Monthly Archives: August 2017

The Devil’s Dictionary: “Insurance”

In our continuing quest to revisit a classic, or even a curiosity from the past and see how relevant it is, we continue with The Devil’s Dictionary by Ambrose Bierce. Originally published in newspaper installments from 1881 until 1906. You might be surprised how current many of the entries are.

A young Ambrose Bierce

For example, here is a definition for the word Insurance. The Old definitions are Bierce’s. The New definition is mine. From time to time, just as it was originally published, we will come back to The Devil’s Dictionary, for a look at it then and how it applies today. Click on Devil’s Dictionary in the tags below to bring up the other entries.

OLD DEFINITION
Insurance, n. An ingenious modern game of chance in which the player is permitted to enjoy the comfortable conviction that he is beating the man who keeps the table.

 

INSURANCE AGENT: My dear sir, that is a fine house – pray let me insure it.

HOUSE OWNER: With pleasure. Please make the annual premium so low that by the time when, according to the tables of your actuary, it will probably be destroyed by fire I will have paid you considerably less than the face of the policy.

INSURANCE AGENT: O dear, no – we could not afford to do that. We must fix the premium so that you will have paid more.

HOUSE OWNER: How, then, can _I_ afford _that_?

INSURANCE AGENT: Why, your house may burn down at any time. There was Smith’s house, for example, which —

HOUSE OWNER: Spare me – there were Brown’s house, on the contrary, and Jones’s house, and Robinson’s house, which—

INSURANCE AGENT: Spare _me_!

HOUSE OWNER: Let us understand each other. You want me to pay you money on the supposition that something will occur previously to the time set by yourself for its occurrence. In other words, you expect me to bet that my house will not last so long as you say that it will probably last.

INSURANCE AGENT: But if your house burns without insurance it will be a total loss.

HOUSE OWNER: Beg your pardon – by your own actuary’s tables I shall probably have saved, when it burns, all the premiums I would otherwise have paid to you – amounting to more than the face of the policy they would have bought. But suppose it to burn, uninsured, before the time upon which your figures are based. If I could not afford that, how could you if it were insured?

INSURANCE AGENT: O, we should make ourselves whole from our loss.

HOUSE OWNER: And virtually, then, don’t I help to pay their losses? Are not their houses as likely as mine to burn before they have paid you as much as you must pay them? The case stands this way: you expect to take more money from your clients than you pay to them, do you not?

INSURANCE AGENT: Certainly; if we did not—

HOUSE OWNER: I would not trust you with my money. Very well then. If it is _certain_, with reference to the whole body of your clients, that they lose money on you it is _probable_, with reference to any one of them, that _he_ will. It is these individual probabilities that make the aggregate certainty.

INSURANCE AGENT: I will not deny it – but look at the figures in this pamph—

HOUSE OWNER: Heaven forbid!

INSURANCE AGENT: You spoke of saving the premiums which you would otherwise pay to me. Will you not be more likely to squander them? We offer you an incentive to thrift.

HOUSE OWNER: The willingness of A to take care of B’s money is not peculiar to insurance, but as a charitable institution you command esteem. Deign to accept its expression from a Deserving Object.

 

NEW DEFINITION
Insurance, n. A broad term covering several versions of an ingenious and something disingenuous modern game of chance in which the player is permitted to enjoy the comfortable conviction person that he is getting what he paid his premiums for. This is especially true in health insurance and policies such as long term disability.

ACCOUNT MANAGER (now they call them account managers): Sir, I only received the files from the short term disability people. It will take us a week to input them into our system.

POLICY OWNER (though he or she actually owns nothing): I will call you back in a week, then.

 

A week later.

ACCOUNT MANAGER: Yes, the files are input, but we need something from your employer stating that you are eligible for long term disability. I have sent them an e-mail, but have heard nothing back. I can’t send your files on to the medical staff for review until I get that information.

POLICY OWNER: How long will the medical review take?

ACCOUNT MANAGER: At least a week.

POLICY OWNER: Then I will have long term disability?

ACCOUNT MANAGER: If they have enough information and if they agree, you will then qualify.

 

POLICY OWNER: (Dials his employer’s benefits number.) After pressing several buttons to get through the gauntlet of the automated menu, finally, after one or two transfers, reaches the “right” person and explains the situation.

LTD BENEFITS PERSON: Yes, I received the e-mail, but it was only on Friday and today is Tuesday. Besides, I need a current job description before I can send a response. (Pauses as if something is wrong, or she may have discovered something.) I will need to check into this.

 

On Friday of the same week.

ACCOUNT MANAGER: I received a response, but they did not include information when the policy was effective. Even if it was years ago that it first became active, we need to know that date.

POLICY OWNER: The date of the policy?

ACCOUNT MANAGER: Yes.

POLICY OWNER: I took out the policy when it was first offered to me over seven years ago. So, it’s over seven years.

ACCOUNT MANAGER: Yes.

POLICY OWNER: Yes?

ACCOUNT MANAGER: Yes, but they need to send me the date.

POLICY OWNER: Since your company is carrying the policy, don’t you have that date?

ACCOUNT MANAGER: Your employer needs to send me the date.

POLICY OWNER: Once you get the date, you can submit the files to the medical people?

ACCOUNT MANAGER: Yes, but once they take a look at, if they approve, it then goes to my supervisor, who send it up to the directors’ level.

POLICY OWNER: Why?

ACCOUNT MANAGER: Because this was a previously closed case, and to fully reopen it, the directors will have to approve.

POLICY OWNER: How long will that take?

ACCOUNT MANAGER: That can take up to two months.

POLICY HOLDER: Two months?

ACCOUNT MANAGER: Yes.

The sound of yes begins to sound very much like “No.” It is only used in response to delays and additional obstacles.

POLICY OWNER: (Dials his employer. Gets shoved into a voice mail que, where he leaves his name, who he wants to speak with, and what it is about. This is roughly at 10 AM. At 3 PM he calls back and after punching his way through several automated menus, he reaches the same voice mail que, but this time he is told it is full and the system hangs up on him.)

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Tom Howard/Margaret Reid Poetry Contest

Welcome to the 15th annual Tom Howard/Margaret Reid Poetry Contest. Submit published or unpublished work. $4,000 in prizes.

Please submit during April 15-September 30, 2017. We will award the Tom Howard Prize of $1,500 for a poem in any style or genre, and the Margaret Reid Prize of $1,500 for a poem that rhymes or has a traditional style. Ten Honorable Mentions will receive $100 each (any style). The top 12 entries will be published online. Length limit: 250 lines per poem. No restrictions on age or country. Please click the Submittable button below for full details. The results of the 15th contest will be announced on April 15, 2018. Fee: $12 per poem.

Submit poems on any theme, up to 250 lines each. We will award the Tom Howard Prize of $1,500 for a poem in any style or genre, and the Margaret Reid Prize of $1,500 for a poem that rhymes or has a traditional style. Ten Honorable Mentions will receive $100 each (any style). The top 12 entries will be published online. Judge: Soma Mei Sheng Frazier, assisted by Jim DuBois.

You may submit published or unpublished work. This contest accepts multiple entries (submit them one at a time). Please omit your name from your entries. We prefer 12-point type or larger. Please avoid fancy, hard-to-read fonts.

For the purpose of the Margaret Reid Prize, a poem in a traditional style employs regular meter and/or rhyme, or is written in a recognized poetic form. This includes traditional Western forms such as ballads, sonnets, and blank verse, and Asian forms such as tanka and haiku.

submit

Supplemental contest information (copyright, privacy, special assistance, etc.)

Source: https://winningwriters.com/our-contests/tom-howard-margaret-reid-poetry-contest?utm_medium=email&utm_campaign=170809b%20Tom%20Poetry&utm_content=170809b%20Tom%20Poetry+Version+A+CID_51e4e11c76bc437a0463083fb1423bfc&utm_source=Email%20marketing%20software&utm_term=Click%20to%20Submit

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Photo finish Friday: “Night freedom”

The full moon reflected in the far window gave him a taste of the freedom he longed for, but could not have.

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Haiku to you Thursday: “Flawed and cracked”

He stole her best years.

All he left her was his love:

flawed and cracked; she smiled.

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Writing tip Wednesday: “Agent looking for YA and mysteries”

Source: http://www.writersdigest.com/editor-blogs/guide-to-literary-agents/new-literary-agent-alert-joanna-mackenzie-nelson-literary-agency

 About Joanna MacKenzie: Joanna joined the Nelson Literary Agency at the start of 2017 following a tenure at a Chicago-based literary agency where she successfully placed numerous manuscripts that have gone on to become critically acclaimed, award-winning, and bestselling novels. She represents a wide-range of writers, from YA (Kristen Simmons) and romance (Shana Galen) to mysteries and thrillers (John Galligan). Joanna loves working with authors who embrace the full publishing process (read: love revisions) and is committed to the stories her clients want to tell both with the words they put on paper, as well as with the careers the build. At the Nelson Literary Agency, Joanna is looking to expand her list in both adult and YA.

She is Seeking: Joanna is looking for literary-leaning projects with commercial potential and epic reads that beat with a universal heart (think The Secret History or The Namesake or Geek Love). In particular, she’s drawn to smart and timely women’s fiction as well as absorbing, character-driven mysteries and thrillers –Tana French is a particular favorite. She has a weird obsession with, what she calls, “child in jeopardy lit” and can’t get enough kick-ass mom heroines—she’d love to find the next Heather Gudenkauff. On the YA side, she’s interested in coming of age stories that possess a confident voice and characters she can’t stop thinking about (Morgan Matson is on her forever shelf).

How to Submit: Send a query via email to queryjoanna@nelsonagency.com. Please remember:

  • In the subject line, write QUERY and the title of your project. This will help ensure that your query isn’t accidentally deleted or caught in our spam filter.
  • In the body of your email, include a one-page query letter and the first ten pages of your manuscript.
  • No attachments Because of virus concerns, emails with attachments are deleted unread.

 

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cARtOONSdAY: “tAPPING aWAY”

It was either his stories that bounced, or his checks.

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Monday (morning) writing joke: “Definition”

Q.: What’s the definition of a will?

A.: A dead giveaway.

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2017 Knoxville Writers’ Guild Contest

Preamble

“Home is where the heart is.” – Proverb

“After a good dinner one can forgive anybody, even one’s own relatives.”
– Oscar Wilde, A Woman of No Importance

As the shadows lengthen and the verdure of summer yellows and browns, thoughts turn to the approach of cooler weather, longer nights, and our families. For many of us the start of the new school year conjures gilded memories of childhood. Increasingly, Halloween kicks off the holiday season by letting our imaginations dabble in alternative realities: costumes, masks, hauntings, and mazes let us self-determine the constructs of our lives, at least for an evening. We disguise ourselves and play tricks on one another before the formalities and traditions of Thanksgiving and the winter holidays order our hours, days, and weeks. Throughout autumn the idea of family moves closer and closer to the center of our thoughts and activities. And as it does, we reflect on ourselves in relation to others with whom we share the moniker ‘family’.

With this in mind, the Knoxville Writers’ Guild is opening its first Autumn Writing Contest with ‘Family’ as the theme. We are inviting submissions that examine the complex nature of families and our relationships with those deemed closest to us by culture, society, and blood.

2017  Knoxville Writers’ Guild Autumn Contest

The Knoxville Writers Guild is accepting submissions for the its first Autumn Knoxville Writers Guild Contest beginning August 31, 2017 through midnight, October 31, 2017.

Contestants may enter their work in several categories including poetry, literary nonfiction and literary short fiction. There is also a Young Writers category in which student may submit in any of the previously mentioned genres. Judges will be announced shortly.

Please direct questions regarding the contest here.

Literary Short Fiction

Guidelines:
Entry consists of one short story totaling no more than 3,000 words. See General Guidelines for additional instructions.
Members: Free
Non-Members: $30

Poetry

Guidelines:
Entry consists of no more than three typed poems totaling 100 lines or fewer. If more than one poem is entered on the same submission, poems will be judged as a collection. There are no restrictions as far as style, content or spacing.
See General Guidelines.
Members: Free
Non-Members: $30

Literary Nonfiction

Guidelines:
Entry consists of one typed, double-spaced nonfiction essay of no more than 3,000 words.
See General Guidelines.
Members: Free
Non-Members: $30

 

Young Writers
Open to all students grades 7 through 12 of Knox and adjoining counties.

Guidelines:
Fiction: Entry consists of one short story or stand-alone novel excerpt totaling no more than 3,000 words, double-spaced.
Nonfiction: Entry consists of essay totaling no more than 3,000 words, double-spaced.
Poetry: Up to a maximum of three typed poems totaling 100 lines or fewer with no restrictions as far as style, content or spacing.  Poems should be submitted as a single document. Poems will be judged as a collection.

Do not include any identifying information on the submissions themselves.

If you are a teacher or school submitting entries on behalf of your students, please add the following information in addition to the information required by the General Guidelines:

  • School name
  • Teacher or school representative name
  • School Address
  • School phone number

Please contact us if your school or club needs any additional information for bookkeeping or payment purposes.
Students: Free

Complete guidelines for the entries can be found here.

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Photo finish Friday: “Well fed”

Vegetarian fed?

I understand raised “without antibiotics” and “no added hormones.” But does “vegetarian fed” mean they were fed by a vegetarian? Or possibly that a vegetarian was fed to the cows and pigs?

I am also curious as to how you raise a cow or pig “gluten free.” After all, does it matter if the pig or cow had gluten during its lifetime? Does that mean no corn or wheat at all was fed to these animals?

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Haiku to you Thursday: “Empty, too”

Our pockets empty

we compare mythologies

under the eclipse.

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