Tag Archives: fiction

“Holly’s Corner,” part seven

[Writer’s note: What began as a writing prompt — photo and first paragraph — has become at least the start of a story. I will endeavor to add short sections to it, at lest as long as there is some interest. It might be a little rough in parts, but that’s because it is coming “hot off the press,” which could be part of the fun of it. In the meantime, you are free to jump off from any part of this story thus far and write your own version. Click Holly’s Corner below to get Parts 1 – 6.]

by David E. Booker

“Possibly not,” I said, then took a bite of my sandwich. I didn’t have much money left and if this case didn’t pan out, I was going to have to look for 9 – 5 work, which was something I loathed. But a recipe? Had I stooped so low as I need to chase down some family heirloom the world had not heard of nor was likely ever to?

She pushed up from stall seat, turned, and stomped out the door.

My charming personality was working wonders again.

It was a cool, rainy day down at Holly's Corner.

It was a cool, rainy day down at Holly’s Corner.

I pulled out my cell phone and was checking to see if I had any messages, any other potential clients. None. No text messages either. I was about to say something I probably shouldn’t in public when I felt somebody staring at me. I looked up. Standing near my table, casting a shadow like a greasy plate of cold fries stood Marc. Spelled with a “c” and not a “k.”

I looked up.

“Got my tip?”

“Tip means To Insure Prompt Service. Should be an E, but probably nobody would say Tep. Your service was neither prompt nor ensured. Go tell your rock climbing boss he’ll get paid when I get paid, assuming my client feels like paying.”

“That’s not the deal.”

“The original deal didn’t call for you to put my client on life support, either.”

“Not my fault.”

“Those hot chocolate burns didn’t happen by themselves.”

The tables nearest us were empty and not being refilled. Since Holly’s was a seat yourself place, I could only take that to mean Marc and I were being avoided and bad for business. I liked the place and wanted to be able to come back, but before I could think of some way to end this, Marc stepped forward, picked up the half of sandwich I hadn’t gotten to yet and brought it up to his mouth. He took a big bite.

I glanced over at the nearly empty hot sauce bottle. When Tricia left, I decided I’d have the other half the way I usually do. I looked up at Marc. His broad, dark face had an eerie placidness about it as beads of sweat popped out of his forehead and scurried down his face only to be followed by another one or two or a dozen.

I hadn’t refilled my drink and there wasn’t anything on a nearby table, so Marc dropped the rest of the Ricky Ricardo on the floor, turned and raced out of the restaurant.

Everybody’s a food critic.

#

(To be continued.)

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“Holly’s Corner,” part 6

[Writer’s note: What began as a writing prompt — photo and first paragraph — has become at least the start of a story. I will endeavor to add short sections to it, at lest as long as there is some interest. It might be a little rough in parts, but that’s because it is coming “hot off the press,” which could be part of the fun of it. In the meantime, you are free to jump off from any part of this story thus far and write your own version. Click Holly’s Corner below to get Parts 1 – 5.]

by David E. Booker

Tricia slumped back in her booth seat. There was a slight frown on her face, which only served to make her look even more attractive. She was almost too pretty: blond hair, thin, big teeth, large blue eyes. The wrinkles made her look more human, more accessible, at least to a shlub like me.

“You’re right,” she said. She reached forward and fiddled with her paper napkin.

“Tell you what. I’ll eat the other half as is. As it was made by the chef.”

It was a cool, rainy day down at Holly's Corner.

It was a cool, rainy day down at Holly’s Corner.

She smiled, but there was no radiance in it. Something told me when she really smiled, lights dimmed in comparison. “Now you’re patronizing me.”

“I’m offering a compromise, which is what happens most often in life. Maybe not in politics.”

Her face wrinkled again. “You don’t know my family. They don’t compromise.”

“And you?”

She sighed and then shrugged. “Sometimes.”

Some things transcend genetics and even behavioral environment. They exist somewhere in between. Some habits fall from the family zeitgeist. Nature versus nurture was an old but simplistic dynamic.

“So, what do you want me for?” I asked.

“I want you to find a recipe.”

I stopped chewing on my sandwich. “The Colonel’s secret sauce?”

“That’s eleven herbs and spices. You’re mocking me.”

I guess I was. I had had a woman shake her rolling pin at me, driving me into the mud, and now I found out the woman was drunk and it was all over a recipe.

“You don’t understand….”

I hate that phrase, but let it go. Obviously, I was missing something. Or she was. I decided to spice up the second half of my sandwich. She saw what I was doing and stopped talking.

“You are obviously not the person for this case.”

“Possibly not,” I said, then took a bite of my sandwich. I didn’t have much money left and if this case didn’t pan out, I was going to have to look for 9 – 5 work, which was something I loathed. But a recipe? Had I stopped so low as I need to chase down some family heirloom the world had not heard of nor was likely even to?

She pushed up from stall seat, turned, and stomped out the door.

(To be continued.)

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“Holly’s Corner,” part 5

[Writer’s note: What began as a writing prompt — photo and first paragraph — has become at least the start of a story. I will endeavor to add short sections to it, at lest as long as there is some interest. It might be a little rough in parts, but that’s because it is coming “hot off the press,” which could be part of the fun of it. In the meantime, you are free to jump off from any part of this story thus far and write your own version. Click Holly’s Corner below to get Parts 1 – 4.]

by David E. Booker

I felt a little heat come into my ears.

“How cute,” Tricia said, her eyesight back to normal.

“Glad I could entertain.”

I turned and walked up to bar to order a sandwich. Diving into the mud and straddling a 2×6 had left me wet and hungry. The wet part would have to resolve itself with time. The hunger part I could do something about.

“I’ll have a Ricky Ricardo,” I said. “Don’t tell Lucy.”

The young woman behind the counter had a rainbow of colors in her hair, and if perplexed could be a color, she had that one on her face.

I made my glass of tea and found where Tricia was sitting. It was in a booth that looked out one of the front windows. On the window was painted a pig carrying a rolling pin and words underneath about bacon being a salvation. Beyond the pig was the outside world, the sidewalk where I had taken my dive, and the rain that continued its drumming on the world. My client had had a front row seat to my brush with a rolling pin.

It was a cool, rainy day down at Holly's Corner.

It was a cool, rainy day down at Holly’s Corner.

Tricia already had a sandwich, something vegetarian and most of it eaten or at least nibbled into.

“That was my sister that threatened you.”

I didn’t bother correcting the second that. “She doesn’t look anything like you.”

“Well … technically she’s my step-sister. My dad remarried after my mom died.”

“I’m sorry.”

Tricia shrugged. I was two when mom died. Don’t remember much about her. My step-mom was the only mom I really knew, and she was okay … when she wasn’t drinking. And I’m afraid my sister has inherited her predilection.”

I raised an eyebrow slightly. I was impressed that Tricia knew what predilection meant and wasn’t afraid to use it.

My sandwich arrived. I had snagged a bottle of hot sauce from the small round table nearby. The sandwich was cut into two pieces. I lifted the top off one half and added some of the sauce. Tricia winced.

“Don’t like hot sauce?”

“You’re ruining the chef’s work.”

“The chef doesn’t put enough heat on my Ricky.”

Tricia slumped back in her booth seat. There was a slight frown on her face, which only served to make her look even more attractive. She was almost too pretty: blond hair, thin, big teeth, large blue eyes. The wrinkles made her look more human, more accessible, at least to a shlub like me.

“You’re right,” she said. She reached forward and fiddled with her paper napkin.

“Tell you what. I’ll eat the other half as is. As it was made by the chef.”

(To be continued.)

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“Holly’s Corner,” part 4

[Writer’s note: What began as a writing prompt — photo and first paragraph — has become at least the start of a story. I will endeavor to add short sections to it, at lest as long as there is some interest. It might be a little rough in parts, but that’s because it is coming “hot off the press,” which could be part of the fun of it. In the meantime, you are free to jump off from any part of this story thus far and write your own version. Click Holly’s Corner below to get Parts 1 – 3.]

by David E. Booker

Rainy day down on the corner.

Rainy day down on the corner.

I brushed my hands together and only managed to smear the mud in one palm on the other. My pants were wet. So was my rain jacket and baseball cap. I brushed my hands down the sides of my jacket and then stepped inside Holly’s.

Plans were for me to meet my new client here. We had only talked on the phone. I had no idea what she looked like. I stood inside the doorway, dripping on the concrete floor. Holly’s had once been a bar called The Corner Lounge, then a used bookstore with a poster of Cormac McCarthy and the words “McCarthy for President” underneath it. Rumor had it that McCarthy used to visit The Corner Lounge when he lived in Knoxville. Now all that remained of the Lounge was a dark, curved wooden bar where you placed your food orders. McCarthy probably didn’t hang out here on the infrequent occasions he came back to town.

“Hey, are you looking for me?”

I pivoted. Water flew off the bill of my ball cap and hit a woman squarely in the eye. She flinched.

“Are you—?”

“Tricia,” she said as she rubbed her eye. “It’s usually the second date before I let the guy poke me in the eye.”

“Technically, it wasn’t a poke.” Another rivulet of rainwater ran off the bill of the cap. This one fell harmlessly to the floor.

“You going to argue with a client?”

“I haven’t introduced myself.”

“I saw the rolling pin woman through the window. I couldn’t help but laugh when you dived into the mud.”

I felt a little heat come into my ears.

“How cute,” Tricia said, her eyesight back to normal.

“Glad I could entertain.”

(To be continued.)

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Parts 1 – 3 of “Holly’s Corner”

[Writer’s note: What began as a writing prompt — photo and first paragraph — has become at least the start of a story. I will endeavor to add short sections to it, at lest as long as there is some interest. It might be a little rough in parts, but that’s because it is coming “hot off the press,” which could be part of the fun of it. In the meantime, you are free to jump off from any part of this story thus far and write your own version.]

by David E. Booker

Rainy day down on the corner.

Rainy day down on the corner.

It was a cool, rainy day down at Holly’s Corner. Not quite a dark and stormy night, but close enough to encourage you to stop in something to eat and a bit of warmth. I was just about to step inside when a white car eased up to the corner of Fulton and N. Central. I didn’t like the look of the car and I liked less the look of the woman behind the wheel.

She scowled and pointed something with a large barrel at me as she rounded the corner onto Central. Bolt into Holly’s or dive into the dead flowers beside a car parked in front the restaurant were my two choices.

The passenger side car window slid down.

The rain picked up in intensity. I could feel it tapping on my shoulders as if to catch my attention and say, “Now, stupid. Decide now … or be dead.”

The car was almost parallel with me. I caught a whiff of its acrid exhaust. The woman had her best angle; her cleanest shot. And that’s when I realized she was pointing a rolling pin at me. Mud and the petal from a dead flower splattered me in the face as I landed half on the sidewalk and half in the raised bordered flower bed. Considering where the board hit, my gait would never be the same.

“Hey, stupid,” the woman said, “get out of the dirt.”

“Mud,” I said, rolling over onto my side, then back.

A car horn blared, so I didn’t hear what the rolling pin woman said next. I think it was “get up,” which I was doing.

“That woman is a … (Another car horn blared as the car swerved around the stopped white car.) … she doesn’t deserve it. It’s my book!”

She was still pointing the rolling pin at me as drove on, probably because a police cruiser was easing up Central toward her position.

I brushed my hands together and only managed to smear the mud in one palm on the other. My pants were wet. So was my rain jacket and baseball cap. I brushed my hands down the sides of my jacket and then stepped inside Holly’s.

Plans were for me to meet my new client here. We had only talked on the phone. I had no idea what she looked like. I stood just inside the doorway,

(To be continued.)

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Literary or Genre fiction?

How Genre Fiction Became More Important Than Literary Fiction

The book war is over. The aliens, dragons, and detectives won.

Source: http://www.esquire.com/entertainment/books/a33599/genre-fiction-vs-literary-fiction/?fb_ref=Default

Literature or Genre fiction?

Literature or Genre fiction?

The writers Kazuo Ishiguro and Ursula K. Le Guin are having a highly old-fashioned debate about the distinction between literary and genre fiction. Ishiguro started it, in an interview with The New York Times about his latest novel The Buried Giant, when he asked “Will readers follow me into this? Will they understand what I’m trying to do, or will they be prejudiced against the surface elements? Are they going to say this is fantasy?” Le Guin didn’t like the tone of that last remark and fired back, “Well, yes, they probably will. Why not? It appears the author takes the word for an insult.” Now Ishiguro has defended himself, rather meekly, by saying, “I am on the side of the pixies and the dragons.” The whole spectacle is very odd. It sounds like a debate from another era. What writer today would feel any need whatsoever to separate him or herself from fantasy or indeed any other genre? If anything, the forms of genre—science fiction, fantasy, the hardboiled detective story, the murder mystery, horror, vampire, and werewolf stories—have become the natural homes for the most serious literary questions.

Only idiots or snobs ever really thought less of “genre books” of course. There are stupid books and there are smart books. There are well-written books and badly written books. There are fun books and boring books. All of these distinctions are vastly more important than the distinction between the literary and the non-literary. Time has a tendency to demolish old snobberies. Once upon a time, Conan Doyle was embarrassed by the Sherlock Holmes stories; he wanted to be remembered for his serious historical novels. Jim Thompson’s books—considered straight pulp during his lifetime—are obviously as dense and layered and confounding as great literature. Correction: They are great literature. Who really thinks, today, that Stanislaw Lem isn’t a genius, that he’s “just a science fiction writer”?

Rest of the article: http://www.esquire.com/entertainment/books/a33599/genre-fiction-vs-literary-fiction/?fb_ref=Default

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Writing tip Wednesday: “Family matters”

FAMILY MATTERS guidelines

Glimmer Train

Glimmer Train

Glimmer Train is looking for stories about families of all configurations. They say: “It’s fine to draw heavily on real life experiences, but the work must read like fiction and all stories accepted for publication will be presented as fiction.”*

Maximum word count: 12,000. Any shorter lengths are welcome.

Held just twice a year: Open to submissions in MARCH and SEPTEMBER. Next deadline: March 31.

Winners and finalists will be officially announced in the June 1 and December 1 bulletins, respectively, and will be contacted directly one week earlier.

Reading fee: $15 per story. Please, no more than three submissions per contest.

Prizes:

  • 1st place wins $1,500, publication in Glimmer Train Stories, and 20 copies of that issue.
  • 2nd place wins $500 (or, if accepted for publication, $700 and 10 copies).
  • 3rd place wins $300 (or, if accepted for publication, $700 and 10 copies).

Please make your submissions at Glimmer Train’s online submission site: http://www.glimmertrainpress.com/writer/html/index2.asp. We look forward to reading your work!

* Remember that sticking too tightly to “fact” can limit the larger truth that fiction is able to reveal. Give your story the leeway it needs in order to find its own life. And, if your story is closely related to your actual experience, it is wise to change details that would allow the real-life people to say, Hey, that’s me!

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Random act of prose: “The scowl”

Caught in a double scowl.

Caught in a double scowl.

He threatened to give me the over / under scowl. That dreaded scowl only the most celebrated police detectives have mastered.

I said I hadn’t done anything wrong.

He said, “Talk, I hold all the high cards here.”

I told him I didn’t play poker. Or crazy eights, or even solitaire.

He gave me the over scowl. “Put up or shut up.”

“Put up what?”

He placed a mirror on the table between us. “You have thirty seconds.”

“I might if I had a watch. But you guys took it from me. What time is it?”

He tapped one nicotine stained forefinger on the looking glass. “Time’s running out, punk.”

“Can I run with it? I have an appointment, you know.”

“Look at the glass, punk.” He tapped the mirror again.

I didn’t want to, but I couldn’t look at him anymore, and the Pooh Bears and Snoopys on the walls were driving me crazy. All the real interrogation rooms were full and the only thing left was this windowless, makeshift kids’ room used by cops’ kids and perps’ kids depending on what was going down. If only the World War flying Ace knew.

I looked at the mirror. He motioned for me to lean closer to him. I hesitated, but then did what he said until I was less than a foot away.
He tapped the glass again. “Down.”

Slowly, I lowered my eyes and then face. I don’t know how he did it. The mirror must have been slightly warped in some funhouse way, but there in the middle of the mirror was my face, and below and above was his face giving me the dreaded over / under scowl.

Somewhere in the night a Sopwith Camel drones peacefully, even blissfully behind enemy lines, its pilot unaware of the Fokker and the Flying Ace about to drive him to the ground. Somewhere, that ignorant pilot still has a chance. A small, slim chance, but a chance.

Not me.

I am caught in the rapid-fire vice of the over/under scowl and I can’t break free. I can’t escape. I can only feel his piercing eyes – all four of them – ripping bullet holes in my soul. Any hope I had, like the wings of my Sopwith Camel, are now tatters and flames, consumed in the hell caused by his over / under scowl.

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Brother, can you spare a change?

Anthony Horowitz to copy editor: “I’M NOT CHANGING THIS.”

The full article at: http://www.mhpbooks.com/anthony-horowitz-to-copyeditor-im-not-changing-this/

by Kirsten Reach

Nobody wants his conversation with a copy editor made public, but there’s a galley floating around from Harper at the moment that contains some accidental gems. Anthony Horowitz, author of a new Sherlock Holmes novel and the next James Bond novel, had a conversation in the margins of Moriarty that mistakenly made it into the advanced reader’s copies.

Sarah Lyall‘s report in The New York Times gives you a sense of her own reading experience as well as the dialogue between author and copy editor. What’s so brilliant about her telling is the way she manages to rationalize the notes at first, as some sort of meta-commentary:

“Moriarty’s” narrator, an American detective named Frederick Chase, is laying out the background to the story – how Holmes and Moriarty came to be at Reichenbach Falls and what is believed to have happened next. All of a sudden he switches to capitals. “NO NEED TO COMPLICATE THINGS HERE, I THINK,” the text announces. “WHAT I’VE WRITTEN IS BROADLY TRUE.”

Can the narrator be offering some meta-commentary on his own text? At first it seems so. But then it happens again. In a spot where Chase and a Scotland Yard inspector have found an important clue that seems to be an excerpt from a previous Holmes story written by Dr. Watson, things suddenly veer off-piste again. “IT MAKES NO SENSE FOR FREDERICK CHASE TO HAVE READ THE SIGN OF FOUR,” the text declares.

Of the six annotations, the highlight is one firm line from Horowitz: “I’M NOT CHANGING THIS.”

So what happened?

The rest of the story at: http://www.mhpbooks.com/anthony-horowitz-to-copyeditor-im-not-changing-this/

[Editor’s note: Thank you Ashlie for the link to this article.]

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Writing tip Wednesday: “Getting in the suspense of things”

5 TIPS FOR WRITING SUSPENSE

by Kira Peikoff

Full article at: http://www.writersdigest.com/editor-blogs/guide-to-literary-agents/5-tips-for-writing-suspense?et_mid=693701&rid=239626420

I am a traditionally published thriller author. My latest book No Time to Die just hit shelves this week. When I first started writing suspense fiction, though, I had very little idea what I was doing. It took a humble amount of trial and error to get in a groove and overcome basic rookie errors. Now, seven years later, I like to think I’ve figured out some tricks of the trade. I’ve also been extremely lucky to receive the support and mentorship of some of the top names in the biz, like Jack Reacher’s creator Lee Child and the late Michael Palmer. So without further ado, here are some tips for budding thriller writers that I wish I’d known from day one…

1) Structure Scenes like Mini-Novels: Each one should contain its own narrative arc, with rising action and a climactic moment that signals the end of the chapter. It’s good form to finish most chapters on a cliffhanger—especially the first one. A major dramatic question should be raised in the opening scene, and then resolved in an unexpected or unfavorable way to hurl the main character further into the conflict (and thus drag your readers into the story). Get your protagonist in trouble as soon as possible and never let her get too comfortable or too safe. As far as chapter length, I’ve found that an average of five pages (double-spaced, size 12) works well for keeping up the pace.

2) Plot Strategically to Avoid the Sagging Middle: This rookie error is one I had the misfortune of making early on: I wrote the beginning of a book and then abruptly ran out of steam about sixty pages in. When you’re staring down 240 blank pages without a plan, it’s easy to freeze up. Now I have a method. Once I have the main cast of characters and their conflicts, I conceive a new book in four sections. At the end of each section, I devise a major twist to launch into the next section and keep up the narrative momentum. Once I’ve figured out my four big plot points, I go deeper into plotting the concretes of each individual section, dropping red herrings and hints about the twists to come so that they will be logical without being predictable. This is the most challenging part of the process for me and is apt to change when I actually get to writing. I think of the outline like a highway: you can go off-roading from time to time but you get back on the highway to get to your final destination.

The other three tips are:

3) Alternate Character POVs (Point of Views).

4) Obscure POV when useful.

5) Raise questions and delay the answers.

For details and a chance to win a copy of Kira Peikoff’s book No Time to Die, go to: http://www.writersdigest.com/editor-blogs/guide-to-literary-agents/5-tips-for-writing-suspense?et_mid=693701&rid=239626420

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