the ability to search within the text,” Kobayashi said. “The major disadvantage is the need for a computer or devices with access to the Internet.”
Kobayashi said her decision to use traditional or online resources depends on the question she wants answered.
“Sometimes subject knowledge and familiarity with standard resources may get faster results than keying in a search and sifting through results,” she said. “If the search is broader, searching across several online sources may yield more options.”
Britannica has thousands of experts’ contributors from around the world, including Nobel laureates and world leaders such as former President Bill Clinton and Archbishop Desmond Tutu. It also has a staff of more than 100 editors.
“To me, the most important message is that the printed edition was not what made Britannica,” Cauz said. “The most important thing about Britannica is that Britannica is relevant and vibrant because it brings scholarly knowledge to an editorial process to as many knowledge seekers as possible.”
Kobayashi said as information professionals, librarians see an important part of their role as directing patrons to trustworthy information sources.
“While Wikipedia has become ubiquitous, the Britannica remains a consistently more reliable source,” she said.
——
Online: http://www.britannica.com
Filed under encylopedia, online, publishing