Category Archives: 2018

Ian McEwan ‘dubious’ about schools studying his books, after he helped son with essay and got a C+

Ian McEwan, the award-winning author, has admitted feeling “a little dubious” about people being compelled to study his books, after helping his son with an essay about his own novel and receiving a C.

Source: Ian McEwan ‘dubious’ about schools studying his books, after he helped son with essay and got a C+

by Hannah Furness, Arts Correspondent, 8 May 2018

McEwan, author of works including Atonement, Amsterdam, and On Chesil Beach, said he remained unconvinced about the purpose of asking students to analyse his work.

“I always feel a little dubious about people being made to read my books,’ he told Event magazine, saying his son Greg was required to write an A-Level essay on Enduring Love several years ago.

“Compelled to read his dad’s book – imagine. Poor guy,” McEwan added.

“I confess I did give him a tutorial and told him what he should consider. I didn’t read his essay but it turned out his teacher disagreed fundamentally with what he said.

“I think he ended up with a C+.”

Asked for his thoughts on the literary landscape of 2018, McEwan suggested he was sceptical.

“Literary fiction is in a curious nosedive saleswise, down about 35 per cent over the past five years,” he said.

“Everyone’s got a theory: TV box sets, some sort of fatigue, who knows. Maybe it’s not just good enough.

“When people ask me who are the amazing writers under 30, I’m not in a position to judge. I start a lot of modern novels and don’t find myself compelled to continue.”

McEwan’s latest work has seen him adapt his novel, On Chesil Beach, for the screen after other books were turned into films by outside scriptwriters.

“I’ve learnt from experience that if you want to have influence, you have to get your hands dirty,” he said, admitting: “I tinker – I can’t stop.

“There’s one scene in the movie I know that if it had occurred to me when I was writing the novel, I’d have put it in.

“What’s also not in the book is the ending, because cinematically it’s irresistible.”

 

 

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Haiku to you Thursday (and photo): “The boot”

Water resistant, /
creek find, Herman boot rescued. /
Spring planter reuse.

S018_Boot_rescue_JL 100dpi_6x6_4c_10.56.36 copy

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Filed under 2018, Haiku to You Thursday, photo by David E. Booker, poetry by author

One space between each sentence, they said. Science just proved them wrong. – The Washington Post

Obviously, there needs to be a standard. But do we really want to leave it to science?

Source: One space between each sentence, they said. Science just proved them wrong. – The Washington Post

In the beginning, the rules of the space bar were simple.  Two spaces after each period.  Every time.  Easy.

That made sense in the age of the typewriter. Letters of uniform width looked cramped without extra space after the period. Typists learned not to do it.

But then, at the end of the 20th century, the typewriter gave way to the word processor, and the computer,  and modern variable-width fonts.  And the world divided.

Some insisted on keeping the two-space rule.  They couldn’t get used to seeing just one space after a period.  It simply looked wrong.

Some said this was blasphemy. The designers of modern fonts had built the perfect amount of spacing, they said. Anything more than a single space between sentences was too much.

And so the rules of typography fell into chaos. “Typing two spaces after a period is totally, completely, utterly, and inarguably wrong,” Farhad Manjoo wrote in Slate in 2011.  “You can have my double space when you pry it from my cold, dead hands,” Megan McArdle wrote in the Atlantic the same year.  (And yes, she double-spaced it.)

This schism has actually existed throughout most of typed history, the writer and type enthusiast James Felici once observed (in a single-spaced essay).

The rules of spacing have been wildly inconsistent going back to the invention of the printing press. The original printing of the U.S. Declaration of Independence used extra long spaces between sentences. John Baskerville’s 1763 Bible used a single space. WhoevenknowswhateffectPietroBembowasgoingforhere.Single spaces. Double spaces.  Em spaces.   Trends went back and forth between continents and eras for hundreds of years, Felici wrote.It’s not a good look.

And that’s just English. Somewrittenlanguageshavenospacesatall and o thers re quire a space be tween ev e ry syl la ble.

Ob viously, thereneed to be standards. Unless    you’re doing avant – garde po e try, or    something , you  can’tjustspacew ords ho w e v   e    r   y      o        u            want.     That would be insanity. Or at least,

obnoxious.

Enter three psychology researchers from Skidmore College, who decided it’s time for modern science to sort this out once and for all.

“Professionals and amateurs in a variety of fields have passionately argued for either one or two spaces following this punctuation mark,” they wrote in a paper published last week in the journal Attention, Perception, & Psychophysics.

They cite dozens of theories and previous research, arguing for one space or two.  A 2005 study that found two spaces reduced lateral interference in the eye and helped reading.  A 2015 study that found the opposite.  A 1998 experiment that suggested it didn’t matter.

“However,” they wrote, “to date, there has been no direct empirical evidence in support of these claims, nor in favor of the one-space convention.”

So the researchers,  Rebecca L. Johnson,  Becky Bui  and Lindsay L. Schmitt,  rounded up 60 students and some eye tracking equipment,  and set out to heal the divide.

First, they put the students in front of computers and dictated a short paragraph, to see how many spaces they naturally used. Turns out, 21 of the 60 were “two-spacers,” and the rest typed with close-spaced sentences that would have horrified the Founding Fathers.

The researchers then clamped each student’s head into place, and used an Eyelink 1000 to record where they looked as they silently read 20 paragraphs. The paragraphs were written in various styles: one-spaced, two-spaced,  and strange combinations like two spaces after commas,  but only one after periods.  And vice versa, too.

And the verdict was: two spaces after the period is better.  It makes reading slightly easier.  Congratulations, Yale University professor Nicholas A. Christakis.  Sorry, Lifehacker.

Actually, Lifehacker’s one-space purist Nick Douglas pointed out some important caveats to the study’s conclusion.

Most notably, the test subjects read paragraphs in Courier New, a fixed-width font similar to the old typewriters, and rarely used on modern computers.

Johnson, one of the authors, told Douglas that the fixed-width font was standard for eye-tracking tests, and the benefits of two-spacing should carry over to any modern font.

Douglas found more solace in the fact that the benefits of two-spacing, as described in the study, appear to be very minor.

Reading speed only improved marginally, the paper found, and only for the 21 “two-spacers,” who naturally typed with two spaces between sentences.  The majority of one-spacers, on the other hand, read at pretty much the same speed either way.  And reading comprehension was unaffected for everyone, regardless of how many spaces followed a period.

The major reason to use two spaces, the researchers wrote, was to make the reading process smoother, not faster.  Everyone tended to spend fewer milliseconds staring at periods when a little extra blank space followed it.

(Putting two spaces after a comma,  if you’re wondering,  slowed down reading speed,  so don’t do that.)

The study’s authors concluded that two-spacers in the digital age actually have science on their side, and more research should be done to “investigate why reading is facilitated when periods are followed by two spaces.”

But no sooner did the paper publish than the researchers discovered that science doesn’t necessarily govern matters of the space bar.

Johnson told Lifehacker that she and her co-authors submitted the paper with two spaces after each period — as was proper. And the journal deleted all the    extra spaces anyway.

Note: An earlier version of this story published incorrectly because, seriously, putting two spaces in the headline broke the web code.

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Photo finish Friday (and haiku): “Creek cleanup”

The Hail Mary here /
Is neither pass nor prayer /
but hope for the creek.

2018_Beth_Football 100dpi_5x5_bw_1465 copy

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Filed under 2018, Photo by Lauren Booker, Photo Finish Friday, poetry by author

Haiku to you Thursday (and photo): “Irresistible”

It is not a nut. /
It is a legume, you say. /
I say, It’s a truck.

2018 Planters 100dpi_7x5_4c_7678 copy

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Earth Day: “Stars and Petals”

A billion trillion /
stars and azalea petals /
scatter life, sky and earth.

Azaela bush 100dpi_7x5_4c_5820 copy

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Filed under 2018, photo by David E. Booker, poetry by author

Haiku to you Thursday (and photo): “Angry Old Man”

Angry old man glowers /
scared boy folded tight inside /
Spring flower un-bloomed.

Irias blooming 100dpi_7by10_bwidings ingred _ copy

 

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cARtOONSDAY: “sHE sAID”

A writer she gasped

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April 17, 2018 · 11:48 pm

Monday (morning) writing joke: “The ride”

A writer and a genie were trapped in a stuck elevator.

Writer: “Can you get us out of this?”

Genie: “Is that your wish?”

Writer, after thinking about: “Maybe we’ll wait.”

They wait two hours. Then three. Then six. Then….

Finally the writer said: “I wish for everybody in this building to have a wish.”

The genie wasn’t sure what he was getting at by that wish, but there was nothing in the rules against wishing everybody in the building have a wish, so he granted it.

The elevator doors immediately opened. But before the writer could step out, the elevator doors slammed shut and the elevator plunged downward, then upward, then crashed through the building and when it finally stopped the elevator doors opened on hell. The flames shot into the elevator, growing larger, brighter, and hotter.

Shaken by the experience, the writer sputtered: “I wish I had never made my wish.”

The slammed shut. The fire was gone, and the elevator was exactly where it had been when the wishing first started.

Eventually the doors were opened and as the writer was helped out, somebody asked him how he had managed to survive over nine hours in such a small space with nothing to do.

The writer smiled: “I’m a writer. Many days I spend my time in a small space where nothing seems to happen. Usually my imagination fills in the gaps. This was more or less a typical day for me.”

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Rotten Reviews or Rejections

ClanofCaveBear_rejection_1980 copy

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April 15, 2018 · 4:48 pm