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E-book pricing: lawsuit filed

Source: http://www.latimes.com/entertainment/news/la-et-apple-authors-20120413,0,6062761.story

Lawsuit against Apple: Writers wary of action by Dept. of Justice

Michael Connelly and Sherman Alexie are among authors who view the Justice Department’s suit against Apple and five publishers as acting against writers’ interests.

By Carolyn Kellogg, Los Angeles Times

April 13, 2012

When the Department of Justice and state officials announced their lawsuits against Apple and five major publishers Wednesday, it sent a ripple of anxiety through the talent at the industry’s heart.

“I’m in a bit of an awkward position because this has pitted my publisher against the retailer that far and away sells more of my books than any other,” says Michael Connelly, the bestselling mystery novelist. “I don’t want to bite the hand that feeds me, and both of these hands feed me.”

Connelly is published by Little, Brown, which is owned by Hachette, one of the publishers named in the suits that has since agreed to settle.

The scrutiny given to Apple’s alleged arrangement with the publishers — they are accused of colluding to raise the price of e-books, which they have denied — is largely perceived in publishing as shifting the balance of power in bookselling to Amazon. Publishers rely on Amazon as a major source of print book sales and have generally cooperated with its policies. When it launched the Kindle, Amazon deeply discounted e-book prices and offset the loss with profits from other parts of its business. Apple has been the first significant alternative to Amazon as an e-book retailer.

“I think the DOJ’s suit is misguided,” explains Andrew Wylie, the most powerful agent in publishing, who counts a number of Nobel Prize-winners among his 800 clients. “I think it is acting against the interests of culture and diversity in publishing. I think it is acting against the interests of authors.”

In part, that’s because the pricing of e-books directly affects the way authors can earn a living — and the publishing ecosystem that sustains them. “I know for a fact that my publishers and my editors publish books that they know are going to lose money but they think should be of the world,” says National Book Award-winning writer Sherman Alexie. “The John Grishams of the world support the experimental nature of publishing.” The DOJ’s suit, he says, “gave Amazon explicit permission to go for a total monopoly.”

Connelly observes that the DOJ suit seems to be unbalanced. “I believe in fair play. So I feel that if the government is going to step in and put controls on how publishers act to ensure a competitive marketplace, then I hope the government will be just as vigilant in guarding this amazing, creative and important industry from being monopolized by one entity,” he says. ” Amazon spreads my work far and wide. You can’t beat that. I’m very grateful. But I don’t want a world where there are no bookstores or other venues for discovering my work or the work of any other writers.”

For a writer just starting out, the suit served as a reminder that publishing is in flux. “I love writing and am going to continue writing, but having all my eggs in one basket is kind of scary,” says Elliott Holt, whose debut novel will be published by Penguin in 2013.

carolyn.kellogg@latimes.com

Copyright © 2012, Los Angeles Times

[Editor’s note: while I read and enjoy the works of Michael Connelly and Sherman Alexie, I don’t think the lawsuit is “misguided.” I think colluding to fix prices is misguided and as history shows, only furthers to protect the profits of those on the inside (Those fixing the prices.) at the expensive of those on the outside (Those having to pay them). Apple should not be allowed to set prices and neither should Amazon, but in this case it appears that Apple with the aid of publishers was doing just that, which profited them at the expense of book buyers. To read earlier articles on this, click on one of the Category listings below: e-book, publishers, or publishing.]

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Epic fight to put awesome in its place

http://www.latimes.com/news/local/la-me-holland-20120106,0,2183189.column

Trying to drive a stake through a conversational staple

British-born poet and journalist John Tottenham says that saying ‘awesome’ in his presence is like ‘waving a crucifix in a vampire’s face.’

Gale Holland, Los Angeles Times

January 6, 2012

“Awesome,” according to one dictionary of slang, is “something Americans use to describe everything.”

The linguistic overkill horrifies John Tottenham. So the British-born L.A. poet, painter and journalist has launched what he calls the Campaign to Stamp Out Awesome, or CPSOA.

“Saying the word in my presence is like waving a crucifix in a vampire’s face,” Tottenham says. “It’s boiled down to one catchall superlative that’s completely meaningless.”

I met with Tottenham last week at CSPOA headquarters inside Stories, the Echo Park bookstore he is trying to turn into the world’s first awesome-free zone. “Ground zero for a quiet revolution,” Tottenham calls the cafe and shop, where he has a day job. The group’s manifesto is posted at the counter, and no-awesome stickers with the usual diagonal slash are on sale, with T-shirts to follow, Tottenham said.

“It’s a matter of semantic satiation,” Tottenham told me. “Sometimes I’m sitting in a crowd and I hold my breath until someone says it. Seldom do I die of asphyxiation as a result.”

There’s no arguing with Tottenham’s premise that “awesome” is seen and heard everywhere, from the sign on the tchotchke aisle at the 99-cent store to the lips of supermarket cashiers. UC Santa Barbara linguist Mary Bucholtz says that from its dusky origins, perhaps in 1970s surfer slang, it’s spread to Australia and English-speaking India.

But Tottenham failed to convince me it’s a bad thing. What’s wrong with bathing everything in the sunny light of superlativity? I asked him.

I admire the “awesome” generation’s ability to talk at all with only a few words at its disposal.

The economy of expression is poetic, I argued. The conversations go like this:

Caller 1: Dude?

Caller 2: Dude.

Caller 1: Whadup?

Caller 2: Chillin.

Caller 1: Awesome. Want to kick it?

Caller 2: I’m down.

Caller 1: Now?

Caller 2: Awesome. I’m out.

Caller 1: Peace.

Somewhere, DEA agents are holed up in a hotel room listening to this for hours on end and going out of their minds.

But there’s a subtle genius in language that has been wiped clean of almost all content. Nobody has to risk expressing a real thought or sentiment. Bland affirmation is an impenetrable defense. No one can object. As Syme, the language specialist in charge of shrinking the dictionary in George Orwell’s dystopian novel “1984” put it, “It’s a beautiful thing, the destruction of words.”

Tottenham was having none of it.

“The bogus sense of positivity has a demoralizing effect,” he said. “People resent it if you don’t say you’re doing great.”

Bucholtz, the linguist, pointed out that every generation thinks the next one is wrecking the English language. Tottenham, an old punk rocker who fled dreary old England for the Wild West, gave that point some consideration. But in the end, he rejected it.

“I hated it when I was young, ” Tottenham said. “It is the most irritating word.”

Tottenham said his linguistic cleansing movement has mostly been embraced, at least within “the two-block radius of Echo Park where I am a minor celebrity.” One Stories customer bristled when he tried to get her to honor the awesome ban, though.

“But I’m from California,” she said. “I can’t help it.”

As we chatted, a man in a cowboy shirt came up to congratulate Tottenham on his recent performance of an anti-awesome screed at a local gallery.

“That was awesome,” the man said, grinning widely.

Tottenham smiled back sourly.

“I know I’m setting myself up as a target to be churlishly bombarded by people who use the word to irritate me,” Tottenham said. “People who know about the campaign and want to further express their lack of verbal ingenuity….They do it because they think it’s witty, which it isn’t.”

“But I’m willing to take it on the nose in an honorable cause,” he said.

Tottenham already is looking toward other cliches to conquer.

“Other words will be addressed once we get rid of awesome,” Tottenham promises. “‘It’s all good.’ That’s definitely crying out to be done.”

But as with all social engineering movements, Tottenham has hit unexpected obstacles. As we chatted, we walked to a nearby cafe that had posted his no-awesome sticker in the window. The waitress stopped by to say the restaurant had been forced to take the sign down.

“The staff vetoed it,” she said. “They’re afraid people are going to think the restaurant is not awesome.”

gale.holland@latimes.com

Copyright © 2012, Los Angeles Times

[Blog editor’s note: The title of this blog entry is mine, and is done a bit tongue-in-cheek. I approve this poet’s efforts, as all writers should. Poor and inadequate as they are at times, words are all we have to build our stories, poems, essays, novels, and other word constructs for examining life and who we are. Words are our tools and they deserve our respect.]

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