Monthly Archives: December 2011

Ten reasons to consider self-publishing

I pass this along as information. I enjoy entries posted on the Kill Zone blog, and would suggest writers of almost any genre to at least stop by on occasion. All the authors who contribute are published writers many times over, often making their living writing.  Such is the case for James Scott Bell.

http://killzoneauthors.blogspot.com/2011/12/10-reasons-why-i-am-self-publishing.html

10 Reasons Why I Am Self Publishing

We had quite a dust up this week over the self-publishing revolution, beginning with my thoughts on agents, followed by Clare’s post on reasons NOT to self-publish. As I have just released a new story for Kindle (more on that below), I reflected on the reasons I choose to self-publish alongside my traditionally published work.
1. It’s real money
I write for a living. Self-publishing increases my income substantially, and pays off monthly. I’m sort of old school on this. The pulp guys who wrote during the Depression were, first of all, trying to put food on the table. Writing is my job, and if I can up the income at my job, why would I not do that?
2. It’s not either/or
I don’t have to choose self-publishing to the exclusion of traditional publishing. I do both. The nice thing is I can make sound business decisions with more options and information than ever before.
3. It’s not about hate
One thing I didn’t understand about the original reasons-not-to-self-publish post was the point about not being a “hater.” Yes, I know there is some vitriol out there about trad publishing from authors who have been burned by it. But hate is a personal invective and traditional publishing is not a person. It’s a business. One should simply make clear-headed business decisions, with self-publishing as one of the options on the table.
4. It’s what I love to do
I love to write and have people read what I write. Self-publishing lets me get more of my work to more readers. This is why traditional publishers should not fret over authors self-publishing non-competing work (and should take a liberal stance on what constitutes “competing”). An author who makes more readers helps the traditional publisher sell more of that author’s books.
5. It lets me try different things
I am free to write what I want and put it out there in the marketplace. I can stretch my muscles, try new styles. My latest story, described below, is an example. This is major.
6. It’s a market for shorter works
I love the novella, novelette (10 – 20k words) and short story forms. This market was pretty much dead until the self-publishing revolution. Now you can actually make a buck off this type of material.
7. It’s fun
Traditionally published authors always love the day a box of their new book arrives from the publisher. You take out a fresh copy, smell it, admire the cover, riffle the pages. Well, it’s just as much fun to see your book become available online, even more fun when people start buying it.
8. It’s empowering
Writers have never had the power they have now to reach readers. It used to be there was only one way to do it, and that was through the largesse of a difficult-to-reach Kingdom called the publishing establishment. I like having more power. But with power comes responsibility, and it’s up to me to make sure my writing is the best it can be. I like having that power, too.
9. It’s a free market
It’s nice that the market — the readers themselves — get to decide how much reward an author gets. That’s as it should be. The more an author writes and publishes and pleases readers, the more the market will reward said author.
10. It’s fast
This may be my favorite reason of all. I don’t have to wait a year or 18 months to see something I wrote go out for sale.
As an example of all the above, let me tell you how my latest offering came to be:
A few months ago I purchased the Kindle edition of the Robert E. Howard Omnibus. Howard was one of the most prolific pulp writers of the 30s, best known for creating Conan the Barbarian. He wrote in several genres, including the Steve Costigan boxing stories.
I liked the style of these stories because I’m a boxing fan (old school, that is, from Jack Johnson to Muhammad Ali), so about six weeks ago I found myself tapping out a first person narrated boxing tale. I called my character Irish Jimmy Gallagher and set the story in 1955 Los Angeles. Pretty soon I had about 6000 words in a voice I really liked.
I rewrote the story then sent it out to a group of beta readers, who I told to be “brutally honest” with me. I really didn’t know what I had. The feedback was 100% positive, with a few suggestions and typo snags. So I took their notes and made some changes and then did the following:
* I created a cover to suggest the pulp-style boxing stories of yore. I purchased a license for a pen-and-ink boxing picture from iStockphoto and designed a template (I’ll change colors for future stories) in Pages for Mac. Total cost to me: $45 and a couple hours of time.
* I wrote the marketing copy for the story, which is a crucial link in the self-publishing chain, but I enjoy that process, too. Fifteen minutes.
* I converted the story to .mobi format using Calibre software. For a novel with a TOC, I would probably hire this step out. But I wanted to see if I could do it with a simple short story, and I could. A few hours to learn the program and mess with it.
* I uploaded the story to Amazon on Monday morning (ten minutes to fill out the info on their publishing page) and it went live later that day.
From the finishing of the story to getting it vetted by beta readers, doing the formatting and design and placing it online, it was about a week. That absolutely rocks.
So now I have a boxing story for sale. If I had sold it to a pulp magazine in 1935, I might have been paid $100 for it as a one-time fee. Now I will make royalty income off it for the rest of my life. While one 99¢ story is not going to buy a new car, it is certainly going to be substantially more over the long term than our forefathers of the pulp days ever saw. So I will be writing more stories in this series, and start other series as well.
This is a good thing. No, a great thing for writers.
So those are ten of my reasons for self-publishing. And now it’s my pleasure to introduce you to Irish Jimmy Gallagher, who checks in at 6’3″ and 225 pounds. A boxer with dancing green eyes and a wit born of the Blarney Stone, Jimmy is a hell of a fella, quick with a laugh and quicker with the jab.
But if you foul him, stand back.

Available for 99¢ exclusively on Kindle.

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Filed under James Scott Bell, Kill Zone blog, self-publishing, writing blog, writing tip

Santa and the jet

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Santa impaled on a jet.

Pilot landed, full of regret.

Fallen presents everywhere.

Broken wagon, child’s despair.

Reindeer rammed right through the plane.

Santa’s joy turned to pain.

If you don’t see him Christmas Eve.

Search the obituaries and the bereaved.

Santa impaled on a jet.

Pilot landed, full of regret.

NORAD warned him: “Don’t fly there.”

Now he wears soiled underwear.

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Filed under humor, jet, poem, poetry, reindeer, Santa Claus

The Devil’s Dictionary: Orthodox and Heterodox

Every now and then, it is good to revisit a classic, or even a curiosity from the past. The Devil’s Dictionary by Ambrose Bierce was originally published in newspaper installments from 1881 until 1906. You might be surprised how current many of the entries are.

For example, here is a definition for the word abasement. The first definition is Bierce’s. The second one is mine. From time to time, just as it was originally published, we will come back to The Devil’s Dictionary, for a look at it then and how it applies today. Click on Devil’s Dictionary in the tags below to bring up the other entries.

Old definition:
Orthodox, n. An ox wearing the popular religious yoke.

New definition:
Orthodox, n. An ox wearing the popular religious, political, or other social yoke. Especially true during an election year, and even more so as the “election year” becomes more than one year. The yoke gets broader and narrower at the same time, covering more of the ox, but holding him tighter and tighter. See also Heterodox.

Heterodox, n. More than one ox being yoked. Used to be a man didn’t care about another man’s yoke, as long as it wasn’t his ox getting gored. Nowadays, there are more yokes than oxen, so be careful or the yoke may be on you. If not careful, both orthodox and heterodox can lead to a bad case of oxymoron. That’s where your ox gets told how stupid it is, and the yoke becomes even tighter.

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Filed under Ambrose Bierce, Devil's Dictionary, heterodoxy, humor, orthodoxy, puns, satire, Uncategorized, word play

I, the mirror

There are days when I peek in the mirror

and see only the empty stare of a fallen reality….

I stand on the street corner outside a crooked church,

steeple cocked as if listening for a lost repent.

Dressed in a seek sucker suit,

the stripe in it as deep

as the cerulean sky above,

I cup brown rice in my hand,

my pockets bulging with it.

I hear the processional wedding march.

The battered door on the landing above me creaks.

I fling my rice high in the air

and it susurrates to the Earth

as rain and then as my tears.

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Filed under church, mirror, poem, poetry, words

The Kibitzer and the Kidd, parts 1 – 4

Previously, parts 1 – 3 have been published here, but I thought I would include them along with a new part 4. More to come in this continuing offbeat story. If you enjoy it, let me know. If you don’t, you can let me know that, too.

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The Cough Drop Kidd and the Kibitzer rode into town. It would have been in a cloud of mentholated dust, but because it was raining, it was in a slosh of mud and a cough laced with glycol. They were almost out of cough drops and the Kidd was not happy.

“Kibitzer,” he said between sniffles, “go get us some.”

“I’m only here to watch,” the Kibitzer said, “and for the popcorn.”

The Cough Drop Kidd pulled his six-shooter and pointed it at the head of Kibitzer’s horse. “You wanna observe riding or walking?”

The Kibitzer’s horse’s ears flicked back and forth as if trying drive away a fly. The Kibitzer blinked a couple times and finally said, “I’ll go watch the apothecary mix up a batch.”
The Kidd nodded and raised the barrel of his pistol skyward. “Be quick about it. I’ll be in the saloon getting a hot toddy. A little honey will help my throat.”

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The Kidd entered the saloon. It was beat up ol’ place with chairs that had legs that didn’t match and a bar rail so wobbly it had a hand printed sign hanging from it that said: Donut touch. That means u.

The floor creaked to the point he was sure it was talking to him, saying something like, “Donut go there.” But he paid it no heed as he stepped toward the bar. This part of the Wild Side was full of things that spoke when not spoken to. Some said it was haints. Others said it was spirits. And some even said it was bottled spirits. Even though he was wet all over, the Kidd was parched.

“Hey, dandy boy, wipe your feet. What do you think this is, your corral?”

A few people looked his way and a couple of folks chuckled, but most kept doing the mopping and card playing and lying they were doing before.

The woman yelling at him was tall and a little on the heavy side, which meant this business had been good to her. The Kidd liked that about her. She was standing behind the bar, so thus far what he liked was only from about the waist up. She was wiping out a glass.

When he was up near her, he whispered, “I’ll have a hot toddy.” His voice was about gone.

“Well, I do declare,” she said, “the dandy wants a hot toddy.”

“A what?” somebody at the bar asked. His back was to the Kidd, so the Kidd didn’t know what he looked like.

“A toddy. A hot toddy.” She said the words again and winked back at the Kidd. He wasn’t sure if it was a friendly gesture, or a twitch.

The man turned around. His face was as scuffed as the floor and as beaten up as the chairs. Tobacco juice ran out of one of the corners of his mouth. One eye was lazy and one earlobe looked as though a coyote had chewed on it.

“Dandy,” the man said, spitting on the floor, “we don’t serve your kind.”

It was that moment that the saloon went quiet, except for the gentle swinging of the saloon doors and the floor saying, “Told you.”

“Package,” a voice said. “Package for a Cough Drop Kidd. Is there a Cough Drop Kidd here?”

All eyes turned toward the Kidd.

The Kidd turned toward the delivery boy in his granny spectacles, gray cap with a black bill, and clothes too starched and too new to have been worn much in this town.

“One D or two?” the Kidd asked, lightning still flashing just outside the saloon doors.

“Ah,” the delivery boy looked down at the package, “two.”

“Good. The Kid with one D works the lower territory south of the divide. We call the divide the D-M-D for short.”

“And for long?” the boy asked.

“His D ain’t that long,” some cowboy shouted.

The others in the saloon chuckled.

The delivery boy turned bright red, dropped the package, and skedaddled out of the saloon, getting immediately struck by a lightning bolt. The box hit the floor and broke along one of its sides. It bulged open, spewing books across the hardwood, every last one of them different, one of each and each one about vampires.

“So, you a blood sucker, Dandy?” The floor-faced man stepped away from the bar and his hand rattled toward his holster. He had rattlesnake rattles in a band around his wrist and his hand twitched slightly.

The Kidd glanced around. The card games had stopped. The lying had stopped. Even the moping had stopped. The woman behind the bar twitched him another smile and then ducked down behind it. She moved quick for a big woman.

This town is cursed, thought the Kidd. But he didn’t have much time to think anything else. The floor-faced man’s hand was at the top of his holster.

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The apothecary was almost done making the cough drops, but the Kibitzer was tired of watching. He ho-hummed to himself, took another bite of some slightly stale popcorn, and decided watching was not always what he had pictured it would be. It was a very unpleasant observation and it did not sit well him or his stomach. The popcorn didn’t help. He belched once in hopes of relief.

It was during the descent of the belch out of his mouth that he heard what sounded like a pop, saw the delivery boy run out of the saloon, and then watched as lightning tripped the light fantastic across the kid’s body.

He then saw another two or three people scurry out of the saloon as if escaping an unpleasantry, like a distant relative’s interminable funeral or a spelling bee where they were next up and the word was interminable.

The Kibitzer forgot all about the cough drops and stepped outside, glancing toward the sky as if somehow he could observe a bolt of lightning before it hit him, and then considered running through the rain to the other side of the street.

That’s when a young lady came up and kneed him in the groin.

The Kibitzer dropped to the wooden sidewalk, balled up, and began rocking back and forth as if it might dissipate the pain.

“My name’s Bonnie,” she said, leaning over him. “No man leaves my apothecary without payin’ for what he ordered.”

“I wasn’t leaving,” the Kibitzer said, his teeth still clenched.

Finally, he rolled over onto all fours.

“Didn’t you see the kid out there? He got struck by lightning?”

Bonnie shrugged. “Happens a lot lately. He’ll be okay. Nobody in this town dies anymore. Been bad for my business, I tell you.”

The Kibitzer was again standing fully erect, if feeling a little tender. The rain had slackened to almost a light drizzle.

“We already lost two undertakers and the saw bones has gone back to yankin’ teeth. If it weren’t for medicinals for that, I’d probably be blowin’ in the wind, too.” She then slipped him the bill for the cough drops.

The Kibitzer looked at it. “What, no discount for the laying on of hands?”

She smiled at him, then raised her hand. In the muddled light of the evening, she still looked quite menacing. “I didn’t finish.”

The Kibitzer paid her and gave her a generous tip.

He then dashed out into the rain, forgetting the cough drops.

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“Now, now, gentlemen, there’s no need for fisticuffs.”

The voice preceded the groaning of the stairs behind the floor-faced man. A barrel-chested man appeared as if stepping out of an office built half-a-floor above the saloon.

The floor-faced man slid his hand down to his gun anyway, pulled it, and was aiming when the Kidd fired a shot that hit the gun, knocking it out of the floor-faced man’s hand.

The gathered crowd moved back and the floor-faced man scurried away. The man on the steps descended the rest of the way to the floor of the saloon.

“Some pretty fancy shootin’ there, pilgrim.”

The Cough Drop Kidd was as surprised as anyone, but he did his best to hide it. He slipped his pistol back into its holster.

The barrel-chested man walked up to the Kidd and extended his hand. “My name’s Al, Al Wayne, but you can call me Al.”

The Kidd extended his hand, keeping it clenched until the last second in order to keep it from shaking.

“You new in town, Kidd?”

The Kidd nodded.

Al looked over at the dropped box of books. “We don’t allow those type books in town. Frightens the children and some womenfolk.”

The Kidd looked over at the box. He thought about saying, again, it wasn’t his, that he hadn’t been expecting a package of any sort, but he didn’t want somebody else coming forth and accusing him of being a liar and challenging him on it, so instead, he said, “Well, Al, what sort of books do you allow?”

“Why, nice of you to ask,” Al said, reaching behind him and snatching a copy of the book from one of the saloon patrons. “This is the only good book we’re allowed to read here on the West Side. It’s called Global Warning. It’s one I wrote myself, before the collapse.”

Collapse? The Cough Drop Kidd didn’t know anything about a collapse. This was the only world he knew. He was about to ask when he heard the saloon doors swing open. He thought he better turn and take a look. Everybody else was.

(To Be Continued…)

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Filed under humor, kibitzer, kidd, satire, story, western, wit, word play