Category Archives: Writing Tip Wednesday

Writing tip Wednesday: “Glimmer Train contest for New Writers”

SHORT STORY AWARD for NEW WRITERS guidelines

Glimmer Train

Glimmer Train

Open only to writers whose fiction has not appeared, nor is scheduled to appear, in any print publication with a circulation over 5,000. (Entries must not have appeared in any print publication.)

Most entries run from 1,500 – 6,000 words, but any lengths up to 12,000 words are welcome.

Held quarterly. Open to submissions in FEBRUARY, MAY, AUGUST, and NOVEMBER. Next deadline: November 30. *

Winners are announced in the May 1, August 1, November 1, and February 1 bulletins, respectively, and contacted directly one week earlier.

  • This category is open only to emerging writers whose fiction has not appeared in any print publication with a circulation over 5000. (Seven of the last eight 1st place New Writer winners have been those authors’ first print publications.)
  • Second- and 3rd-place winners receive $500/$300, respectively, or, if accepted for publication, $700. Winners and finalists will be announced in the February 1 bulletin, and contacted directly the previous week.
  • Most submissions run 1,500 – 6,000 words, but can be as long as 12,000. Reading fee is $15 per story. Please, no more than three submissions per category.

To submit: http://www.glimmertrainpress.com/writer/html/index2.asp

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Writing tip Wednesday: “Squaw Valley Workshops”

Poetry and Writing Workshops in June and July 2015.

Poetry and Writing Workshops in June and July 2015.

Details of the workshops and where to get more information.

Details of the workshops and where to get more information.

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Writing tip Wednesday: “Attire and attitude”

What's the best dressed author wearing these days, well here's a way to find out.

What’s the best dressed author wearing these days, well here’s a way to find out.

The Illustrated A-Z Guide To Author Wardrobe Staples

by Kate Gavino

Source: http://www.buzzfeed.com/kategavino/c-is-for-cardigan#.cvQdPjWq2

Learn now what you need to wear to better polish those sentences and tie up those loose ends in your writing.

And if you are new at this writing game, or starting to work on your first novel, consider this game as your guide to what’s ahead:

This Board Game Perfectly Captures What It’s Like To Write Your First Book
“Stare at the blank screen, try not to cry.”

by Jon Adams

Source: http://www.buzzfeed.com/jonadams/pasta-filled-taco#.kdOLyPzwb

The board game to guide you through your novel writing experience.

The board game to guide you through your novel writing experience.

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Writing tip Wednesday: “Inside, outside, roundabout side”

Three categories to better characters

Sometimes, when creating a character, it is good to break the characteristics of character into three general categories: Inside, outside, and roundabout side. In reality as in your characters, you will probably find that these categories overlap, bump up against each other, maybe even at times clash. Sometimes a good character, like a real person, can be his or her own worst enemy.

Use this below as a starting point. You can add your own questions or prompts. And you can use this for all the major characters, including the protagonist and antagonist. It could even help with some of the minor characters, too.

With the following categories in mind, reread your manuscript with an eye toward making your characters as compelling as possible: both the good guys and the bad ones.

1. Looking in or sometimes called motivation

  • What does your character want?
  • What does your character need?
  • Can you create a situation in which the need and the want come into conflict with each other?
  • Did your character have a happy or unhappy childhood and why?
  • What is your character obsessed with?
  • What is your character’s biggest fear?
  • What is your character’s biggest secret?
  • What is the best thing that has happened to your character? The worst?
  • What are your character’s past and present relationships? With parents? With friends? With enemies? With co-workers?
  • What does your character care about?

2. Looking out or sometimes called appearance, aesthetics, maybe even Mirror, mirror on the wall

  • What sex is your character?
  • How old is your character?
  • How tall is your character?
  • Hair color? Eye color? Skin color?
  • How many eyes, fingers, toes, etc. does your character have, or does your character have only some or none of these?
  • Does your character have an odd-shaped nose or other physical trait? Is this trait lifelong or recently acquired?
  • Does your character dress in the latest fashion with new clothes, in hand-me-downs, second-hand shop clothes, bargain basement buys?
  • Does your character practice regular hygiene? Bath/shower regularly? Smell if he or she doesn’t?
  • What would another character say about this character’s overall appearance?

3. Looking round about or sometimes called quirkiness, idiosyncrasy, or sometimes just plain weird
Please note, that a character’s quirkiness can often arise out of the looking in or looking out categories, and sometimes when one meets the other.

For example, the character could wear a fedora, may even have several for different occasions, and will wear nothing else on his / her head.

A small fear can be an idiosyncrasy. Your character could be afraid of spiders or the number 13.

  • Does your character always were the same color?
  • Does your character have a favorite number?
  • Does your character always count up the change in his / her pocket the same way? Pennies first, then nickels, then dimes, etc.?
  • Does your character have a nickname? If so, what is it and how does it relate to the character?
  • What is the one word that would best describe your character?

–David E. Booker

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Writing tip Wednesday: “No excuses”

Read and write and do both regularly

by Joe R. Lansdale

Source: https://www.facebook.com/JoeRLansdale/posts/753873058055046

Joe R. Lansdale

Joe R. Lansdale

A major rule of writing. Stop making excuses. You do have time if you want to do it. Sure, there are those rare exceptions. But nearly everyone has time. I worked two jobs and had time. Not a lot of time, but enough to get something done daily. If you have time to plop down in front of the TV to watch a Star Trek rerun, or what have you, you have time. If you can go to a job you hate, or at best tolerate, be on time and do it right, you should be able to find a few minutes a day to do something you really want to do. Even if you love your job and want to write, you can find time.

If you are going to take time off, read. That’s the most important tool to a writer. If you read you put fuel in the tank and you begin to better understand how stories are constructed. Once you lean how it works, or as best as anyone can learn how it works, then you can lose the rule book and do it anyway you like. You can make something new best when you understand something old. In other words, don’t mess with the structure of storytelling until you understand how it works, then you can successfully subvert it if you need to. A hard thing to grasp, but it’s true.

Put your ass in a chair in front of the world processor, typewriter, writing tablet, papyrus pages, what have you, and write.

Finish what you start. Sure, you can switch over and work on other things from time to time, but don’t end up with partials of this and pieces of that. Have a major project and finish it. When that’s done, start something new. While you’re marketing a novel, or if you’re far enough along to have an agent do it for you, start a new project to keep you from waiting by the telephone, mail box, email, for a response.

Work daily and at the same time if possible. If not, work when you can, but make it a habit. It takes a lot of hours before something kicks in as a habit. Set a time each day when you can work, and do it. It can be for whatever length of time you have available. If you can’t work every day of the week, try and work as many days as possible. Plan on four or five days at the least, seven if you can. Get up early on holidays and write a bit as a gift to yourself. Don’t let holidays spoil your momentum. Okay, you can take holidays off if you must, but be careful to stay in the zone.

Having a word count or page count can be useful.

Read the rest at: https://www.facebook.com/JoeRLansdale/posts/753873058055046

Or https://www.facebook.com/JoeRLansdale

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Writing tip Wednesday: “Reading is fundamental”

7 Reading Hacks To Improve Your Literary Skills

by Claire Fallon

Source: http://www.huffingtonpost.com/2015/01/12/6-reading-hacks-to-improv_n_6439230.html?utm_hp_ref=books

When we think of “hacks,” many of us think of tricks to make a task quicker and easier than we’d previously believed possible. And of course, people have been trying to “hack” reading for decades, whether through speed-reading courses or apps or … well, Cliff’s Notes. The temptation of speed-reading is strong; the sheer number of books to read in the world is daunting to even the most dedicated reader. If only we could read quickly and painlessly, maybe we could make a real dent in the world’s literature in our brief lifetimes!

Reading, however, isn’t like chilling a drink or opening plastic packaging: The experience itself has just as much to offer as the end result. Hacking the reading experience by speeding it up seems to miss the value of the reading process. Plus, speed-reading may not work as well as its proponents claim, especially for more complex texts, as faster reading tends to work out to worse comprehension.

That doesn’t mean we can’t use relatively simple tricks and techniques to improve our reading. These easy reading hacks may not allow you to breeze through books and articles at the speed of light, but they should help you concentrate better, process what you’re reading more effectively, and get more out of each book.

Here are 7 basic hacks to turn your reading up to 11:

Don’t read in bed

Okay, we all love reading in bed. It’s cozy, it’s relaxing, it feels like someone is dreaming a beautiful dream for you. And then, two minutes later, you fall asleep, only to wake up four hours later with a crumpled book on your face, confused. If you want to get some actual reading done, you have to do this the right way: in an at least somewhat vertical position. Stand at your standing desk. Sit on your exercise ball.

Read alone

Reading isn’t a group activity, and it certainly isn’t one facilitated by Gchat or Twitter. Set aside time to read alone, without distractions. If possible, read in a different room from your family or roommates, where there’s no TV blaring or conversation pulling you in. Definitely switch off your devices — checking for new texts, Facebook notifications, emails, Twitter mentions, Gchats, and Instagram likes is a sure path to distracted, ineffective reading.

Read in print if possible

Sorry e-reader fans — several studies have suggested that reading in print leads to superior comprehension and retention compared to reading on a screen. This suggests that trickier materials or books you hope to read more carefully should be read on paper, while the Kindle is reserved for fare you intend to skim or read purely for pleasure.

Underline

Books are precious, sacred objects. Nothing depresses us more than opening a used book we’ve purchased and seeing it covered with scribbled notes like, “LOL!” and “huh?” and “the tree symbolizes life” (no kidding?). However, you must leave this reverent attitude behind, as Tim Parks recently exhorted readers to do in the pages of The New York Review of Books, if you want to become a master reader. Start simply, with underlining. Hold a pen, or, if you’re still squeamish, a pencil as you read. Underscore lovely phrases, confusing sentences, or particularly memorable passages. By physically marking them, you’re forcing yourself to linger over them, taking extra mental note of the words and possibly giving yourself more opportunity to ponder their meaning.

Take notes

Don’t stop at underlining! It’s time to add some “LOL”s and “huh?”s to your own books. Taking notes, either in the book, on Post-Its, or in a separate notebook, ensures you’re not only engaged in this active conversation with the book, but that you have a record of it you can review later.

Other “hacks” include:
Reread for clarity

Read aloud, or mouth along

Details at: http://www.huffingtonpost.com/2015/01/12/6-reading-hacks-to-improv_n_6439230.html?utm_hp_ref=books

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Writing tip Wednesday: “New Year, new start”

6 Tips for (Really) Finishing Your First Book in 2015

Source: http://www.huffingtonpost.com/carrie-visintainer/6-tips-for-really-finishi_b_6392358.html

by Carrie Visintainer

It’s that time of year for New Year’s Resolutions. Love ’em or hate ’em, they come up in all kinds of conversations. Maybe one of your big goals is to publish a book. (Possibly, this has been a resolution of yours for several years, and you just keep transferring it forward.) So in 2015, why not commit? Make it a priority and knock out that first novel, memoir, or story collection. Here are six tips for making your book happen this year.

1. Choose a writing space: This doesn’t have to be an entire room of your own, but it does help to have a designated area just for you, just for writing.

2. Carve out time: This is a challenge for pretty much everyone, no matter your life circumstances. … But you can control this, and you can start by setting realistic goals. Maybe you shoot for an hour every day, or ten pages, or 1,000 words. Do this for a month, and you’ll be amazed: The pages will begin to add up.

3. Turn off your inner censor: We all want to write things that sound beautiful and intelligent; rivaling literary greats and authors we admire. … Be easy on yourself (which is very hard). Commit to the task of putting words on a page without judgment. There’s plenty of time to go back and revise later.

4. Stop at an energetic place: During each writing session, it might take you a while to get warmed up, but then words will begin to flow. Keep going with this, and then do something key: Stop writing for the day when you’re still feeling energized.

5. Join a writers’ group: Critique groups are useful for several reasons. Accountability and camaraderie are but two reasons. … If you don’t know of any critique groups in your area, try posting an ad in a coffee shop or café and see who replies.

6. Reward yourself: Because the act of writing isn’t particularly glamorous — it might even be the hardest thing you’ve ever done — it’s important to celebrate.

Rest of the article at: http://www.huffingtonpost.com/carrie-visintainer/6-tips-for-really-finishi_b_6392358.html

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Writing tip Wednesday: “We have our ways”

With one year about to close and another about to open, writers often make lists of what they want to accomplish the coming year: finish that novel, publish 10 short stories, win the Nobel Prize in Literature. Things like that. Below is a list that might help you in another way. That way is a list of tips for staying creative. Not sure where I picked this up, but I thought I would pass it along. Happy New Year and good luck with your writing.

List not all-inclusive, but it might help in the coming year. It's a new year, make your own

List not all-inclusive, but it might help in the coming year. It’s a new year, make your own.

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Writing tip Wednesday: “Introductions”

Write Better: 3 Ways To Introduce Your Main Character

by Les Edgerton

Source: http://www.writersdigest.com/online-editor/write-better-3-ways-to-introduce-your-main-character?et_mid=711152&rid=239626420

1. Keep physical description minimal.

A character’s physical description—unless markedly different than the norm—does relatively little to draw the reader in. The character’s actions, or details such as his occupations and interests, are much more useful. The readers will furnish a perfectly good description on their own if you simply let them know that the Uncle Charley of your story is a butterfly collector, or the elderly toll-gate keeper on the Suwannee River. Doing so will accomplish more than 10 pages of describing hair and eye color, height, weight and all of that kind of mundane detail.

My own writing contains very little description of any of my characters—it’s virtually nonexistent—yet for years I’ve asked readers if they can describe a character I pick at random from my stories, and invariably they come up with a detailed description, no matter which character I choose. When I tell them I haven’t ever described the character mentioned, they’re surprised, and some swear that I did, even going so far as to drag out the story and skim for where I’ve included the description. They never find it.

2. Characterize through action.

Bestselling British writer Nick Hornby starts his novel How to Be Good by taking us through his protagonist’s inciting incident, revealed in an action that is contrary to her normal behavior and personality.

I am in a car park in Leeds when I tell my husband I don’t want to be married to him anymore. David isn’t even in the car park with me. He’s at home, looking after the kids, and I have only called him to remind him that he should write a note for Molly’s class teacher. The other bit just sort of … slips out. This is a mistake, obviously. Even though I am, apparently, and to my immense surprise, the kind of person who tells her husband that she doesn’t want to be married to him anymore, I really didn’t think I was the kind of person to say so in a car park, on a mobile phone. That particular self-assessment will now have to be revised, clearly. I can describe myself as the kind of person who doesn’t forget names, for example, because I have remembered names thousands of times and forgotten them only once or twice. But for the majority of people, marriage-ending conversations happen only once, if at all. If you choose to conduct yours on a mobile phone, in a Leeds car park, then you cannot really claim that it is unrepresentative, in the same way that Lee Harvey Oswald couldn’t really claim that shooting presidents wasn’t like him at all. Sometimes we have to be judged by our one-offs.

Wow! Don’t you wish you’d written that? I sure do!

3. Instill Individuality and Depth.

A very different example of establishing the protagonist’s character from the start is found in crime novelist Michael Connelly’s Lost Light:

There is no end of things in the heart.

Someone once told me that. She said it came from a poem she believed in. She understood it to mean that if you took something to heart, really brought it inside those red velvet folds, then it would always be there for you. No matter what happened, it would be there waiting. She said this could mean a person, a place, a dream. A mission. Anything sacred. She told me that it is all connected in those secret folds. Always. It is all part of the same and will always be there, carrying the same beat as your heart.

I am fifty-two years old and I believe it. At night when I try to sleep but can’t, that is when I know it. It is when all the pathways seem to connect and I see the people I have loved and hated and helped and hurt. I see the hands that reach for me. I hear the beat and see and understand what I must do. I know my mission and I know there is no turning away or turning back. And it is in those moments that I know there is no end of things in the heart.

What makes this opening different? Well, it’s by a brand-name author with a sizable audience already in place. Michael Connelly’s books have made the bestseller lists at least 19 more times than I’ve hit a grand-slam walk-off home run at Yankee Stadium as a member of the Bronx Bombers. This means he can write just about any opening he wants and it’s going to get published. It also means that in the hands of a writer without a ready-made audience such as Connelly enjoys, opening with the protagonist’s bit of philosophy might not work, if not done well. It could easily come across as sentimental or self-indulgent.

More details at: http://www.writersdigest.com/online-editor/write-better-3-ways-to-introduce-your-main-character?et_mid=711152&rid=239626420

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Writing tip Wednesday: “Conquering writer’s block”

4 Tips On Conquering The Evil That Is Writer’s Block

by Ashley Jones

Read more at http://www.business2community.com/blogging/4-tips-conquering-evil-writers-block-01074259#1IGzOmJ9sSQZJ1DM.99

It’s funny that I’m writing this blog about writer’s block considering I was drawing a complete blank when trying to think of a topic. Writer’s block happens to the best of us, and if someone tells you they haven’t experienced a bought of writer’s block they’re likely lying.

So what do I do when I’m struggling with my writing? Sounds weird, but I like to pace around my apartment. My tiny apartment is shotgun style and it takes me approximately 15 seconds to get from one end to the other. I pace like this about 10 times. This works well for me. It makes me feel less sedentary and helps me generate ideas. I think one of the best things you can do if you’re suffering from writer’s block is distance yourself from your project for a while.

This leads me to my first major tip you should try next time you start to feel like words are the enemy:

  • Step away from your computer.
  • Aaron Sorkin (The Newsroom, The West Wing) was recently on Late Night with Seth Meyers. The two did the typical let-me-plug-my-latest-project interview. But they also talked about Sorkin’s writing process. Sorkin said whenever he experiences writer’s block he will shower and change into clean clothes to start again with a clean slate. I think this is a great idea. There’s no reason to sit and stare at a blank page. Get up and start moving around; do whatever works for you. This will help clear your head and make room for all those awesome ideas to come through.

  • Read something you enjoy.
  • No, Facebook doesn’t count. Pick up a magazine or check out the latest entry from your favorite blogger. You can even read a few industry blogs to see what’s new. This will get your mind off your work and help inspire you. These quick distractions can help you connect ideas in a way you didn’t see before.

  • Write like you speak.
  • Don’t try to get hung up on trying to use jargon or industry-speak. Start off by writing conversationally and the ideas will start flowing. It’s way easier to get a good pace going if you feel comfortable with the language you’re using.

  • Start with a working title, and then jump in.
  • Write up a quick title that focuses on the general idea of your blog. Then try to get your initial thoughts out. It doesn’t have to be grammatically correct or even make complete sense. Once you’ve got your thoughts out you can clean it up later and you’ll feel better once your ideas aren’t swimming around in your head.

  • Take your content one step at a time.
  • If you’ve got a lot of content to work with it can feel daunting. Break your content up into sections and tackle them one by one. I usually separate my main ideas out into bullet points. Then I take those points one by one and start fleshing them out. This makes my content much more manageable and I’m less freaked out by the amount I need to complete.

Read more at http://www.business2community.com/blogging/4-tips-conquering-evil-writers-block-01074259#1IGzOmJ9sSQZJ1DM.99

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