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80 Best Books of All Time – The Greatest Books Ever Written

An unranked, incomplete, utterly biased list of the greatest works of literature ever published. How many have you read?

Source: 80 Best Books of All Time – The Greatest Books Ever Written

Some of the books on the list:

What We Talk About When We Talk About Love, by Raymond Carver

Collected Stories of John Cheever

Deliverance, by James Dickey

The Grapes of Wrath, by John Steinbeck

Blood Meridian, by Cormac McCarthy

The Brothers Karamazov, by Fyodor Dostoevsky

The Known World, by Edward P. Jones

The Good War, by Studs Terkel

American Pastoral, by Philip Roth
One of the few not about Roth. It’s about that guy you idolized in high school. And gloves. And you.

A Good Man Is Hard to Find and Other Stories, by Flannery O’Connor
“She would of been a good woman… if it had been somebody there to shoot her every minute of her life.” Wouldn’t we all.

The Things They Carried, by Tim O’Brien.
No one else has written so beautifully about human remains hanging from tree branches.

A Sport and a Pastime, by James Salter
Remember your college buddy’s girlfriend, the one you were in love with? Because of her.

The Call of the Wild, by Jack London
A book about dogs is equally a book about men.

Time’s Arrow, by Martin Amis
You’ve never seen the Holocaust from this angle and with this much ferocity. Backwards.

A Sense of Where You Are, by John McPhee
It’s about how two men can be made better just by sharing each other’s company.

Hell’s Angels, by Hunter S. Thompson
Because it’s his first book, and because he got his ass kicked for it, and because in the book and the beating were the seeds of all that came after, including the bullet in the head.

Invisible Man, by Ralph Ellison
Born in an epic fist-fight or forgotten in the sewers, no character is as clearly heard as the man who is never really seen by the world around him.

Dubliners, by James Joyce
Plain and simple: “The Dead”

Rabbit, Run, by John Updike
Because it’s one of the few not about Updike. It’s about that guy you idolized in high school. And kitchen gadgets. And you.

The Postman Always Rings Twice, by James M. Cain
Teaches men about women. Also, there’s not a single postman in the book.

Dog Soldiers, by Robert Stone
Begins in Saigon, ends in Death Valley. Somewhere in between you realize that profit is second only to survival.

Winter’s Bone, by Daniel Woodrell
The best book by a modern-day Twain, high on meth, drousy with whiskey.

Legends of the Fall, by Jim Harrison
Because of revenge. Because Harrison is as masculine and raw and unrelenting as they come.

Under the Volcano, by Malcolm Lowry
A terrifying riderless horse, mescaline, and this line: “Somebody threw a dead dog after him down the ravine.”

The Naked and the Dead, by Norman Mailer
His first book turned out to be his best book. The skulls of young men at war.

The Professional, by W.C. Heinz
It’s about fighting, but it’s also about watching and listening, and it’s about patience, and honing, and craft, and sparseness, and beauty, and crushing, awful defeat.

For Whom the Bell Tolls, by Ernest Hemingway
A lesson in manhood: Even when you’re damned, you press on.

Dispatches, by Michael Herr
“Vietnam Vietnam Vietnam, we’ve all been there.” You’ll never forget that line. You won’t forget what precedes it, either.

Tropic of Cancer, by Henry Miller.
Dirty, grotesque. Beautiful.

Revolutionary Road, by Richard Yates
The thousands of little compromises we make every day that eventually add up to the loss of ourselves.

As I Lay Dying, by William Faulkner
Because the man’s cold brilliance enabled him to make the line “My mother is a fish,” into a chapter in itself.

The Killer Angels, by Michael Shaara
Because the Battle of Gettysburg took place in that blue-gray area between black and white.

Slaughterhouse-Five, by Kurt Vonnegut
A mad hatter of an antiwar novel that understands how a smile, shaped like a sickle, can cut deeply. So it goes.

All the King’s Men, by Robert Penn Warren
Crooked judges, concealed paternity, deception, betrayal, and lots of whiskey.

One Flew Over the Cuckoo’s Nest, by Ken Kesey
Because sometimes you have to go crazy to stay sane.

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Science Fiction Books For People Who Don’t Read Science Fiction

In case you thought the genre wasn’t for you.

By Tobias Carroll

Source: http://www.readitforward.com/bookshelf/science-fiction-books-people-dont-read-science-fiction/

Science fiction can be an acquired taste. Some readers grew up on it; others never quite saw the appeal of stories involving time travel, alien contact, space exploration, or the ways in which these concepts can be used to explore moral and intellectual debates. But if you’re a reader who’d like to ease their way into the genre, there are a few great places to begin. Some provide a well-written introduction to key science fictional tropes and concepts, while others juxtapose intensely human stories with headier conceptual elements. Here’s a look at fourteen books that introduce big ideas in accessible ways and present readers with a host of directions they can go from there.

Example:

Use of Weapons

IainBanks UseofWeaponsMuch of Iain M. Banks’s science fiction was set in the world of The Culture, a utopian society that encompasses massive amounts of space, and includes artificial intelligence, alien species, simulated afterlives, and more. But for all of that, Banks is also adept at writing memorable characters, and at the center of Use of Weapons, readers will find exactly that, in the person of the memorably-named Cheradenine Zakalwe—along with a structurally innovative method of telling the story.

Other books include:

  • The Water Knife by Paolo Bacigalupi
  • The Book of Strange New Things by Michel Faber
  • Bloodchild and Other Stories by Octavia E. Butler
  • Embassytown by China Miéville
  • Elvissey by Jack Womack
  • Definitely Maybe by Arkady Strugatsky & Strugatsky Boris
  • Midnight Robber by Nalo Hopkinson
  • Oryx and Crake by Margaret Atwood
  • The Einstein Intersection by Samuel R. Delany.

Details: http://www.readitforward.com/bookshelf/science-fiction-books-people-dont-read-science-fiction/

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The Millions: A Year in Reading: Tom Nissley

The Millions : A Year in Reading: Tom Nissley.

I did something in 2014 that would throw a wrench into anyone’s reading: I bought a bookstore. Selling books, as I wasn’t surprised to find, doesn’t leave much time for reading them. Also, it meant I became — not for the first time, but never so publicly, on such a daily basis — a professional reader, as many of us are lucky to end up being in one way or another, as teachers or editors or researchers or some other line of work that corrals your attention from the luxury of polymorphous curiosity into something more traditionally productive, in my case trying to keep up with some of the new releases I might be able to share with my customers.

So, early in the year, my reading shifted back from personal to pro, but there were good books on both sides of the divide. And aside from a few favorites (see below), what I find myself remembering as vivid reading experiences are not consistently excellent books like Marilynne Robinson’s Lila, Ben Lerner’s 10:04, David Markson’s Reader’s Block, Vera Brittain’s Testament of Youth, Lawrence Wright’s Thirteen Days in September, Tove Jansson’s The Summer Book, Jeff VanderMeer’s Annihilation, Edward Hirsch’s Gabriel, Brendan Koerner’s The Skies Belong to Us, and William Gibson’s The Peripheral — all very good books I’d happily put in your hands if you walked into my store — but the more jagged-edged books I might hand you with a caveat.

I remember, with delight, the first half of Anthony Trollope’s The Eustace Diamonds — “Finally reading Trollope,” I told everyone, or, rather, tweeted. “What took me so long to sample this deliciousness?” — before his stamina started to outlast mine. I was delighted too with the first half of Joseph O’Neill’s The Dog and the voice he captured, as companionable as Netherland’s but more chilling (like P.G. Wodehouse telling a J.G. Ballard story), even if for me that voice never grew into a full book. I admired and enjoyed Farther and Wilder, Blake Bailey’s biography of Charles Jackson, but I wondered if his subject was worth his talents until the final third — usually the least interesting in any biography — when Jackson’s accumulated troubles, and his belated reckoning with them, made his life profoundly moving. And though Joel Selvin’s Here Comes the Night had for me a hole at its center == the interior life of its ostensible subject, unsung record man Bert Berns, remained a cipher — I loved Selvin’s hepcat riffs on Berns and his fellow “centurions of pop.”

The rest of the article at: http://www.themillions.com/2014/12/a-year-in-reading-tom-nissley.html

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Amazon best-selling books of 2013: what they tell us about America.

Amazon best-selling books of 2013: what they tell us about America..

Sad or maybe not so sad thing is, except for The Great Gatsby, I don’t have nor have I read any of these other books, and not sure I want to.

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