Category Archives: mystery

Eight Mystery Writers You Should Be Reading Now | Jaden Terrell

Eight Mystery Writers You Should Be Reading Now – if you don’t know who these mystery writers are, you should.

Source: Eight Mystery Writers You Should Be Reading Now | Jaden Terrell

If you don’t know who these mystery writers are, you’re missing out.

Now you can get it free when you subscribe to my email list.

My part in this book began on Halloween weekend at Killer Nashville 2015, when Michael Guillebeau asked me to be a part of a project he was working on—a sampler of eight mystery writers he admired, each of whom would contribute a short story, an interview, and a sample chapter from one of their novels.

To say I was honored would be an understatement. I’d read Michael’s work, and the guy has some serious writing chops. I mean, the guy can WRITE. Haven’t read him yet? Hie thee to his website and check out his novels right now. Seriously, I’ll wait.

Of course I said yes. And boy, am I glad I did. The other writers Michael lined up are all topnotch, and all a delight to work with. To top it off, bestselling author (and fabulous-in-every-way) Hank Phillippi Ryan came on board to write the introduction. If you don’t already know their work, I hope you’ll find enough in these pages to make you want to learn more.

The book isn’t a five-course meal. It’s more like the appetizer sampler you’d get at a good restaurant. Eight very different flavors. The hope is that you’ll find at least a few you love.

You can get a PDF or mobi copy of it for free by subscribing to my newsletter. The signup form is in the upper right corner of this page.

Since it would be hard to top Michael’s descriptions of the contributors, I’ll let him introduce us:

Lisa Alber – Mystery with a smattering of psychological suspense and tons of atmosphere. Beautifully written, complex stories set in the Irish countryside. Reminiscent of Erin Hart, Julia Spencer-Fleming, and Susan Hill. Rosebud Award and Pushcart Prize Nominee.

Kathleen Cosgrove – Florida weird with a middle-aged woman returning home. Kick-ass funny.

Michael Guillebeau – Broken war hero has to navigate the oddballs and save the girl to get back to the bar he’s been hiding in. Reminiscent of Elmore Leonard and Carl Hiaasen. Silver Falchion Finalist, and Library Journal Mystery Debut of the Month.

Chris Knopf – Hardboiled in the Hamptons. Ex-boxer Sam Acquillo is a noir descendent of Travis McGee and Spencer, and one of my favorite characters. Nero award winner. Chris was featured on my Crimereaders.com blog here.

Jessie Bishop Powell – Cozy noir mysteries that embrace the genre’s extremes. In The Marriage at the Rue Morgue, police suspect an orangutan of murder. Primatologists Noel Rue and Lance Lakeland have to save the ape and still find time to get married. Sounds light, but Powell’s stuff is as intense as it is funny.

Larissa Reinhart – If you like Janet Evanovich’s Stephanie Plum, you need to read Reinhart’s Cherry Tucker. A damaged artist with twice the depth, twice the funny of Plum and set in small-town Georgia. I dare you to put this down. Daphne du Maurier Finalist

Jaden Terrell – A “hardboiled hero with a soft-boiled heart,” Nashville PI Jared McKean has enough emotional issues to carry a book all by himself, and then Terrell throws him into big issues like human trafficking. Shamus Award Finalist.

Lisa Wysocky – Multiple awards for Lisa’s books about a horse trainer with a smart horse who helps her solve crimes. One of the most realistic and loving use of animals in mystery. Winner of American Horse Publication Awards, and the National Indie Excellence Awards.

“It’s easy to find a book. It’s hard to find the book, that new author, who sets your life on fire. That’s why we put this collection together.” – Michael Guillebeau, author of Josh Whoever, Silver Falchion finalist and Library Journal Mystery Debut of the Month

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Crime and Science Radio: The Art and Science of Law Enforcement: An Interview with Robin Burcell

Still a chance to listen, and links to additional information.

D.P. Lyle, MD's avatarThe Crime Fiction Writer's Blog

robinside

Saturday 6-14-14 at 10 a.m. PDT, join DP Lyle and Jan Burke in conversation with Robin Burcell, who is the author of award-winning crime fiction — including this year’s The Kill Order, featuring FBI Agent Sydney Fitzpatrick.  Robin also spent nearly three decades working in law enforcement: she has worked as a police officer, a forensic artist, a hostage negotiator, and a detective.

killorder

LISTEN: http://www.blogtalkradio.com/suspensemagazine/2014/05/09/crime-and-science-radio-with-robin-burcell

LINKS:

Robin Burcell’s Website: http://www.robinburcell.com

HOSTAGE NEGOTIATION:

How Stuff Works: Hostage Negotiation: http://people.howstuffworks.com/hostage-negotiation.htm

PoliceOne.com: Hostage negotiations: Psychological Strategies For Resolving Crises: http://www.policeone.com/standoff/articles/1247470-Hostage-negotiations-Psychological-strategies-for-resolving-crises/

International Association of Hostage Negotiators: http://www.hostagenegotiation.com

Time: 6 Hostage Negotiation Techniques That Will Get You What You Want: http://time.com/38796/6-hostage-negotiation-techniques-that-will-get-you-what-you-want/

Hostage Negotiation: Psychological Principles and Practices: https://www.psychceu.com/miller/Miller_Hostage_Neg.pdf

Psychology Today: Active Listening Techniques of Hostage & Crisis Negotiators: http://www.psychologytoday.com/blog/beyond-words/201311/active-listening-techniques-hostage-crisis-negotiators

FORENSIC ART:

International Association for Identification: https://theiai.org

ForensicArtist.com: http://www.forensicartist.com

Crime Library: Forensic Art: http://www.crimelibrary.com/criminal_mind/forensics/art/1.html

History of Forensic Art: http://www.forensicartist.com/history/

You Tube: Forensic Art: https://www.youtube.com/watch?v=4T_2YCpZMyA

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Four Clues to Writing a Mystery

[This is taken from an e-newsletter sent out by the writer Bruce Hale. You can find more information at Bruce Hale Writing Tips.]

When I wrote my first mystery, I had no idea how to do it. I
actually had characters tell my detective riddles that would lead
him to the next thing he needed to discover. To be honest, I had
no clue how to construct a clue.

But after you write a few of these things, you start to see how the
mystery is made. Herewith, four helpful hints on writing a mystery:

1. Play fair with the reader
Mystery readers hope that you’ll surprise them, but that surprise
must be a fair one. You can’t tease readers with three suspects
throughout your story, and then suddenly reveal that a character
they’ve never met is responsible. That’s not playing fair.

A Typewriter

Don't forget the unwritten rule: write!

Many mystery readers try to figure things out as they go along. To
play fair with these people, you need to plant a clue or two that
points toward your real culprit. Make it subtle, a throwaway line
perhaps, but make sure it’s there.

2. Keep your reader’s age in mind
Obviously, the mystery in a Cam Jansen chapter book is going to be
just a tad simpler than that in a Raymond Chandler tale. You want
to keep your reader guessing, but you don’t want things to be so
convoluted that he or she gets completely lost — especially in a
children’s book.

Your story should be just a little trickier than readers think they
can handle. If you have any doubts, ask a reader in your target
age range to take a look at the story. If your story leaves her
completely clueless, it’s time to simplify.

3. Merrily misdirect
One of the keys to successful mystery writing is misdirection.
Your readers should suspect every possible culprit but the real
one.

How do you do this? Make your clues point strongly toward one
character, then show that he’s innocent. Make your suspects take
actions that can have two interpretations, and let the reader and
detective erroneously assume the worst.

4. Write from the ending
Most mystery writers I talk with say that they figure out the
ending first — what’s the crime, who’s the culprit, why’d they do
it? — before plotting the rest of the book. Once you’ve got that
sorted out, it’s a matter of concealing it.

You’ll want your detective to take a circuitous route, often
running into brick walls. You’ll want her to think she’s got it
all solved, only to have the rug pulled out from under her.

Mysteries are all about the progressive unraveling of the unknown.
But it’s the *way* you unravel it — using misdirection, considering
your reader, and playing fair — that makes for a satisfying read.

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