Tag Archives: Kurt Vonnegut

“Be Creative”

In 2006 a high school English teacher asked students to write a famous author and ask for advice. Kurt Vonnegut was the only one to respond – and his response is magnificent: “Dear Xavier High School, and Ms. Lockwood, and Messrs Perin, McFeely, Batten, Maurer and Congiusta:

I thank you for your friendly letters. You sure know how to cheer up a really old geezer (84) in his sunset years. I don’t make public appearances any more because I now resemble nothing so much as an iguana.

What I had to say to you, moreover, would not take long, to wit: Practice any art, music, singing, dancing, acting, drawing, painting, sculpting, poetry, fiction, essays, reportage, no matter how well or badly, not to get money and fame, but to experience becoming, to find out what’s inside you, to make your soul grow.

Seriously! I mean starting right now, do art and do it for the rest of your lives. Draw a funny or nice picture of Ms. Lockwood, and give it to her. Dance home after school, and sing in the shower and on and on. Make a face in your mashed potatoes. Pretend you’re Count Dracula.

Here’s an assignment for tonight, and I hope Ms. Lockwood will flunk you if you don’t do it: Write a six line poem, about anything, but rhymed. No fair tennis without a net. Make it as good as you possibly can. But don’t tell anybody what you’re doing. Don’t show it or recite it to anybody, not even your girlfriend or parents or whatever, or Ms. Lockwood. OK?

Tear it up into teeny-weeny pieces, and discard them into widely separated trash recepticals. You will find that you have already been gloriously rewarded for your poem. You have experienced becoming, learned a lot more about what’s inside you, and you have made your soul grow.

God bless you all!

Kurt Vonnegut

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Writing tip Wednesday: “Advice on Short Story”

Kurt Vonnegut’s Advice on Short Stories

  1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
  2. Give the reader at least one character he or she can root for.
  3. Kurt Vonnegut
    (1922 – 2007)

    Every character should want something, even if it is only a glass of water.

  4. Every sentence must do one of two things—reveal character or advance the action.
  5. Start as close to the end as possible.
  6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them—in order that the reader may see what they are made of.
  7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
  8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

The greatest American short story writer of my generation was Flannery O’Connor (1925-1964). She broke practically every one of my rules but the first. Great writers tend to do that.

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Writing tip Wednesday: “Vonnegut’s rules”

Kurt Vonnegut (1922 - 2007)

Kurt Vonnegut
(1922 – 2007)

Kurt Vonnegut wrote novels and short stories. Some of the memorable novels are Cat’s Cradle, Breakfast Of Champions, and Slaughterhouse Five. With his pithy wisdom and wit, Vonnegut put forth 8 basics of what he calls Creative Writing 101:

  1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
  2. Give the reader at least one character he or she can root for.
  3. Every character should want something, even if it is only a glass of water.
  4. Every sentence must do one of two things—reveal character or advance the action.
  5. Start as close to the end as possible.
  6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them—in order that the reader may see what they are made of.
  7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
  8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

He also noted: The greatest American short story writer of my generation was Flannery O’Connor (1925-1964). She broke practically every one of my rules but the first. Great writers tend to do that.

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Vonnegut responds: “experience becoming”

Eight years ago, students at my high school wrote to their favorite authors asking them to visit. Kurt Vonnegut was the only one who responded, writing this beautiful and humorous letter.

or http://imgur.com/Xl6PzGy

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Writing tip Wednesday: “Three pieces of advice”

In his recent 2013 ThrillerFest session “The Series Character: How to Do it Right,” Michael Connelly (author of the Harry Bosch series) offered three of his favorite bits of advice that he’s collected from other writers.

“I’ve carried these with me for decades,” he said. “I think they really sum up where you should be if you’re going to do this”—especially if you want to write crime fiction.

1. The best crime novels are not how cops work on cases; it’s how cases work on cops.
–Joseph Wambaugh

In other words, Connelly said, it’s all about character. Character is key, especially in series fiction. Readers don’t return to your work because of a plot twist—they return because of character.

2. Every character should want something, even if it is only a glass of water.
–Kurt Vonnegut

Regarding series characters, Connelly said this ties into a character’s sense of searching (which, he added, when unfulfilled, is what draws people to the next book).

3. When you circle around a murder long enough, you get to know a city.
–Richard Price

Connelly said this was Price’s reply when asked why a great writer would spend their time writing crime fiction. He pointed out that a writer should have a higher aspiration in their work—to use the form to say something about society, something about one’s city.

Source: http://www.writersdigest.com/online-editor/3-of-michael-connellys-favorite-bits-of-writing-advice?et_mid=627736&rid=1985858

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