New words to live by: “quagmuffin”

It is the first weekend of the month and time again for a new word to live. This is a word or phrase not currently in use in the U.S. English lexicon, but might need to be considered. Other words, such as obsurd, crumpify, subsus, flib, congressed, and others, can be found by clicking on the tags below. Today’s New Word is a merging of two words: quagmire and muffin. Without further chattering quagmuffin is the new word for the month of November:

Quagmire, n. 1) an area of boggy or soggy ground, a bog. 2) a situation too easy to get into too hard to get out of.

Muffin, n. small, cup-shaped quick breads made with cornmeal, wheat flour, or something similar and baked in a muffin pan creating a series of cup-like breads.

Quagmuffin, n. 1) a food, particularly at parties or around the holidays, you are cajoled into trying and then find difficult to swallow and say something complimentary about while the host or cook looks expectantly at you. Quagmuffin can apply to any food, though originally believed to have started with muffins or cupcakes. 2) the way your mouth feels once you have bitten into the quagmuffin.

Example: Bob cajoled Sam into trying his wife’s newest holiday creation: the crabtastic cupcake. Bob took a bite and immediately felt his mouth had bitten a quagmuffin, especially when Sam stood nearby, expectantly waiting for Bob to say something good.

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The Blathering Idiot and the Big Orange Explosion

The blathering idiot was out in the country, exploring nature, enjoying the fall leaves changing color, trying to center himself, as one of his friends put it. The blathering idiot wasn’t sure what centering meant of what it would feel like once he had centered. The last time he had had anything to do with centers was back in kindergarten when the teacher would point out the different centers. The one for block. The one for stuffed animals. The one for books. He asked his friend if that was what centering would be like now?

His friend had smiled and told him, maybe, because he would feel as if everything had a place and everything was in its place.

So, the blathering idiot was wandering around the woods in the country, ignoring fences and property boundaries.

Good fences may make good neighbors – though somebody had told him the poem meant the opposite of that – but he was not looking for neighbors. He was on the quest for his center. He wanted to feel like he did in kindergarten when he had put the last block back I block center and the last book in the book center.

That was why he was surprised when he stumbled across men in military uniforms guarding an area out I the middle of day lily farm. He saw them and when they saw him, several of them yelled “Stop!” and then they pointed their weapons at him.

The blathering idiot raised his hands, just as he had seen in the movies. He next expected somebody to say, “You have the right to remain silent,” but nobody did.

Just as he was about to say something, there was a loud Phoop.

A few seconds later there was a loud thump and the blathering idiot saw a battered, old, splatter-painted VW microbus rock from side to side as something large and orange punched it in the side. The remains of the punch scattered everywhere.

A pumpkin?

His eyes moved toward his left and it was then he saw the large black propane tank with a long barrel curling up from it like an elephant’s trunk, except this one was attached with bolts and didn’t look like it was meant for somebody trying to center himself.

“Son, I bet you are wondering what that contraption is.” It was a general. At least the stars attached to his epaulettes indicated he was a high-ranking something.

The blathering idiot said nothing. If there was anything that running for the highest office in the land had taught him was that at times it’s best to say nothing.

“Well, son, word will be out soon enough I guess, so I might as well tell you, that way you get the skinny from the horse’s mouth.”

The next secret weapon.

The next secret weapon.


He took out a pipe and lit it, puffing a few times until smoke oozed out of his mouth. He blew the rest of the smoke out and turned his attention back to the blathering idiot.

“That over there, son, is a pumpkin cannon. But it’s not just any ol’ pumpkin cannon. It’s the nearly supersonic launching pumpkin cannon. Even on the low pressure setting, it can launch an eight pound pumpkin over a mile and strike the target with a force equal to 200 miles an hour at impact.

“And you know what the beauty of all this is? Why, it’s all made with off the shelf technology and off the shelf materials. We can turn out thousands of them, tens of thousands, maybe hundreds of thousands in days. Our only limitations are making sure we have enough propane or other gas in the tank to power the pumpkin and the pumpkin crop for that year. Once our weapon is adopted by the military, we will start to work on a Strategic Pumpkin Reserve where we will store enough pumpkins to arm a war in a bad pumpkin crop year.”

The general walked over to the blathering idiot and laid a hand on his shoulder. Surprisingly, the blathering idiot had to look down to look eye to eye with the general.

“And you know the final beauty of all this young man? We don’t leave any annoying ordinance on the field of battle. There will be no shrapnel that will cause problems with the United Nations and their silly little rules or the Geneva Convention or any other treaty. The worst that will happen is the pumpkins will rot on the fields of battle, planting the seeds for future crops.”

The blathering idiot had to admit there was merit to this idea. It might even appeal to the left and right politicians. It would save money, which would appeal to the conservatives and be more environmentally friendly, which would appeal to the liberals. But then he wondered what would keep somebody from taking this idea and instead of pumpkins, using cans of pumpkin filling. It would be more compact, have a metal casing, and would be the reasonable next step. The step after that might be finding something so mix with the pumpkin, so that when it hit the target the volatile mixture would explode on impact, creating more impact damage. And then there would be….

In a matter of a few short years, it would be no different than it was now. After all, the world’s most power explosions were first created in a valley where there used to be farms and woods and trees turning color in the fall, just like here.

Suddenly, sadly, the blathering idiot felt very un-centered, and what was even worse, he no longer wanted a pumpkin pie for Thanksgiving.

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Haiku to you Thursday: “Big Deal”

O’ jack-o’-lantern /

spits seeds, blows smoke, swallows flame /

for a night’s desire.

Desire for sale.

Desire for sale.

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Writing tip Wednesday: “Marco revision”

ASKING THE RIGHT QUESTIONS IN MACRO-REVISION

By R.L. La Fevers

Revision, or Macro Revision, as I think of it, is all about the story. Does the manuscript contain all the vital elements needed to create a gripping story? Does it realize its potential? News flash: Most people’s manuscripts don’t at the first draft stage. Seriously. Or if they revise as they go, you can bet their first pass at a scene isn’t perfect.

So here then, are the things to look at when sitting down to revise a story.

MACRO REVISION QUESTIONS

(Note: This isn’t really a checklist, it’s more of a list of questions to ask yourself as you try to analyze your manuscript. If you use it as a checklist of things you must have, you will go mad. So don’t.)

VOICE
Have you chosen the right person to tell this story?

90% of the time you will have, but sometimes there are times when the story is better told through someone else, someone more removed from the action. Think Dr. Watson in Sherlock Holmes. He doesn’t have access to Holmes’s thoughts, which creates greater suspense for the reader.

Have your selected the right POV?

Is your first person narrative flat? If you can easily substitute third person pronouns and have the whole thing make sense and flow, chances are you haven’t taken full advantage of the first person form. Conversely, have you at least tried first person? What happens when you get totally inside your character’s head? Does he come even more alive?

If you are working with a familiar scenario (dreaded move, new school,losing a best friend) what fresh, new, unique twist do you bring to it?

SETTING
Have you selected the best setting for this story? Is there a different setting that would add more inherent conflict? Create more tension? Echo your thematic elements?

PROTAGONIST/PLOT
Does your character want something? Or not want something? Is that desire driving the story or at least some of his actions?

Is your character an active participant in the story? If not, is he taking baby steps toward becoming one?

Is there something that keeps getting between the main character and his goal? Would the story be stronger if there was?

Is there a source of tension?

Is your story building toward something? If not, what provides the dramatic push or narrative drive toward the
end?

Do the obstacles the protagonist faces increase in difficulty?

Does he ever fail? (Remember, we learn more from our mistakes than our successes!)

Are there times when he makes things worse by his own actions?

Is there cause and effect in your story, or is it more of a string of unconnected events? (This happened and then this happened and then this happened, but nothing caused any of the other things to happen.)

Is your character a different person at the end of the book than they were at the beginning?

Could he have solved this problem or puzzle or dealt with the core issues at the beginning of the book? If so, have you given him a big enough growth arc?

Will people be emotionally invested in his journey? Will they care if he fails? What is at risk if he fails?

Are there measurable baby steps he makes on his journey? Or does he just wake up one day, able to tackle the problem? Do we see his growth on the page?

Are the ideas and issues fully developed? Is there a true beginning, middle, and end? Or do you go straight from the beginning to the end without fully developing the issues in the middle?

Do the actions and events in the book impact different parts of the protagonist’s life? School, home, other relationships?

Do your secondary characters have arcs, too? They will be smaller and more subtle, but they should be there.

THEME
Why are you writing this story? What piece of YOU is in there? Why are you the most perfect person to tell this story?

Are the themes universal? Is there room for Everyman in your story?

Do the actions and events of your story support the theme you’re working with?

Now that you know your theme, is there a way you can make it even more powerful?

____

R.L.  La Fevers

R.L. La Fevers

R. L. La Fevers (Robin Lorraine when she’s in really big trouble) is the author of ten books for young readers, including her most recent, DARK TRIUMPH. More writing advice can be found at her blog:
http://clicks.aweber.com/y/ct/?l=O8uEK&m=J4mgNuYU._LsQz&b=Te0PZ47.mD0Le.ndTndTfg

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The 50 Scariest Books of All Time – Flavorwire

The 50 Scariest Books of All Time – Flavorwire.

Give scary books to trick-or-treaters. See how long they keep coming back.

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We Have Been Misled By An Erroneous Map Of The World For 500 Years

We Have Been Misled By An Erroneous Map Of The World For 500 Years.

You may not be where you think you are.

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cARtOONSDAY: “gREAT eXPECTATIONS”

Some ideas take flight; others don't.

Some ideas take flight; others don’t.

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Monday morning writing joke: “Too ugly to be seen.”

There once was a man so mean /

his face was too ugly to be seen. /

He was banned from sight /

so as not to give fright — /

except for the night called Halloween.

The man and his amulet.

The man and his amulet.

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Mark Twain’s Top 9 Tips for Living a Kick-Ass Life | This Page is About WORDS!!!

Mark Twain’s Top 9 Tips for Living a Kick-Ass Life | This Page is About WORDS!!!.

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Home

Home.

A possible source for publishing your writing.

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