Tag Archives: agent

Writing tip Wednesday: “Agent for new writers”

Rebecca Scherer

Rebecca Scherer

About Rebecca: Unable to narrow her focus to just one subject, Rebecca Scherer earned her BA from the Macaulay Honors College at Hunter College in Political Science, English Lit, and German language. After several years at the agency, Rebecca now has daily opportunities to put her wide range of interests to use as she actively builds her client list. Find her on Twitter: @RebeccaLScherer.

She is seeking: women’s fiction, mystery, suspense/thriller, romance, upmarket fiction at the cross between commercial and literary

How to contact: Contact her via e-mail: Email Rebecca Scherer. Put “Query: [Title]” in the subject line. Send a query letter, brief synopsis (1-2) pages, and the first three chapters. Please paste the letter and synopsis in the body of the email, though the chapters can either be pasted or attached.

Additional information at: http://www.writersdigest.com/editor-blogs/guide-to-literary-agents/new-literary-agent-alert-rebecca-scherer-of-jane-rotrosen-agency?et_mid=704752&rid=239626420

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Writing tip Wednesday: “An agent interested in new writers”

Kimberly Bower

Kimberly Bower

About Kimberly: Kimberly fell in love with reading when she picked up her first Babysitter’s Club book at the age of seven and hasn’t been able to get her nose out of a book since. Reading has always been her passion, even while pursuing her business degree at California State University, Northridge and law degree at Loyola Law School, Los Angeles. By joining the Rebecca Friedman Literary Agency in 2014, she has been able to merge her legal background with her love of books. Although she loves all things romance, she is also searching for books that are different and will surprise her, with empathetic characters and compelling stories. Follow her on Twitter at @kimberlybrower

Kimberly is seeking: Kimberly is interested in both commercial and literary fiction, with an emphasis in women’s fiction, contemporary romance, mysteries/thrillers, new adult and young adult, as well as certain areas of non-fiction, including business, diet and fitness.

How to submit: Email a query to Kimberly at Email Kimberly Brower. Submit a brief query letter and your first chapter (pasted into the email, not to exceed fifteen double-spaced pages) and for security purposes, do not include any attachments unless specifically requested.

Details at: http://www.writersdigest.com/editor-blogs/guide-to-literary-agents/new-literary-agent-alert-kimberly-brower-of-rebecca-friedman-literary-agency?et_mid=704752&rid=239626420

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Writing tip Wednesday: “Agent hunting”

11 Steps to Finding the Agent Who’ll Love Your Book

Source: http://www.writersdigest.com/editor-blogs/guide-to-literary-agents/11-steps-to-finding-the-agent-wholl-love-your-book?et_mid=683644&rid=239626420

By Lori Rader-Day, author of The Black Hour

I was ready. I had an edited manuscript. I had a tiered list of agents. I had a spreadsheet. I’d read every scrap of information about getting an agent, and I was prepared, at last, to submit my novel. The process could take months, maybe years, I’d heard. I was in for the long haul, baby. The good news is it didn’t take years to get an offer of representation. The even better news: That offer came in the form of four magic words, words I’d been told to wait for by all the experts: I love your book.

Lori Rader-Day

Lori Rader-Day

Not just a Facebook-worthy thumbs up, not a “I think I can sell this.” Love. The reason you wait for true love in publishing is because publishing requires it, and not just from the author. Remember the feverish crush that helped fuel your first draft? Your agent needs that same big-eyed reverence for your book to take it out to editors, hoping for another love connection.

So how do you snag one of these lovey-doveys for yourself?

Revise
You’re not ready until you can bounce a quarter off your manuscript. You’ve already revised, I know. Leave it alone for a month, then go back. Make sure your pages say precisely what you meant. Make your sentences sing.

Read
Meanwhile, the best way to see how it’s done is to read. Read widely. When you don’t like something, figure out why. Apply everything you learn to your draft until further ideas ping off it.

Research
Gather your intelligence. Which books are like yours, not just in subject but in tone and style? Who agented them? Read the Writer’s Digest archives. Use online resources to sort through the known universe of agent submissions. Learn as much as you can, and start a list. Rank agents in order of likelihood of love match.

Package
Learn to write a query letter. Write a synopsis. What’s a log line? Get one. If at any one of these steps you find something lacking in your story, don’t ignore the problem. Every step of this process is a chance to get it right before someone else can tell you you’re getting it wrong. Go back over your draft until your product is perfectly packaged for sale. Did your eye just twitch? Get used to thinking of your baby, your life’s creative work, as a prototype that might yet be tinkered with by other people.

Network
Time for some allies. If you have a writers’ group, they should have already had a swipe at your pages, but having a writing network isn’t just about first readers. What you want is a group of people who can tell you how the road ahead looks. Research writers’ associations in your genre and beyond. Ask at your local library, bookstores, or universities for writing groups or workshops.

Read again
The guidelines, in this case. This is your last chance before you click send to take a look at your list of agents and take note of what they want from your initial query. Getting through the front door is often about playing by the rules. Don’t send anything less—or more—than each agent has asked for.

The other tips include:

  • Submit
  • Write
  • Track
  • Submit again
  • Commit.

Details on these at: http://www.writersdigest.com/editor-blogs/guide-to-literary-agents/11-steps-to-finding-the-agent-wholl-love-your-book?et_mid=683644&rid=239626420

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Writing tip Wednesday: “Two more agents to consider”

Catherine Luttinger

Catherine Luttinger

Catherine Luttinger of Darhansoff & Verrill. Catherine recently rejoined the agency and is looking for clients now. Catherine is primarily interested in science fiction and fantasy. To her, that includes anything that could even remotely be labeled as such. Viable submission material includes everything from classic space operas to the apocalypse; alternative universes, dystopias, and eco-thrillers—as well as the paranormal, horror, zombies, plagues, and time travel. She is also willing to look at historical fiction, mythology re-told, YA, thrillers and mysteries. You may also pitch her pop-science nonfiction.

Details and how to contact at: http://www.writersdigest.com/editor-blogs/guide-to-literary-agents/literary-agent-spotlight-catherine-luttinger-of-darhansoff-verrill

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Stacy Testa

Stacy Testa

Stacy Testa joined Writers House in 2011 as an assistant to senior agent Susan Ginsburg and has been actively building her own client list since 2013. Previously, she interned at Farrar, Straus & Giroux and Whimsy Literary. Stacy graduated cum laude with a BA in English from Princeton University. Follow her on Twitter: @stacy_testa.

Stacy is looking for literary fiction and upmarket commercial women’s fiction, particularly character-driven stories with an international setting, historical bent, or focus on a unique subculture. She also represents realistic young adult (no dystopian or paranormal, please!). For nonfiction, she is particularly interested in young “millennial” voices with a great sense of humor and a strong platform, startling and unique memoirs, and voice-driven narratives about little-known historical moments.

Details and how to contact at: http://www.writersdigest.com/editor-blogs/guide-to-literary-agents/new-literary-agent-alert-stacy-testa-of-writers-house

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Writing tip Wednesday: “Two agents to consider”

Whitley Abell

Whitley Abell

Whitley Abell joined Inklings Literary Agency in 2013. Before joining Inklings, she completed successful internships with Carol Mann Agency and P.S. Literary Agency. She is based in St. Louis, MO, where she daylights as a production manager for several medical and S & T journals.

Whitley is primarily interested in Young Adult, Middle Grade, and select Upmarket Women’s fiction. She likes characters who are relatable yet flawed, hooks that offer new points of view and exciting adventures, vibrant settings that become active characters in their own right, and a story that sticks with the reader long after turning the last page, be it contemporary or historical, realistic or supernatural, tragic or quirky.

Details and how to contact at: http://www.writersdigest.com/editor-blogs/guide-to-literary-agents/new-literary-agent-alert-whitley-abell-of-inklings-literary?et_mid=680502&rid=239626420

Alexander Slater

Alexander Slater

Alexander Slater graduated from the University of Connecticut in 2007. He began his career in publishing that year with the Maria Carvainis Agency, first as an intern, and then as an assistant. He has been with Trident Media Group since 2010, where he started as the assistant to both agents Kimberly Whalen and Scott Miller.

Alexander is interested in children’s, middle grade, and young adult fiction and nonfiction, from new and established authors. As he says, “I’m looking for projects that will rise above the rest…characters you’ll remember well past childhood…books that translate well to film because within them contain incredible stories, not because they’re the latest trend.” He particularly loves authors like Frank Portman, Jim Shepard, Jenny Han, and Rainbow Rowell.

Details and how to contact at: http://www.writersdigest.com/editor-blogs/guide-to-literary-agents/new-literary-agent-alert-alexander-slater-of-trident-media-group?et_mid=680502&rid=239626420

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Can I Make More Money via Traditional or Self-Pub?

An interesting blog entry that poses questions for things to consider.

For example:

If their agent shops the book and gets a publishing offer from a reputable house, but the advance is lower than the author wants, can the author reject the offer, take back the book, and self-publish it?

Technically, the answer is usually “yes” unless the author/agent agreement stipulates otherwise. If I shop a project, you are within your rights to reject any offers and take the project back. But it’s important to realize that it puts agents in the position of spending hours and weeks and months on something for which they’ll never be compensated.

Find out more at the link below.

Can I Make More Money via Traditional or Self-Pub?.

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Monday morning writing joke: Re-view

Have you heard about the two literary agents who saw one of their writers on the other side of the street?

One of them said, “There’s the b@$t@^d who gets 75% of our earnings.”


[Comment: Sometimes life’s a matter of how you view things.]

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