Tag Archives: Hollywood

cARtOONSdAY: “tHE sTORY pOLICE”

Good cop, Hollywood cop

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April 9, 2019 · 3:13 am

Older British Accents Actually Sounded More Like Americans Speak Today – Comic Sands

Source: Older British Accents Actually Sounded More Like Americans Speak Today – Comic Sands

It’s no secret that English is a mutt language, originating from a mixture of the Germanic and romantic languages. But what’s less appreciated is why Americans and Brits sound so different from one another.

The most distinct difference between American English and British English is how each culture pronounces their “R”s, which is known as rhoticity.

A dropped or unemphasized “R” is a trademark of British speech, while a voiced, or rhotic “R,” is the typical American style.

Some regions of Northern England, Scotland and Ireland sound different because they kept the rhotic pronunciation. And some regions in the United States dropped it like Boston and New York and the American south, where “R”s tend to be nearly non-existent.

Would you believe that the American way is actually the older version of English?

Have you ever thought about why we don’t all sound the same?

The first English came to North America in 1607. English settlers in the 17th Century sounded closer to today’s Americans, according to the science website, Curiosity.

“…the modern American accent is a lot closer to how English used to be spoken than the [modern] British accent is.”

What then, you ask, did the Brits do with their “R”s?

Simply put, the wealth boom of the Industrial Revolution prompted well-to-do English people to drop their “Rs” because voicing them “instantly marked them as a commoner.”

“In order to distinguish themselves from their lowlier roots, this new class of Brit developed their own posh way of speaking. And eventually, it caught on throughout the country.”

“It’s called “received pronunciation,” and it even influenced the speech patterns of many other English dialects — the Cockney accent, for example, is just as non-rhotic but a lot less hoity-toity.”

This quirk developed by the English upper classes eventually found its way to the United States in the form of the Transatlantic Accent, which has been forever immortalized in recordings and films from the first half of the 20th Century.

However this time, the purpose was not to distinguish from the lower classes. The change had to do with changing technology, namely the rise of the “talkie” when silent films were phased out and motion pictures got voice tracks.

The Transatlantic or Mid-Atlantic Accent is the familiar, quasi-British sounding twang used by President Franklin Delano Roosevelt and many influential actors, such as Cary Grant, Katherine Hepburn, and Vincent Price, through the end of World War II.

Its popularity grew out of the clarity it provided on early audio recordings, on microphones and on the radio where rhotic speech could be difficult to understand.

For this speech evolution, the “R” is dropped and the “T” is highly articulated. All vowels are softened.

It was also a way to appeal to diverse English-speaking populations. It blended both the American and English accents of the time.

The accent fell out of favor after World War II however.

The Transatlantic or Mid-Atlantic Accent was a beautiful way of speaking and we should bring it back. Let’s make Transatlantic Accents Great Again!

You’re welcome.

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Filed under 2018, accent

Writing tip Wednesday: 5 secrets from Hollywood

How to Improve Your Writing: 5 Secrets From Hollywood

by ERIC BARKER

Source: http://time.com/3955361/improve-writing-hollywood-secrets/

  1. Structure lets readers know they’re in good hands. And finishing a draft is just the start. Writing is rewriting.
  2. Surprise comes from knowing the expectations of your audience — and then turning them on their head.
  3. The best writers know how to balance the negativity of perfectionism with the optimism that keeps them going. Making sure you have “small wins” can help.
  4. Collaboration is about suspending your ego. Stop thinking about yourself and focus on what would objectively make the piece better.
  5. Making a reader feel something is about honesty. You don’t have to come from the future to write science fiction but there does have to be something of yourself in the story for that emotion to show through.

Read the full article: http://time.com/3955361/improve-writing-hollywood-secrets/

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Filed under 2015, writing tip, Writing Tip Wednesday

Writing tip Wednesday: “Supermentors One-Day Class”

Industry Landmines — And How to Avoid Them

One-day class: Sunday, June 7th
10:00 AM – 5:00 PM (Pacific time)
1:00 PM – 8:00 PM (Eastern time)

Learn what pitfalls to avoid.

Learn what pitfalls to avoid.

Hollywood is full of rules – only nobody tells you what they are!

Award-winning writer-producer-directors Elaine and Marc Zicree have written hundreds of hours of produced TV shows and movies for most of the major studios and networks – and now have their own studio! Let them share what they know with you!

In this eye-opening day-long class, Hollywood Insiders Marc and Elaine Zicree guide you through the soul-crushing, career destroying mistakes that many beginners and even long-term pros often make – and which YOU can now avoid:

Some of the many career disasters covered (and super-solutions given) include:

Representation:

  • How to waste time seeking it out – and make sure they’re lacking a pulse.
  • How to provide inadequate evidence and be sure to fail.
  • How to hand over power to folks who don’t give a damn.
  • How to mangle a potentially good relationship.
  • How to confuse the roles of agents, managers and attorneys.

The Script:

  • Sure-fire ways to make the script you write fail!
  • Great ways to find bad scripts by writers who will give you grief.
  • How actors can create characters ranging from invisible to actively annoying.

Cold Calls, Meetings, Pitches and Auditions:

  • How to come off like an amateur.
  • How to bore and confuse.
  • How to blow a meeting – or, better still, trample one that’s going well.
  • How to be under-prepared
  • How to bring in the wrong allies
  • How to alienate potential, long-term connections
  • Stuff you can do wrong in a pitch.
  • Auditioning so you lose you the role and any possibility of ever being invited back.
  • Failing to sell a series using great material.
  • Having no clue how the system works.

Teams:

  • How to be sure you mismatch your director to your script.
  • Creating a budget that assures your project will never sell – or is never finished.
  • How to cast to assure the above.
  • How to staff up with terrible people.
  • How to staff up with wonderful people – and then alienate every one of them.
  • How to write up agreements that you will regret to your grave.
  • Presenting yourself & your project in ways that send alliances running for the hills.

Money:

  • How to solicit funds in ways that will get you into really big trouble.
  • How to do a crowd funding campaign – that will sink!
  • How to be so grasping about credits and points you have nothing to deal with.
  • How to be so generous about the above you end up with zip.
  • Ways to rationalize not thinking about complex stuff like in-kind, trade agreements, incentives, banks and pre-sales (or other methods that may otherwise save your project).

The Sale:

  • How to fail at festivals.
  • How to never find a distributor.
  • How to find a distributor who will rob you blind and bury your project.
  • How to sign a contract that will allow you no recourse for the above.
  • How to burn through resources to not only deny promotional materials, but the deliverables which would allow the sale.
  • How to convince yourself the benefit of avoiding alternate platforms which may result in more money, larger audiences and an actual career.

Strategy:

  • How to embrace the defeatist and the negative.
  • Being sure your mentors have failed at what you’re attempting.
  • How to suck all the energy out of a room.
  • How to stand around waiting to be picked until you die.

Class is JUST $25 and SEATING IS LIMITED – but you can also listen to the entire class via live streaming and downloadable content!

To sign up, log onto www.paypal.com and indicate you want to pay marc@zicree.com

Feel free to email us at Send me an email marczicree@gmail.com or call (323) 363-1259 with any questions.

Don’t wait to be picked — it can all happen NOW.

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Filed under 2015, Writing Tip Wednesday, writing tips