Category Archives: Writing Tip Wednesday

Writing tip Wednesday: “Supermentors One-Day Class”

Industry Landmines — And How to Avoid Them

One-day class: Sunday, June 7th
10:00 AM – 5:00 PM (Pacific time)
1:00 PM – 8:00 PM (Eastern time)

Learn what pitfalls to avoid.

Learn what pitfalls to avoid.

Hollywood is full of rules – only nobody tells you what they are!

Award-winning writer-producer-directors Elaine and Marc Zicree have written hundreds of hours of produced TV shows and movies for most of the major studios and networks – and now have their own studio! Let them share what they know with you!

In this eye-opening day-long class, Hollywood Insiders Marc and Elaine Zicree guide you through the soul-crushing, career destroying mistakes that many beginners and even long-term pros often make – and which YOU can now avoid:

Some of the many career disasters covered (and super-solutions given) include:

Representation:

  • How to waste time seeking it out – and make sure they’re lacking a pulse.
  • How to provide inadequate evidence and be sure to fail.
  • How to hand over power to folks who don’t give a damn.
  • How to mangle a potentially good relationship.
  • How to confuse the roles of agents, managers and attorneys.

The Script:

  • Sure-fire ways to make the script you write fail!
  • Great ways to find bad scripts by writers who will give you grief.
  • How actors can create characters ranging from invisible to actively annoying.

Cold Calls, Meetings, Pitches and Auditions:

  • How to come off like an amateur.
  • How to bore and confuse.
  • How to blow a meeting – or, better still, trample one that’s going well.
  • How to be under-prepared
  • How to bring in the wrong allies
  • How to alienate potential, long-term connections
  • Stuff you can do wrong in a pitch.
  • Auditioning so you lose you the role and any possibility of ever being invited back.
  • Failing to sell a series using great material.
  • Having no clue how the system works.

Teams:

  • How to be sure you mismatch your director to your script.
  • Creating a budget that assures your project will never sell – or is never finished.
  • How to cast to assure the above.
  • How to staff up with terrible people.
  • How to staff up with wonderful people – and then alienate every one of them.
  • How to write up agreements that you will regret to your grave.
  • Presenting yourself & your project in ways that send alliances running for the hills.

Money:

  • How to solicit funds in ways that will get you into really big trouble.
  • How to do a crowd funding campaign – that will sink!
  • How to be so grasping about credits and points you have nothing to deal with.
  • How to be so generous about the above you end up with zip.
  • Ways to rationalize not thinking about complex stuff like in-kind, trade agreements, incentives, banks and pre-sales (or other methods that may otherwise save your project).

The Sale:

  • How to fail at festivals.
  • How to never find a distributor.
  • How to find a distributor who will rob you blind and bury your project.
  • How to sign a contract that will allow you no recourse for the above.
  • How to burn through resources to not only deny promotional materials, but the deliverables which would allow the sale.
  • How to convince yourself the benefit of avoiding alternate platforms which may result in more money, larger audiences and an actual career.

Strategy:

  • How to embrace the defeatist and the negative.
  • Being sure your mentors have failed at what you’re attempting.
  • How to suck all the energy out of a room.
  • How to stand around waiting to be picked until you die.

Class is JUST $25 and SEATING IS LIMITED – but you can also listen to the entire class via live streaming and downloadable content!

To sign up, log onto www.paypal.com and indicate you want to pay marc@zicree.com

Feel free to email us at Send me an email marczicree@gmail.com or call (323) 363-1259 with any questions.

Don’t wait to be picked — it can all happen NOW.

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Writing tip Wednesday: “10 Poignant Practices for Every Writer”

Here are 10 smart, yet simple ways for every writer—from novelists to journalists to poets—to enrich his or her mind and become better at cultivating ideas and putting them to the page.

Source: http://www.writersdigest.com/online-editor/10-poignant-practices-for-every-writer?et_mid=752210&rid=239626420

by MELISSA CLARK

1. Travel the world
Old, young, rich, poor, there are many ways to see the world, soak up other cultures, see examples of creativity in art, food, music, architecture. Lately, I’ve been applying to and attending artist residencies to work on my writing in other countries including Spain, Portugal and Mexico. Even if you’re only able to take a day trip, take it! Soak up any experience you can get that lives outside your day-to-day life.

2. Journal
Not just the “My boyfriend broke up with me” kind. (Though that’s fine, too.) Write down your thoughts, ideas, memories, draw pictures, and record dreams. There are many ways to journal including blogs, Pinterest, and various apps. Who knows what ideas the younger you has in store for the older you. You’ll never know if you don’t record them.

3. Be a student throughout your life
So many colleges and universities offer extension courses. I like taking classes outside of my writing interest and have taken Nude Figure Drawing, Ceramics, Anger Management and Stand-Up Comedy, among others. Ultimately, anything you learn can be useful to your writing.

4. Also be a teacher
I grew up in a family that supported my creativity, but many people don’t and they need a mentor to help them navigate the waters. I not only teach in colleges, but at unexpected places, too, like spas and retreats. I love meeting and being inspired by different types of students all over the country. Why not volunteer your time teaching writing to kids or the elderly? Everyone has a story. How wonderful if you’re able to help someone express theirs.

5. Realize that no idea is too big/small/silly/crazy
One afternoon at lunch with a friend I ate too much (as usual). When I lifted my shirt to show him my bloated belly, he said, “Are you sure you’re not pregnant?” and I said, “Yeah, right, from a lazy sperm!” This off-the-cuff comment inspired my first novel, “Swimming Upstream, Slowly,” about a woman who becomes pregnant from a lazy sperm. Silly? Absolutely! Published novel? That’s right! What ideas are you preventing from being realized because you think they are too big/small/silly/crazy?

Other tips include:

6. When you hear “no” do it anyway

7. Accept your shadow side

8. Invest in a good therapist

9. Forgive yourself

10. Practice gratitude

About Melissa Clark: Clark is an author, television writer and college instructor. She is the author of the novels, Bear Witness, Swimming Upstream, Slowly, and Imperfect. Her essay, “Rachael Ray Saved My Life” is included in the anthology The Cassoulet Saved Our Marriage.

She is also the creator of the animated television series, “Braceface,” starring the voice of Alicia Silverstone which aired on the ABC Family Channel. She has written scripts for “Rolie Polie Olie,” “Totally Spies,” “Sweet Valley High,” among others. Melissa teaches creative writing and literature courses both privately.

Complete entry at: http://www.writersdigest.com/online-editor/10-poignant-practices-for-every-writer?et_mid=752210&rid=239626420

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Wednesday writing tip: New Agent to consider

New Literary Agent Alert: Linda Camacho of Prospect Agency

Source: http://www.writersdigest.com/editor-blogs/guide-to-literary-agents/new-literary-agent-alert-linda-camacho-of-prospect-agency?et_mid=748601&rid=239626420#sthash.Zwys5wOi.dpuf

Linda Camacho

Linda Camacho

Linda joined Prospect Agency in 2015 after nearly a decade in publishing. After graduating from Cornell University, Linda interned at Simon & Schuster and Writers House literary agency, and worked at Penguin before happily settling into children’s marketing at Random House. She has an MFA in creative writing from the Vermont College of Fine Arts. Follow her on Twitter: @LindaRandom

In terms of submissions, Linda is pretty omnivorous. She enjoys a variety of categories and genres, ranging from clean and lighthearted to edgy and dark. She is currently seeking: Adult, middle grade, and young adult fiction across all genres (romance, horror, fantasy, realistic, light sci-fi, and graphic novels). Select literary fiction (preferably with commercial bent). Diversity of all types (ethnicity, disability, sexuality, etc.). Linda is NOT seeking: Early readers/chapter books, screenplays, poetry, and short stories.

Linda is currently accepting queries through Prospect Agency’s Submissions page: https://www.prospectagency.com/submissions.php. Please include three chapters and a brief synopsis. Do not query by email or letter mail and do not submit unsolicited manuscripts or inquire about the status of submissions via email.

Details at: http://www.writersdigest.com/editor-blogs/guide-to-literary-agents/new-literary-agent-alert-linda-camacho-of-prospect-agency?et_mid=748601&rid=239626420#sthash.Zwys5wOi.dpuf

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Writing tip Wednesday: “Ten tips for SEO”

Ten tips on good SEO writing

Source: http://www.geeksnack.com/2015/04/22/ten-tips-good-seo-writing/

Good SEO writing is much about writing skills and writing techniques. As a blogger, you need to know how to structure your text in subheadings and paragraphs. If your text is appealing and clear, you will attract the interest of your readers. They will gladly like, tweet, share and comment your content if they like it.

1. Think before writing – Good SEO writing tips

n order for your article to be highly ranked in Google search, you need to have writing skills. This means you need to think before you write. To think about what your readers will say after they read your article, what actions and reactions your article can cause. You should write down these answers before starting writing.

2. Arrange your ideas – Good SEO writing tips

You need to arrange your ideas in a logical manner, in every post you write. Some sorts of short introduction, a body where you will write the main ideas and a conclusion text, this structure is a very good and stable one, that normally attracts most readers. After that, you could start the real writing process.

3. Structure your paragraphs – Good SEO writing tips

You should be able to start new paragraphs according to some rules, not just because you consider it looks nicer for your text. Every paragraph should contain one main idea or subject. Paragraphs are important, so do not abuse their usage but also do not forget about them. Paragraphs are the most basic design for the text and readers can enjoy them or not.

4. Use subheadings – Good SEO writing tips

Your article should be organized in subheadings. They will lead your reader in a very quick and efficient way. Readers will be able to scan your text and to find more easily the necessary information for them.

5. Use signal words – Good SEO writing tips

Using signal words is also indicated, because they make readers to focus over the most important things. Words like also, first of all, nevertheless, indeed etc. are good choices in this respect.

Other tips include:

6. Proofread and test your article – Good SEO writing tips

7. Write longer posts – Good SEO writing tips

8. Update content – Good SEO writing tips

9. Inlink – Good SEO writing tips

10. Content is key – Good SEO writing tips

Read the rest: http://www.geeksnack.com/2015/04/22/ten-tips-good-seo-writing/

If you don’t know, SEO stands for Search Engine Optimization.

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Writing tip Wednesday: “Comedy writing”

How do you write good comedy? Some of Britain’s finest comedians share their knowledge

By Bruce Dessau

Source: http://www.independent.co.uk/arts-entertainment/comedy/features/how-do-you-write-good-comedy-some-of-britains-finest-comedians-share-their-knowledge-10182878.html

Writing comedy is not easy – which is why next weekend, aspiring comedy writers will be gathering in Llandudno in north Wales for the second annual Craft of Comedy Writing conference.

There, commissioning editors, producers, production company bosses and comedians will be divulging their trade secrets in a range of talks, discussions and networking sessions. It’s a great way to learn more about the industry – although it does cost £60. For a cheaper option, we have asked some the biggest names in comedy for their pithiest writing tips.

(For more information on the Craft of Comedy Writing Conference see www.venuecymru.co.uk)

Andy Hamilton
Sitcom writer
His new series ‘Ballot Monkeys’, a satirical sitcom set around the General Election, starts on C4, Tuesday at 10pm.

  1. Become a ruthless editor of your own stuff. You have to be brutal.
  2. Learn to be concise. Pay attention to the rhythm of a sentence and how a joke unfolds. Just moving an adverb can change it. I’m still learning.
  3. Make sure you invest in a character. Anyone can write jokes. Well, almost anyone. But if you are writing a sitcom it’s the characters that make it interesting. They have to resonate.

Reece Shearsmith
Actor/comedy writer
The latest series of Shearsmith’s ‘Inside No 9’, co-written with Steve Pemberton, is on BBC2 on Thursdays.
I think it’s important when writing, and especially sketches, that you very quickly let the audience in on what it is they are supposed to find funny. What is “the thing of it?” Let them in on the joke as quickly as possible. “Oh – I see, it’s a clown that doesn’t like children.” Or “Oh I get it – it’s a squeamish surgeon”. The quicker you get to that penny-dropping moment, the longer your audience have to enjoy the situation and find it funny. Also, try to be as lean as possible. Come in late, and go out early. More often than not, you can lose half of a scene quite easily and still impart the story. And above all else – hide the exposition! No one wants to sound like they are narrating facts. A neat trick is to hide exposition inside a joke. That way it feels valid, and its presence is disguised by a laugh.

Graham Linehan
Sitcom writer
To borrow an image from David Lynch, you’re looking for the big fish. The tiddlers flashing about just below the surface – the trite observations, the easy targets, the established joke-constructions – you need to ignore them and wait for the big one. An image or scene that makes you double over with laughter and could only have come from deep within your subconscious. The good news is that once you have it, the smaller jokes leading up to and away from the scene/sequence/sight gag will also feel fresh. To give you an example from my own work, Mrs Doyle wondering where the “perfectly square bit of black dirt” on the window came from is a set-up so odd the audience doesn’t even think of it as a set-up, and enjoy it for its own sake. So when Ted appears at the window with a Hitler moustache (and that’s the big fish, that’s what Arthur Mathews and I thought of first), one of the reasons it works is that the audience didn’t realise we were setting them up.

Holly Walsh
Stand-up/TV and radio writer
Walsh has previously written BBC3 sitcom ‘Dead Boss’ with Sharon Horgan, and her new radio series ‘Best Behaviour’ starts on Radio 4 on 7 May at 6.30pm.

My tip for writing comedy would be to find someone to collaborate with. OK, so you’ll share the money, but you’ll also share self-doubt and inner loathing, so it kind of balances out. My favourite days are sitting in a room with someone else and trying to make them laugh. You might then have to go off and work stuff up on your own, but at least you know one person has found it funny. Oh, and move around. You’d be surprised how many problems are solved walking to and from the loo. So drink plenty of tea.

The rest of the article: http://www.independent.co.uk/arts-entertainment/comedy/features/how-do-you-write-good-comedy-some-of-britains-finest-comedians-share-their-knowledge-10182878.html

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Writing tip Wednesday: Grammar Gremlins

Humor and Grammar Gremlins -- from 1979

Humor and Grammar Gremlins — from 1979

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Writing tip Wednesday: “Top ten….”

The Top 10 Elements of a Book People Want to Read

by Helga Schier, PhD

Source: http://www.writersdigest.com/online-editor/the-top-10-elements-of-a-book-people-want-to-read?et_mid=733701&rid=239626420

Aim for High Readability

Helga Schier

Helga Schier

People enjoy books with a high level of readability—books with a captivating story and memorable characters, books we can’t put down, books that stick with us long after we’ve read the last word.

As an independent editor, I’ve come across my fair share of readable books, and all of them are well crafted on three distinct but intricately connected levels.

  1. The surface structure of the words on the page, which includes grammar, punctuation, and spelling.
  2. The level of style and voice, which is defined by the choice of words, the sentence rhythm, the use of literary techniques and images, and the tone or approach
  3. The content level, where the fictional world comes to life.

Highly readable books are polished, refined, sophisticated, and mature on all three levels. To fulfill the potential of your book, develop and sharpen the following top ten elements.

1. Your Words Are Your tools; Make Sure They Are in Working Order.
Avoid typos, sort out commonly mistaken words such as die/dye or there/their/they’re. Watch your grammar—make sure your nouns agree with your verbs and the personal pronouns fit. If a paragraph begins in the past tense, it likely ought to end in the past tense, too. Figure out where those commas go to help your readers make sense of your sentences. Sounds basic? It is. So run that spell-check and get it right.

2. Check for Inconsistencies.
Writers revise their work constantly. As a result, characters may appear or disappear at random, because chapters were rearranged; subplots remain unresolved, because chapters were cut; and timeline issues may tiptoe in. Looking for inconsistencies and holes in your story is an integral part of polishing your work.

3. Avoid Overwriting.
Your style or voice should step into the background to serve your story. No need for a clever metaphor in every sentence, or for an adjective before every noun. Avoid complicated sentences if a simple sentence will get your point across. Avoid inflated sentences and unnecessary introductory or summarizing phrases. Don’t be verbose—every sentence has a point; get to it.

4. Avoid Underwriting.
Allow your language to adapt to its context. Using the same words and/or sentence structures repeatedly makes a novel repetitive and monotonous. If the teenage girl and the CEO of a multibillion dollar company have the same voice, we’ll learn more about the writer than about the characters and their relationships. Avoid clichés and create your own personal images instead. Or use clichés and stereotypes to your advantage—say, to define a character.

5. Make Sure Your Characters Are More Than a Name.
As a reader, I want to be able to relate to your characters. I don’t have to always like them or agree with their choices, but I want to understand why they say and do whatever it is they say and do. I want to care for them, fear and worry with them. Therefore, your characters need to be recognizable and unique at the same time. They need to be complex rather than cardboard cutouts, and dynamic rather than passive. Even a bad guy deserves a redeeming quality.

The other five recommendations are:

6. Show, Don’t Tell.

7. Sharpen that Dialogue…

8. …And Expose that Subtext.

9. Drive the Plot Towards Your Reader’s Aha-Moment.

10. Build Your World.

Details at: http://www.writersdigest.com/online-editor/the-top-10-elements-of-a-book-people-want-to-read?et_mid=733701&rid=239626420

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Writing tip Wednesday: “Family matters”

FAMILY MATTERS guidelines

Glimmer Train

Glimmer Train

Glimmer Train is looking for stories about families of all configurations. They say: “It’s fine to draw heavily on real life experiences, but the work must read like fiction and all stories accepted for publication will be presented as fiction.”*

Maximum word count: 12,000. Any shorter lengths are welcome.

Held just twice a year: Open to submissions in MARCH and SEPTEMBER. Next deadline: March 31.

Winners and finalists will be officially announced in the June 1 and December 1 bulletins, respectively, and will be contacted directly one week earlier.

Reading fee: $15 per story. Please, no more than three submissions per contest.

Prizes:

  • 1st place wins $1,500, publication in Glimmer Train Stories, and 20 copies of that issue.
  • 2nd place wins $500 (or, if accepted for publication, $700 and 10 copies).
  • 3rd place wins $300 (or, if accepted for publication, $700 and 10 copies).

Please make your submissions at Glimmer Train’s online submission site: http://www.glimmertrainpress.com/writer/html/index2.asp. We look forward to reading your work!

* Remember that sticking too tightly to “fact” can limit the larger truth that fiction is able to reveal. Give your story the leeway it needs in order to find its own life. And, if your story is closely related to your actual experience, it is wise to change details that would allow the real-life people to say, Hey, that’s me!

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Writing tip Wednesday: “Five from on high”

Writers Can Learn A Lot From Writing Tips Offered By Stephen King

Source: http://www.learnu.org/writers-can-learn-a-lot-from-writing-tips-offered-by-stephen-king/

Author offers advice.

Author offers advice.

Horror writer extraordinaire, Stephen King, has been around the proverbial block more than enough times to know what it takes, what works and what doesn’t when it comes to being a writer. He was kind enough to share some of his experience and insight into the profession in his 2010 memoir, On Writing.

There are a ton of invaluable tips and tid bits of advice for writers and it was nearly impossible to pick just a select few to cover today. After much consideration we were able to narrow down what we found to be incredibly useful information for our writer readers.

In his book, King said “I can’t lie and say there are no bad writers. Sorry, but there are lots of bad writers.” Well, he has a point…a blunt point, but a point all the same. So, with that in mind, here are some of our favorite tips from the “King of Horror”:

1. Put down the remote and pick up a book.
King calls television the “poison to creativity” and he’s pretty much spot on. TV is known to suck out the imagination and dull the senses, which are two very important things to writers. He suggests doing away with the TV and picking up a book instead.Reading allows you to constantly learn and challenge your brain.

2. Don’t shy away from editing.
Cutting out bits and pieces of your writing is a rather hard part of the job, but an unavoidable one. King tells writers to, “Kill your darlings, kill your darlings, even when it breaks your egocentric little scribbler’s heart, kill your darlings.” You heard him, folks! Don’t be afraid of the delete and backspace keys.

3. Cut yourself off from external distractions when writing.
“Write with the door closed; rewrite with the door open,” King says. That sounds about right to us, too. Nothing can jam a writers creative flow quite like a heap of distractions. Writing is an internal activity that often requires the writer to sink into a zone that needs to be maintained.The best way to stay in the zone is to tuck yourself away in a corner without your phone, access to any social media sites and a note on your door asking for privacy.

4. Adverbs and long paragraphs should be avoided like the plague.
And, by the way, so should cliches.

5. Perfect the art of description, but don’t give away too much.

Read more: http://www.learnu.org/writers-can-learn-a-lot-from-writing-tips-offered-by-stephen-king/

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Writing tip Wednesday: “Tinker Mountain”

Residential and Online options

Residential and Online options

Workshop details

Workshop details

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